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Dooley Wilson
George P. Johnson Negro Film Collection LSC.1042
Sample Pages
Max Steiner and the Music of Casablanca
Going Strong Since
Paul Robeson and the End of His “Movie” Career Paul Robeson Et La Fin De Sa Carrière Cinématographique Charles Musser
As Time Goes by and Albert Einstein. Do the Fundamental Things Still Apply?
RESOURCES the African American Classics an Essential Library
Camille Billops and James V. Hatch Archives at Emory University
Arthur "Dooley" Wilson
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
A Fine Romance Jewish Songwriters, American Songs, 1910–1965
January-April 2003 Volume XVIII, Numbers 1-2
It Was Good Enough for Grandma, but It Ain't Good Enough For
From Hitler to Hollywood: Transnational Cinema in World War Ii
Ain't Misbehavin'
Will Marion Cook: Threads and Themes Peter M
Representations of Lena Horne and Etta Moten in the Kansas City Call, 1941-1945
ABSTRACT Title: BEYOND RACIAL STEREOTYPES
Top View
The History of the Hartman Theatre, 1938-1963
Burying the Past in the Italian Post-War Edition of Casablanca
Trivia for Casablanca (1942) Studio Publicity in 1941 Claimed That
Information to Users
Notes on Musicarnival's Production Years, 1954-65
In Film Scholar Noah Isenberg C'89's
Time May 10, 1943