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Creature (musician)
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
The Construction and Export of African American Images in Hip-Hop Culture
CNTL+Alt(RIGHT)+DEL Sheldon Shaw
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
Sampling, Looping, and Mashing . . . Oh My!: How Hip Hop Music Is Scratching More Than the Surface of Copyright Law
Jožef Kolarič
Wendy Whelan Restless Creature Tue, Apr 21, 2015 • 7:30Pm
An Afrocentric Analysis of Hip-Hop Musical Art Composition and Production: Roles, Themes, Techniques, and Contexts
Crip) Walking on Water: an Analysis of the Extraordinary Body in Postmodern Black Men's Fiction
Doom Oblige Music Selection
Ytube Kill MTV Star
Clamor Magazine PO Box 20128 Jiiifliiik^Iriiii Toledo
Harlem Renaissance- the Re-Birth of African Americans
Lesbian, Bisexual, and Queer Women Rappers: the Creation And
Political Melodies in the Pews?: Is Black Christian Rap the New Voice of Black Liberation Theology?
About Gods, I Don't Believe in None of That Shit, the Facts Are B JOURNAL of HIP HOP STUDIES
Elliott Smith (Well, Three If You Count the One in Smith)
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What Would You Be Doing If You Weren't in Music?
