Jazz Birthdays
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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Bobby Hutcherson, Vibraphonist with Coloristic Range of Sound, Dies at 75
Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun... http://www.nytimes.com/2016/08/17/arts/music/bobby-hutchers... http://nyti.ms/2bdO8F9 MUSIC Bobby Hutcherson, Vibraphonist With Coloristic Range of Sound, Dies at 75 By NATE CHINEN AUG. 16, 2016 Bobby Hutcherson, one of the most admired and accomplished vibraphonists in jazz, died on Monday at his home in Montara, Calif. He was 75. Marshall Lamm, a spokesman for Mr. Hutcherson’s family, confirmed the death, saying Mr. Hutcherson had long been treated for emphysema. Mr. Hutcherson’s career took flight in the early 1960s, as jazz was slipping free of the complex harmonic and rhythmic designs of bebop. He was fluent in that language, but he was also one of the first to adapt his instrument to a freer postbop language, often playing chords with a pair of mallets in each hand. He released more than 40 albums and appeared on many more, including some regarded as classics, like “Out to Lunch,” by the alto saxophonist, flutist and bass clarinetist Eric Dolphy, and “Mode for Joe,” by the tenor saxophonist Joe Henderson. Both of those albums were a byproduct of Mr. Hutcherson’s close affiliation with Blue Note Records, from 1963 to 1977. He was part of a wave of young artists who defined the label’s forays into experimentalism, including the pianist Andrew Hill and the alto saxophonist Jackie McLean. But he also worked with hard-bop stalwarts like the tenor saxophonist Dexter Gordon, and he later delved into jazz-funk and Afro-Latin grooves. Mr. Hutcherson had a clear, ringing sound, but his style was luminescent and 1 of 4 8/17/16, 2:43 PM Bobby Hutcherson, Vibraphonist With Coloristic Range of Soun.. -
Seconded By~+--~· \ Gq '
PUBUC WORKS &GANG REDUCTiO. -. MOTION Gerald Wilson played for more than 75 years, a musician who delighted millions, all over the world, with his music. Wilson later served in the US Navy and while there he played with musicians like Clark Terry, Willie Smith and Jimmy Nottingham which would later be reunited as "The Great Lakes Experience Big Band." In the 1940s, Gerald made his way out to Los Angeles and began working the club circuit along the famous South Central Avenue corridor, including famous musical venues like and the Dunbar Hotel. It was along Central that Gerald solidified his musical career, providing guidance and assistance to a number of up and coming jazz musicians like Bobby Bryant, Harold Land Jr., Jack Wilkins and many others and helping to make Los Angeles the epicenter of Jazz on the west coast. Over more than seven decades, Gerald played and arranged for a tremendous number of jazz legends including Duke Ellington, Dizzy Gillespie, Nancy Wilson, Sarah Vaughan, Ray Charles, Julie London, Ella Fitzgerald and Dinah Washington, among many others. But Gerald was driven to do more for his community. So he spent several years as a professor at California State University Los Angeles, California State University Northridge, Cal Arts and the University of California at Los Angeles, helping to train a new generation of jazz aficionados and musicians and where he was recognized several times by students and faculty as "teacher ofthe year." I THEREFORE MOVE that the intersection of 42nd Place and S. Central Avenue be named as "Gerald Wilson Square" and that the Department of Transportation be directed to fabricate and install permanent ceremonial signs to this effect at this location, in consultation with Council District 9, in recognition of Gerald Wilson dedication to bringing music education to the Greater Los Angeles Community. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
Saxophone Colossus”—Sonny Rollins (1956) Added to the National Registry: 2016 Essay by Hugh Wyatt (Guest Essay)*
“Saxophone Colossus”—Sonny Rollins (1956) Added to the National Registry: 2016 Essay by Hugh Wyatt (guest essay)* Album cover Original album Rollins, c. 1956 The moniker “Saxophone Colossus” aptly describes the magnitude of the man and his music. Walter Theodore Rollins is better known worldwide as the jazz giant Sonny Rollins, but in addition to Saxophone Colossus, he has also been given other nicknames, most notably “Newk” because of his resemblance to baseball legend Don Newcombe. To use a cliché, Saxophone Colossus best describes Sonny because he is bigger than life. He is an African American of mammoth importance not only because he is the last major remaining jazz trailblazer, but also because he helped to inspire millions of fans and others to explore the religions and cultures of the East. A former heroin addict, the tenor saxophone icon proved that it was possible to kick the drug habit at a time in the 1950s when thousands of fellow musicians abused heroin and other narcotics. His success is testimony to his strength of character and powerful spirituality, the latter of which helped him overcome what musicians called “the stick” (heroin). Sonny may be the most popular jazz pioneer who is still alive after nearly seven decades of playing bebop, hard bop, and other styles of jazz with the likes of other stalwart trailblazers such as Thelonious Monk, Dizzy Gillespie, Bud Powell, Clifford Brown, Max Roach, and Miles Davis. He follows a tradition begun by Louis Armstrong, Duke Ellington, and Charlie Parker. Eight months after overcoming his habit at a drug rehabilitation facility called “the farm” in Lexington, Kentucky, Sonny made what the jazz cognoscenti rightly contend is his greatest recording ever—ironically entitled “Saxophone Colossus”—which was recorded on June 22, 1956. -
Upcoming Events
Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. Address: 2521 Port Street, West Sacramento, CA 95691•(916)444-2004•www.sacjazz.org VOLUME49•NO.7 August 2017 Jazz Sunday, August 6 (FIRST Sunday!) Note from The President …..……...2 Week Two STJS Jazz Campers Concert and ElksLodge#6–info/directions ....... 2 The Professors The Professors …………………………..3 Raffle Cent$.................................8 Race for the Art Pictures…………….8 Membership Application…….……13 Upcoming Events: July 23-29 Week 1 STJS Teagarden EEachy E Youth Jazz Camp Each year when the jazz camps conclude, we are treated to a special July 29 Week 1 STJS Jazz Campers Concert and The Counselors Jazz Jazz Sunday that features not only The Professors both youth Band campers and counselors as well. August Jazz Sunday is one of the July 31–Aug 6 Week 2 - STJS best STJS events of the year. The place is buzzing with excitement Teagarden Youth Camp from a productive and fun-filled week at Jazz Camp amid the scenic Aug 6 (First Sun) Week 2 STJS Jazz beauty of Pollock Pines. Campers have been making new friends Campers Concert and The Professors while counselors (former campers) are having a blast reuniting with their musician friends. Sept 10 – Skin ‘n Bones (Gonsoulin) Oct 8 – Pub Crawlers Our Jazz Camp Faculty is loaded with all-star talent, and we are Nov 12 – Youth Jazz Day incredibly fortunate to have them all here together as our guest Dec 10 – Gold Society Jazz band. -
Annual AT&T San Jose Jazz Summer Fest Friday, August 12
***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA. -
Ebook Download the Mccoy Tyner Collection
THE MCCOY TYNER COLLECTION PDF, EPUB, EBOOK McCoy Tyner | 120 pages | 01 Nov 1992 | Hal Leonard Corporation | 9780793507474 | English | Milwaukee, United States The Mccoy Tyner Collection PDF Book Similar Artists See All. There's magic in the air, or at the very least a common ground of shared values that makes this combination of two great musicians turn everything golden. That's not to say their progressive ideas are completely harnessed, but this recording is something lovers of dinner music or late-night romantic trysts will equally appreciate. McCoy Tyner. Extensions - McCoy Tyner. Tyner died on March 6, at his home in New Jersey. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. Very highly recommended. Albums Live Albums Compilations. Cart 0. If I Were a Bell. On this excellent set, McCoy Tyner had the opportunity for the first time to head a larger group. McCoy later said, Bud and Richie Powell moved into my neighborhood. He also befriended saxophonist John Coltrane, then a member of trumpeter Miles Davis' band. A flow of adventurous, eclectic albums followed throughout the decade, many featuring his quartet with saxophonist Azar Lawrence, including 's Song for My Lady, 's Enlightenment, and 's Atlantis. McCoy Tyner Trio. See the album. Throughout his career, Tyner continued to push himself, arranging for his big band and releasing Grammy-winning albums with 's Blues for Coltrane: A Tribute to John Coltrane and 's The Turning Point. However, after six months with the Jazztet, he left to join Coltrane's soon-to-be classic quartet with bassist Jimmy Garrison and drummer Elvin Jones.