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Eli Roth

  • Quentin Tarantino's KILL BILL: VOL

    Quentin Tarantino's KILL BILL: VOL

  • Netflix and the Development of the Internet Television Network

    Netflix and the Development of the Internet Television Network

  • 1. Introducing the Splat Pack

    1. Introducing the Splat Pack

  • Dr. Sylvia Earle

    Dr. Sylvia Earle

  • Feminism, Speech and Sound in Quentin Tarantino's Death Proof

    Feminism, Speech and Sound in Quentin Tarantino's Death Proof

  • The Contemporary American Horror Film Remake, 2003-2013

    The Contemporary American Horror Film Remake, 2003-2013

  • Open Final Version of Thesis.Pdf

    Open Final Version of Thesis.Pdf

  • The Critical-Industrial Practices of Contemporary Horror Cinema

    The Critical-Industrial Practices of Contemporary Horror Cinema

  • Inglourious Basterds AUDIENCE (2009) 87 Liked It Average Rating: 3.9/5 User Ratings: 761,324

    Inglourious Basterds AUDIENCE (2009) 87 Liked It Average Rating: 3.9/5 User Ratings: 761,324

  • 1 Amanda Beech Exploding Horror Horror Trivia It's Difficult to Make A

    1 Amanda Beech Exploding Horror Horror Trivia It's Difficult to Make A

  • FOR IMMEDIATE RELEASE ENZIAN ANNOUNCES “13 Films of Halloween” LINEUP THROUGHOUT OCTOBER Orlando, FL (August 24, 2017)

    FOR IMMEDIATE RELEASE ENZIAN ANNOUNCES “13 Films of Halloween” LINEUP THROUGHOUT OCTOBER Orlando, FL (August 24, 2017)

  • Disturbing Hostel Not for Faint of Heart W Ali Bhanpuri W Managing Editor

    Disturbing Hostel Not for Faint of Heart W Ali Bhanpuri W Managing Editor

  • Hardcore Horror: Challenging the Discourses of ‘Extremity’

    Hardcore Horror: Challenging the Discourses of ‘Extremity’

  • Entertainmentpage 19 Technique • Friday, April 13, 2007 • 19

    Entertainmentpage 19 Technique • Friday, April 13, 2007 • 19

  • Universal Pictures International the Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 Festivals@Nbcuni.Com Sara.Serlen@Weinsteinco.Com

    Universal Pictures International the Weinstein Company Matt Moss Sara Serlen +33 493 99 07 53 646-862-3812 [email protected] [email protected]

  • Selling the Splat Pack: the Dvd Revolution and the American Horror Film

    Selling the Splat Pack: the Dvd Revolution and the American Horror Film

  • Grindhouse’ Is a Zombie-Killin’, Car- Offi Cer Reviewed It

    Grindhouse’ Is a Zombie-Killin’, Car- Offi Cer Reviewed It

  • Nightmare Usa: the Untold Story of the Exploitation Independents Pdf, Epub, Ebook

    Nightmare Usa: the Untold Story of the Exploitation Independents Pdf, Epub, Ebook

Top View
  • Genre, Culture and the Semiosphere New Horror Cinema and Post-9/11
  • 'Resist the Temptation to Ridicule This'
  • Partnership Opportunities October 2021 So Good, You’Ll Scream
  • Jose Spent His Early Career Directing High Profile Artists Such As Young
  • Made for TV Monsters: How Has the Rise of Horror on US Television Impacted on the Spectacle and Acceptability of the Genre?
  • 'Creep-Out'versus' Gross-Out': Horror Movies at the Australian Box Office
  • Inglourious Basterds
  • The American Giallo
  • Dissertation Dario Argento
  • UNIVERSAL PICTURES and QUENTIN TARANTINO Present a STRIKE ENTERTAINMENT / ARCADE PICTURES Production a Film by RZA RUSSELL CROWE
  • Affectivity and Corporeal Transgression on Stage and Screen
  • Knock Knock Jodi Mcdavid Cape Breton University, Jodi [email protected]
  • A Conversation with Mark Bernard, Author
  • Interacting with Horror: Archaeology of the Italian Horror Genre from Its Origins Until the Eighties
  • Undergraduate Dissertation Trabajo Fin De Grado
  • Nazisploitation and the Problem of Violence in Quentin Tarantino's Inglourious Basterds
  • The Green Inferno
  • PHILIP WALEY Producer / UPM


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