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Darmstadt School
A Perspective of New Simplicity in Contemporary Composition: Song of Songs As a Case Study Isabel Maria Pereira Barata Da Rocha
Minimalism and New Complexity in Solo Flute Repertoire by Twila Dawn Bakker Bachelor of Arts, Univer
Darmstadt As Other: British and American Responses to Musical Modernism. Twentieth-Century Music, 1 (2)
Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956 Author(S): Amy C
Generative Processes in Stockhausen's Lichter
Universidade Federal Do Estado Do Rio De Janeiro Centro De Letras E Artes Programa De Pós-Graduação Em Música Doutorado Em Música
The Concept of New Complexity: Notation, Interpretation and Analysis
OPEN, MOBILE and INDETERMINATE FORMS Submitted for the Degree of Doctor of Philosophy by Guy De Bièvre School of Arts Brunel Un
How the Darmstadt Internationale Ferienkurse Für Neue Musik Cultivated Solo Multiple Percussion Repertoire Through Graphic Notation and Indeterminacy
Stony Brook University
[Pression Para Cello, De Helmut Lachenmann]
Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez by Martin Iddon. Annelies Fryberger
Front Matter
1 Assam Proofs
The Second Viennese School and Its Place in the Reflections
Ghosts in the Machine the Making of European Serialism, 1945–1955
VERGE 13 Mark Blair Crossroads of Boulez and Cage: Automatism In
1 Introduction This Is Not, in Any Consistent Sense, a Study of Herbert Eimert’S Life, Times, Or Music
Top View
The Pennsylvania State University the Graduate School School of Music MUSICAL TIME and ITS PERCEPTION in the MUSIC of MESSIAEN
Abstract: Stockhausen's Opera Licht Is Composed Of
Boulez: Schoenberg Is D Ead
Chapter 32: Music in the Aftermath of World War II: 1945–70 I
Petros' Revisions
MTO 9.1: Perry, Review of Grant
Eduardo Socha Tempo Musical Em Theodor W. Adorno
Darmstadt and Beyond
ESCUCHANDO ARCHIVOS MUSICALES Esto No Es Una Historia Del Centro De Música Experimental (UNC)
From Spain to the United States: Joaquín Rodrigo's Transatlantic
Contents : Music in the Late Twentiet… Oxford History of Western Music: Richard Taruskin Contents Chapter: MUSIC in the LATE TWENTIETH CENTURY Source
Structures & Spectra
Theatrical Elements in Toru Takemitsu's Voice and Karlheinz Stockhausen's Zungenspitzentanz Brielle Marie Frost
Lietuvos Muzikologija 21.Indd
Modern Music and After This Page Intentionally Left Blank Modern Music and After
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