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Epitaph One
A Journal for Critical Debate Vol. 27 (2018)
2018 – Volume 6, Number
Zombies, Reavers, Butchers, and Actuals in Joss Whedon's Work Gerry Canavan Marquette University,
[email protected]
TV Finales and the Meaning of Endings Casey J. Mccormick
Liminal Identity in Contemporary American Television Science Fiction
Dollhouse Volume 1: Epitaphs Free Download
Zombies and Zombis in Firefly/Serenity and Dollhouse Gerry Canavan Marquette University,
[email protected]
THE OHRISTIAN INSORIPTIONS of LYOAONIA. the Following Epitaph
Interview with Robert S. Pastorino
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Genre and Gender in Joss Whedon's Dr. Horrible's
'Televisivo' De Netflix
Valérie Éliane Savard
Artificial Subjectivity As a Posthuman Negotiation of Hegel's Master/Slave Dialectic
2556 Total Amount of Data: 761041MB G:/America
A Grammar of Consubstantiality: a Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television
Florida State University Libraries
African Literature Is a Country,The Return of the Repressed: Religion
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Gender in Post-9/11 American Apocalyptic TV Ii Gender in Post-9/11 American Apocalyptic TV
Some Versions of Timon's Epitaph: Performance, Text, and Gift In
Science Fiction, Totality, and Empire in the Twentieth Century
From Postmodern Subjectivity to Posthuman Thingness in Joss Whedon's "Dollhouse"