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Dai Jinhua
UC Riverside Electronic Theses and Dissertations
Gender and the Family in Contemporary Chinese-Language Film Remakes
Women and Feminism in the Literary History of Early-Twentieth-Century China 1
Gender Knowledge: Power and the Change of Power Constellation in Feminism in Post-Socialist China
UNIVERSITY of CALIFORNIA, SAN DIEGO Trans-Media
Afterlives of Chinese Communism: Political Concepts from Mao to Xi
FORECLOSING OTHERS in CULTURAL REPRESENTATION By
Differences and Similarities in the Discourse of Equality in Cross Cultural Academic Dialogues Europe-China
ARCL WSS Corebks 2003.Pdf (1.388Mb)
Bibliography of Chinese Cinema Jerome Silbergeld, Wei Yang Princeton University, Department of Art and Archaeology
A Reception Analysis of Chinese Women's Viewing Experiences of Ann Hui's the Golden Era
Post–Cold War Sinotheory
Li Xiaojiang, Dai Jinhua and the Female Avant-Garde Writers
Female Consciousness in Contemporary Chinese Women's Writing
Post/Feminist Impulses: Neoliberal Ideology and Class Politics in Annie Wang's
Cultural Performance in China
The Development of Chinese Feminism on Weibo
Wesoky 2015 Signs.Pdf
Top View
Chinese Eco-Films and Their Pastoral Myth Runlei Zhai Purdue University
Desire, Anxiety, and the Politics of Chinese
Li Xiaojiang, Dai Jinhua and the Female Avant-Garde
Experimental Beijing
Course Title : Gender and Cultural Politics
Women in China's Long Twentieth Century
Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
The Social Significance of Female Same-Sex Desire in Contemporary Chinese Literature
Sisterhood Across Cultures — with Reference to Chen Ran's and Amy Tan's Fiction
The Reception of the Works of Contemporary Chinese Glam-Writers in Mainland China
A Comparative Philosophical Feminist Identity Study of Chinese Women Intellectuals and the Educational Implications