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Erwin Piscator

  • CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three

    CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three

  • Crowds and Democracy

    Crowds and Democracy

  • The Performing Arts at the New School First Faculty Members It Never Entered My Mind to Teach in Any Other Place in NY Than the New School

    The Performing Arts at the New School First Faculty Members It Never Entered My Mind to Teach in Any Other Place in NY Than the New School

  • Bertolt Brecht B

    Bertolt Brecht B

  • Viktor Ullmann „Die Weise Von Liebe Und Tod Des Cornets Christoph Rilke“ the Lay of Love and Death of Cornet Christoph Rilke

    Viktor Ullmann „Die Weise Von Liebe Und Tod Des Cornets Christoph Rilke“ the Lay of Love and Death of Cornet Christoph Rilke

  • Documentary Theatre, the Avant-Garde, and the Politics of Form

    Documentary Theatre, the Avant-Garde, and the Politics of Form

  • Edsitement Worksheet

    Edsitement Worksheet

  • Rainer J. Hanshe, Shattering the Muses

    Rainer J. Hanshe, Shattering the Muses

  • Lighting Design the Threepenny Opera

    Lighting Design the Threepenny Opera

  • CFP: Literature, Language and Culture During the Weimar Republic, Bucharest (15.08.2018)

    CFP: Literature, Language and Culture During the Weimar Republic, Bucharest (15.08.2018)

  • Theatre on Trial: Staging Postwar Justice in the United States and Germany

    Theatre on Trial: Staging Postwar Justice in the United States and Germany

  • Animistic Fictions: German Modernism, Film, and the Animation of Things

    Animistic Fictions: German Modernism, Film, and the Animation of Things

  • UC Irvine Flashpoints

    UC Irvine Flashpoints

  • Theatrical Modernism: a Problematic

    Theatrical Modernism: a Problematic

  • About the New School – the New

    About the New School – the New

  • MA Theatre Directing 2009

    MA Theatre Directing 2009

  • [Electronic Resource]. [Ipswich, MA] : EBSCO Pub

    [Electronic Resource]. [Ipswich, MA] : EBSCO Pub

  • Theatre I Moderator: James Al-Shamma, Ph.D

    Theatre I Moderator: James Al-Shamma, Ph.D

Top View
  • POLITICS on EGYPTIAN STAGE: AGITPROP in SALAH ABDEL SABOUR's PLAY the TRAGEDY of AL-HALLAG Dr. Hoda Abdel Ghaffar Salem Facult
  • The Piscator Experiment
  • Theatrical Modernism: a Problematic
  • Further Alienating the Audience During a Performance of Bertolt
  • Tony Kushner's Postmodern Theatre and to Discover How He Theatricalizes Politics
  • Multimedia and Space in Contemporary Theatre
  • The Theatrical Productions of Erwin Piscator in Weimar Germany: 1920-1931. Alfred Joseph Loup III Louisiana State University and Agricultural & Mechanical College
  • Documentary Theatre: Pedagogue and Healer
  • Choices of Evil: Brecht's Modernism in the Work with Eisler and Dessau
  • Aesthetic Theory of Bertolt Brecht and Cinema
  • The Stagecraft of Erwin Piscator's Adaptation of Tai Yang Erwacht
  • Arjomand CV Sept 16
  • Epistolary Novel
  • Erwin Piscator's Russia's Day: Agitprop Between History and Myth
  • About the New School
  • Brecht Chronology
  • Assessment", in Deutung Und Bedeutung, Ed. B. Schludermann Et Al
  • By Noah Isenberg


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