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Ethel Waters

  • Vocal Colour in Blue: Early Twentieth-Century Black Women Singers As Broadway's Voice Teachers

    Vocal Colour in Blue: Early Twentieth-Century Black Women Singers As Broadway's Voice Teachers

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  • CRAFTING a CAREER: ETHEL WATERS and CABIN in the SKY Briana Joy Frieda a Thesis Submitted to the Faculty at the University of No

    CRAFTING a CAREER: ETHEL WATERS and CABIN in the SKY Briana Joy Frieda a Thesis Submitted to the Faculty at the University of No

  • Tilo Hähnel, a Brief Portrait Of: Ethel Waters, October 4, 2012 Highschool of Music FRANZ LISZT Weimar Department of Musicology

    Tilo Hähnel, a Brief Portrait Of: Ethel Waters, October 4, 2012 Highschool of Music FRANZ LISZT Weimar Department of Musicology

  • Musical Movie Memories Discussion Guide for 1940S Music Run DVD Film Segments on a TV Or Projection TV System to an Assembled Group

    Musical Movie Memories Discussion Guide for 1940S Music Run DVD Film Segments on a TV Or Projection TV System to an Assembled Group

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    Music That Scared America: the Early Days of Jazz

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    From the Civil War to Civil Rights in Music Tues, Feb 15Th at 10:00 Am

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    Count Basie the New Testament

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    Black Actors Inamerican Cinema

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    The Jazz-Blues Motif in James Baldwin's “Sonny's Blues”

  • Read Peter Mintun's Detailed Filmography of These

    Read Peter Mintun's Detailed Filmography of These

  • People”—Barbra Streisand (1964) Added to the National Registry: 2016 Essay by Gwendolyn Thompkins (Guest Post)*

    People”—Barbra Streisand (1964) Added to the National Registry: 2016 Essay by Gwendolyn Thompkins (Guest Post)*

  • Ethel Waters Was Born October 31, 1896, in Chester, Pennsylvania, to Louise Anderson, a Quiet, Religious, 16-Year-Old Girl

    Ethel Waters Was Born October 31, 1896, in Chester, Pennsylvania, to Louise Anderson, a Quiet, Religious, 16-Year-Old Girl

  • African American History of Los Angeles

    African American History of Los Angeles

  • Vernon Duke and the American Musical on Screen (Revised Version Submitted February 2010)

    Vernon Duke and the American Musical on Screen (Revised Version Submitted February 2010)

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    The Harlem Renaissance 15

  • Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism

    Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism

Top View
  • Waters, Ethel (1896-1977) by Tina Gianoulis
  • Blackface, White Noise: the Jewish Jazz Singer Finds His Voice Author(S): Michael Rogin Reviewed Work(S): Source: Critical Inquiry, Vol
  • Warner Bros. Film Retrospective
  • Stormy Weather Stirred a Teapot Rendered by Shu Lea Cheang for Mztek Chi-TEK Project (2011) Exhibition Victoria & Albert Museum, London
  • Vocal Colour in Blue: Early Twentieth-Century Black Women Singers As Broadway’S Voice Teachers
  • Rose Rosengard Subotnik)
  • Master Songwriter Module 11 of Music: Under the Hood
  • Black Face, Queer Space: the Influence of Black Lesbian & Transgender Blues Women of the Harlem Renaissance on Emerging Queer Communities
  • “Stormy Weather”—Ethel Waters (1933) Added to the National Registry: 2004 Essay by Stephen Bourne (Guest Post)*
  • Ethel Waters Sang Professionally in Baltimore
  • Popular Music, Glbtq Identity, and Religion
  • Satchmo” Armstrong Presented By
  • AFRICAN AMERICANS on STAMPS a CELEBRATION of AFRICAN-AMERICAN HERITAGE Pub354cvr 1/15/04 8:28 AM Page C6
  • Black Swan Records and the Political Economy of African American Music
  • Ethel Waters
  • Edmund “Rochester” Anderson House
  • Stormy Weather Ena Horne, Bill “Bojangles” of Mills Music, a Leading Publisher Stormy Weather Was Originally Re- Lrobinson, Cab Calloway, “Fats” of Black Songs
  • The Development and Evaluation of a Guide To


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