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Eugenie Leontovich
The Ideal of Ensemble Practice in Twentieth-Century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London P
Chicago's Goodman Theatres the Transition from a Division of the Art Institute of Chicago to an Independent Regional Theatre
VISUALIZING ANNA KARENINA by Irina Makoveeva Master Degree, Moscow Lomonosov State University, 1987 Submitted to the Graduate Fa
Picture Show Annual (1942)
The Theatrical Career of Jed Harris in New York, 1925-1956. Patricia Lynn Burroughs Louisiana State University and Agricultural & Mechanical College
The Stage Art of Theodore Komisarjevsky: an Exhibition in the Harvard Theatre Collection
Komisarjevsky, Shakespeare and Russophobia in the British Theatre
A Carnivalesque Analysis of the Monster Child from Early Slapstick to the Nazified Children of Modern Horror
The History of the Hartman Theatre, 1938-1963
Zoë Akins Papers, the Huntington Library, San Marino, CA Indexing: Subjects (Pages 1-126) and Added Entries (Pages 127-150)
Plymouth Theater, First Floor Interior
PLYMOUTH THEATER, 234-240 West 45Th Street, Manhattan
A History Op the Kanawha Players of Charleston, West Virginia from 1922 to 1972
Information to Users
Constructing Straightness
Mona Mitchell Theater Program Collection MS-0166
ABSTRACT a Director's Approach to Helen Edmundson's Anna Karenina
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