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Doug Watkins

  • The Jazz Record

    The Jazz Record

  • Saxophone Colossus”—Sonny Rollins (1956) Added to the National Registry: 2016 Essay by Hugh Wyatt (Guest Essay)*

    Saxophone Colossus”—Sonny Rollins (1956) Added to the National Registry: 2016 Essay by Hugh Wyatt (Guest Essay)*

  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)

    The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)

  • Prestige Label Discography

    Prestige Label Discography

  • John Jenkins

    John Jenkins

  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)

    The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)

  • Interview with SONNY ROLLINS Was Conducted by the Library of Congress on April 27, 2018

    Interview with SONNY ROLLINS Was Conducted by the Library of Congress on April 27, 2018

  • JTM1711 Insidecombo 170920.Indd

    JTM1711 Insidecombo 170920.Indd

  • Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement

    Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement

  • The Jazz Messengers (Columbia)

    The Jazz Messengers (Columbia)

  • Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA

    Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA

  • Ecological Character Description of the Lake Gore Ramsar Site, Esperance, Western Australia

    Ecological Character Description of the Lake Gore Ramsar Site, Esperance, Western Australia

  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

  • Sonny Red Oral History 2020

    Sonny Red Oral History 2020

  • The Use of Two Basses in the Jazz Avant-Garde of the 1960S

    The Use of Two Basses in the Jazz Avant-Garde of the 1960S

  • Hank Mobley – Swing University Listening List

    Hank Mobley – Swing University Listening List

  • Jazz Fundamentals Chapter 6 Hard

    Jazz Fundamentals Chapter 6 Hard

  • The Impact of Technology on the Role and Function of the Bass in Jazz

    The Impact of Technology on the Role and Function of the Bass in Jazz

Top View
  • Twelve Jazz Standards and Improvisations Transcribed And
  • ART BLAKEY UV-CULTURE DEM.Pages
  • October 1978
  • Sonny Red Discography
  • Audition Requirements
  • Giant Steps John Coltrane Solo Transcription Pdf
  • The Lee Morgan Discography
  • A 5 3 6 Music. a Thesis Submitted to the Faculty of San Francisco State
  • KENNY BURRELL NEA Jazz Master (2005) Interviewee
  • Yusef Lateef's Autophysiopsychic Quest
  • The Donald Byrd-Pepper Adams Quintet: 1958​–​1961
  • Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Context, Intentionality, and Jazz Analysis
  • Download the Tenor Saxophone of Hank Mobley
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
  • Program Notes
  • From Cultural Violence to Cultural Resistance in Antebellum America
  • Curtis Fuller the Opener (Blue Note) Curtis Fuller (Trombone), Hank Mobley (Tenor), Bobby Timmons (Piano), Paul Chambers (Bass), Art Taylor (Drums) June 16, 1957
  • Jazz Birthdays


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