Elliott Smith (Well, Three If You Count the One in Smith)
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90 -
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G. -
Lista MP3 Por Genero
Rock & Roll 1955 - 1956 14668 17 - Bill Justis - Raunchy (Album: 247 en el CD: MP3Albms020 ) (Album: 793 en el CD: MP3Albms074 ) 14669 18 - Eddie Cochran - Summertime Blues 14670 19 - Danny and the Juniors - At The Hop 2561 01 - Bony moronie (Popotitos) - Williams 11641 01 - Rock Around the Clock - Bill Haley an 14671 20 - Larry Williams - Bony Moronie 2562 02 - Around the clock (alrededor del reloj) - 11642 02 - Long Tall Sally - Little Richard 14672 21 - Marty Wilde - Endless Sleep 2563 03 - Good golly miss molly (La plaga) - Bla 11643 03 - Blue Suede Shoes - Carl Perkins 14673 22 - Pat Boone - A Wonderful Time Up Th 2564 04 - Lucile - R Penniman-A collins 11644 04 - Ain't that a Shame - Pat Boone 14674 23 - The Champs - Tequila 2565 05 - All shock up (Estremecete) - Blockwell 11645 05 - The Great Pretender - The Platters 14675 24 - The Teddy Bears - To Know Him Is To 2566 06 - Rockin' little angel (Rock del angelito) 11646 06 - Shake, Rattle and Roll - Bill Haley and 2567 07 - School confidential (Confid de secund 11647 07 - Be Bop A Lula - Gene Vincent 1959 2568 08 - Wake up little susie (Levantate susani 11648 08 - Only You - The Platters (Album: 1006 en el CD: MP3Albms094 ) 2569 09 - Don't be cruel (No seas cruel) - Black 11649 09 - The Saints Rock 'n' Roll - Bill Haley an 14676 01 - Lipstick on your collar - Connie Franci 2570 10 - Red river rock (Rock del rio rojo) - Kin 11650 10 - Rock with the Caveman - Tommy Ste 14677 02 - What do you want - Adam Faith 2571 11 - C' mon everydody (Avientense todos) 11651 11 - Tweedle Dee - Georgia Gibbs 14678 03 - Oh Carol - Neil Sedaka 2572 12 - Tutti frutti - La bastrie-Penniman-Lubin 11652 12 - I'll be Home - Pat Boone 14679 04 - Venus - Frankie Avalon 2573 13 - What'd I say (Que voy a hacer) - R. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document. -
Ken Andrews Selected Producer, Engineer & Mixer Credits
KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: The Shelters Jupiter Sidecar (Warner Bros.) M Failure In The Future Your Body Will Be The Furthest Thing Co-P E M Co-W Underoath Erase Me (Fearless) M Stone Temple Pilots Stone Temple Pilots (Play Pen) M Citizen As You Please (Run For Cover Records) M Gone Is Gone Echolocation (Rise) M My Jerusalem A Little Death (Razor and Tie) M Jimmy Eat World Integrity Blues (RCA) M The Naked and Famous Simple Forms (Universal Music) M Meg Myers Sorry (Atlantic) M W Failure The Heart Is A Monster (Failure) P E M The Pierces Creation (Polydor) M M83 "Oblivion" from Oblivion [Motion Picture Soundtrack] (Back Lot Music)M A Day To Remember Common Courtesy (Fontana) M Mu Paramore Paramore (Fueled By Ramen) M M83 You and the Night (Naïve) P E M Candlebox Love Stories & Other Musings (Audio Nest) P E M W Mu Arsenal / Arsenal Lokemo (Play Out!) Unwritten Law Swan (Surburban Noise) M Settle At Home We Are Tourists (Epitaph) M FM Static Dear Diary (Tooth and Nail) M Anya Marina Slow & Steady Seduction: Phase II (Chop Shop) M Beto Cuevas Miedo Escenico (Warner Music Mexico) M Crosby Loggins Time to Move (RCA) M 1 P- Producer E- Engineer M- Mixer W- Writer Mu- Musician KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Empyr Peaceful Riot (Jive) P E M W Mu Nine Inch Nails The Slip Live (The Null Corporation) M Thousand Foot Krutch The Flame In All Of Us (Tooth and Nail) P E M Army of Anyone Army of Anyone (Machine Shop) M Future of Forestry Future of Forestry (Credential) P M Bullets and Octane In -
Kutmasta Kurt.” That Was Like the Beginning of the Strain
ROCK KUTTIN’ IT WITH KURT 44.www.importtuner.com REDNECK GAMES KUTMASTER KURT TEXT BY JOEL MARASIGAN Hip hop music had a universal fiber when it was—in the spirit of MTV—brand-spanking new. Hip hop was sung and chanted. Hip hop was more than just music. It was a style: a life style, a spirit, a feeling. Today’s hip hop has lost a lit- tle of its elegance and originality mainly because artists exaggerate the “money, hoes and power” stereotype. There are a select few who remember hip hop’s roots and its inten- tions. There are a select few who are still accepted when they remove their headphones and backpacks and don the pink fur, ice the grill and jump in the Range. 05.03.2nr.45 son they were like, “We don’t want your name on it. We’ll pay you, but you can’t put KutMasta Kurt.” That was like the beginning of the strain. At the time I wanted to wrap-up a project with Keith (the Masters Of Illusion project)—and because I had already been working with Motion Man (who was on the back burner for 10 years)—I had to finish Black Elvis. We still went on to do the Dr. Dooom and Masters Of Illusion albums and I still helped with the Matthew album. But after that I was really just Keith’d out. He wanted to keep going, but I didn’t like the direction and I needed to take a break. He was- n’t too happy about that. -
News@Niagara, Dec
www.niagara-news.com Friday, Dec. 3, 2004 Free Volume 35, Issue 6 news@ Welland Jr. Canadians coverage continues on Page 35 niagara Check out the Christmas section on pages 15-26 serving the Niagara College communities Demolition begins on Black Walnut’s east end By IVAN ZATELLI of Black Walnut, the low-bay Staff Writer section was decommissioned. Students are hearing crunching Woodhouse says at one time concrete and seeing steel being there were discussions to move ripped from the Black Walnut the Broadcasting – Radio, building as Greenfield Services Television and Film program to demolishes the east end of the a new Black Walnut building building on the Niagara College consisting of two storeys, but Welland campus. “dollars just didn’t make it Since Sunday morning, work- possible.” ers have been clearing debris. The empty space created by The building has sat empty for the demolition will be seeded about four years, says Greg with grass, says Woodhouse. Smith, co-ordinator/professor of The cost of the demolition is the Graphic Design Production – about $40,000, says Bart Lanni, Art and Design Fundamentals FMS technologist. program. Lanni oversees and handles Smith’s office wall is beside a all the projects at the college. mechanical room. The room is all He hires contractors, reads that separates him from the new blueprints, gathers information demolition being carried out. and writes reports. It used to be the old program The demolition of the building building, which also housed the was due to “space rationaliza- old cafeteria, says Smith. tion,” says Lanni. The program was then moved That’s about 8,000 square feet into the newly renovated west of space the college doesn’t have section of Black Walnut. -
44 MILLION REASONS to #Savegamingrevenue
44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE