DOCSLIB.ORG

Elliott Smith (Well, Three If You Count the One in Smith)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Elliott Smith (Well, Three If You Count the One in Smith) 889.01 [cover] 10/27/04 7:52 PM Page 1 REVIEWS FLAT EARTH SOCIETY • RONDO BROTHERS • MASSIVE ATTACK • SLEEPYTIME GORILLA MUSEUM • TYPICAL CATS ISSUE NO. 889 • NOVEMBER 8, 2004 • WWW.CMJ.COM NEW MUSIC REPORT® CMJSPOTLIGHT REVIEW LUNA Rendezvous TOP DEBUT TED LEO/PHARMACISTS Sheets Happen! MOST ADDED FUTUREHEADS RADIO (XTC)TATIC! ELLIOTT NEWS TO US Sirius Got Their SMITH Mojo Workin’ The late great “Anti-” hero goes No. 1 DE LA SOUL NOW 4-FEET HIGH! TOPS HIP HOP CHART RETAIL: ROCK-A-BILLY’S FEEL USED... BUT NOT IN A DIRTY, SHAMEFUL WAY. THEY EXPLAIN ON PAGE 12 889.02 [reporting ad] 10/27/04 7:53 PM Page 4 ¥ CMJ REPORTING SCHEDULE LATE 2004 – EARLY 2005 HOLIDAY BREAK There will be no reports for the period from Nov. 19 – 23. (We have biscuits and gravy to make, people!) Reporting will re-open the Friday after Thanksgiving, Nov. 25, and close the following Tuesday, Nov. 30 at 2pm EST, as always. The final reports for 2004 will take place between Friday Dec. 3 and Tuesday Dec. 7. The first reports of 2005 will take place between Dec 31 and Jan. 4. (You should be less hung over by that Tuesday to report. We know you can do it!) Other Reporting Notes: + When reporting soundtracks or compilations, enter the name of the album in the ARTIST field. (eg. Rock Against Bush, NOT “Various Artists”) + With few exceptions, CMJ avoids using “The” at the beginning of band names. When reporting, try entering the name of the band without “The” at the front to find your match. + Show respect! There are two “T”s in Elliott Smith (well, three if you count the one in Smith). *Globe not actual size. 889.03 [news] 10/27/04 7:54 PM Page 3 CMJ New Music Report® EDITORIAL Editor Steve Ciabattoni Retail Editor NEWS TO US Gerry Hart Associate Editor Christopher R. Weingarten Retail Assistant Editor Kory Grow Assistant Editor Owen Strock Editorial Assistant Matthew Field Loud Rock Editor Amy Sciarretto and Little Steven is my boss. Great tist DJ Zeph’s Sunset Scavenger,a RPM Editor googely moogely!” CMJ sends our powerhouse instrumental record that Justin Kleinfeld best wishes to Mojo and Sirius… Um, peaked at No. 7 on CMJ Hip Hop. Contributing Writer hey, Sirius. Remember when we used Seems the scavenger scavenged a pic- Brad Filicky ture of two garbage trucks (ew… Interns to do a cool radio show together? Jennifer Daniel Haha, yeah. Those were good times… garbage picker!) for the cover of his Reed Fischer good times. You still have our num- latest silky beatscursion. Immediately ber, right? Cool. If you ever want to upon its release, Wide Hive was ART hang out again, we’d like that. threatened with legal action from the Art Director Haha… no pressure. Let’s just be Cali-based Sunset Scavenger Garbage Steve Cassidy friends for now. We think that would Collections Company over use of be cool. Cool? Cool. their trademark. Avoiding a costly CUSTOMER SERVICE court battle (way to go Sunset Fulfillment/Business Services ISSUE 889 If you ain’t got Scavenger… going after all that indie Manager e Radio sounded much dimmer Mojo Nixon (that’s him up there), label money! The profit on those Jason Glastetter this week when we learned regal DJ your satellite radio station could use Azeem records alone must be a frig- Customer Service Coordinator John Peel passed away. The BBC icon some fixin’. Well consider Sirius gin’ goldmine!), Wide Hive agreed to Greg Burgett pushed the boundaries of Radio 1 Satellite Radio’s lack of Mojo official- change the artwork on the cover (may since the late 1960s and highlighted PUBLISHING we suggest television’s Roc?) and the ly remedied. Elvis-proponent, psy- the most innovative names in music, CEO & Publisher title of the album—now known as chobilly weird merchant and Debbie from the Smiths to Napalm Death, Robert K. Haber Sunset Salvage. Man, what’s a hip- Chief Operating Officer Gibson impregnator Mojo Nixon is from Nirvana to Birthday Party, hopper gotta do to get sued for sam- Jay B. Ziskrout going to bring his bo-day-shus self to through live performances in the stu- pling these days? Account Executives Sirius Satellite Radio’s commercial- dio, documented in countless “Peel Jerry Rubino free “Outlaw Country” station—join- Sessions” broadcasts and releases. e Greg Shaw, founder of esoterica Johnny Chiba ing the staff as an afternoon on-air John Peel was 65 and hated boring wonderland label Bomp, died on host! Nixon has done time hosting a music. If anyone should have been CIRCULATION October 19 from heart failure. Record Distribution & Fulfillment Cincinnati talk show and on a San knighted before Elton John... Diego classic rock station (so, that’s collector/fanzine publisher Shaw [email protected] formed Bomp in 1974 to release “You 917.606.1908 where he’s been! We’ve been nervous- e One week after KutMasta Kurt Tore Me Down,” a single by raucous ly scratching our washboards for got his medal taken away by the cult band the Flamin’ Groovies and, CMJ NETWORK, INC. years waiting for him to return). In a United States Olympic Committee Robert K. Haber in the three decades that followed, over the title of his upcoming Redneck Joanne Abbot Green quote found in a press release that zillions of primitive stripped-down Olympics comp (settling for the was too damn awesome not to reprint rawkers: the Weirdos, the Germs, CMJ New Music Report (ISSN 0890 0795) decidedly more Foxworthy-esque here, Mojo said, “Now that I'm free the Zeros, Iggy Pop’s first post- is published weekly, except for one week in Redneck Games), the lawsuit-addled January, by The CMJ Network, Inc. with from ‘the man’ making me play Styx Stooges album, the Dead Boys, world of hip-hop faced yet another offices at 151 W. 25th St., 12th Fl.; and Journey, me and Johnny Cash Spacemen 3, Beachwood Sparks, New York, NY 10001. legal brouhaha. San Francisco-based are really gonna kick some ass… I can Brian Jonestown Massacre, Dead Subscription rates are $345.00 for 48 issues; Wide Hive Records settled a trade- $575.00 for 96 issues. Sorry, no refunds. say what I want, I can play Steve Earle Meadow and like a million bazillion mark infringement case out of court Subscription offices: 151 W. 25th St., 12th Fl.; and Joe Ely to a national audience, others. Shaw was 55. New York, NY 10001. Tel 917.606.1908. over the cover of Bay Area beat scien- Periodicals postage paid at New York, NY and additional mailing offices. CMJ New Music Report is copyright ©2004 4 NOW / REVIEWS by The CMJ Network, Inc. all rights reserved; nothing may be reproduced without written 6 POINTS OF IMPACT consent of publisher. Unless indicated otherwise, 7 RADIO 200 / CORE / ADDS all letters sent to CMJ are eligible for publication and copyright purposes, and are subject to 12 RETAIL CMJ’s right to edit and comment editorially. 16 COUNTER CULTURE Unsolicited manuscripts, photos and artwork The Used... One of our are welcome; please enclose a self-addressed, favorite Rock-A-Billy 17 LOUD ROCK stamped envelope to facilitate return. 19 RPM Postmaster: send address changes to bands. Their struggle CMJ New Music Report, 151 W. 25th St., continues. 20 AAA / HIP HOP 12th Floor; New York, NY 10001. PAGE 12 21 JAZZ / NEW WORLD CONTENTS 22 GOING FOR ADDS 23 FINAL SAY: WERS 3 CMJ NOVEMBER 8, 2004 889.04 [now] 10/27/04 7:56 PM Page 4 THIS WEEK’S NOW ESSENTIAL NEW RELEASES FLAT EARTH SOCIETY LUNA RONDO BROTHERS Isms (Ipecac) Rendezvous (Jetset) No Time Left On Earth (Coup De Grace) Flat Earth Society—a tumultuous collective of 21-or-so “Dog day romance/Key lime pie/Valium sunset/Hazy If you've ever added pineapple to your pizza, you Belgian waffles—finally honks and splatters all over sky… Where has all the sunshine gone?” asks NYC Man know that a little Hawaiian flavor goes a long way. American shores. This demented big band swings like Dean Wareham on “Motel Bambi,”off Luna’s swan song, Long-time Dan The Automator collaborators, the jazzers, but eclectically skronk like record geeks: Wobbly Rendezvous. Channeling his best Lou Reedisms, former Rondo Brothers, take a page out of his conceptual Turkish marches bumble into Zappaesque jazz from hell Galaxie 500 mainman Wareham may have bid farewell to scrapbook with No Time Left On Earth, creating a (“Pune”), noir Mancini vibes turn the corner to sunny the moonlight, but Luna’s legacy of Velvet Underground tongue-in-cheek album of Hawaiian hip-hop instru- chorals (“Minoes Op Boodschap”), a slow vamp for (check “Malibu Love Nest”) via Yo La Tengo fuzz guitar mentals that is sure to get a few grass skirts shimmy- zombie strippers coils upward and ejaculates Sousa should tide fans until another Wareham/Britta Phillips shimmy-ya-ing. As playful as a Kid Koala, but less (“Funeral And Binche”); and Cole Porter meets disc. In the meantime, crawl into your favorite nook and ADD, this tropical salad of live instruments, samples, Morricone for 25 sweet seconds (“Naar De Emmalaan”). bask in Luna’s fantastic sunset. singers and rappers is a guaranteed lei. WEB: www.ipecac.com WEB: www.fuzzywuzzy.com WEB: www.coupdegrace.tv ATTN: Naked City-dwellers, hot rats, band geeks ATTN: Dreamy Yo La Tengo fans, Luna rovers ATTN: Luau lovers, hip-hoppers who dance the hula RELEASE DATE / ADD DATE: Out now / at radio RELEASE DATE / ADD DATE: Out now / at radio RELEASE DATE / ADD DATE: November 16 / November 25 RADIO: Shaun Macdonald, [email protected]; Sara Dempsey, RADIO: Justin Gressley, [email protected].
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • Lista MP3 Por Genero
    Rock & Roll 1955 - 1956 14668 17 - Bill Justis - Raunchy (Album: 247 en el CD: MP3Albms020 ) (Album: 793 en el CD: MP3Albms074 ) 14669 18 - Eddie Cochran - Summertime Blues 14670 19 - Danny and the Juniors - At The Hop 2561 01 - Bony moronie (Popotitos) - Williams 11641 01 - Rock Around the Clock - Bill Haley an 14671 20 - Larry Williams - Bony Moronie 2562 02 - Around the clock (alrededor del reloj) - 11642 02 - Long Tall Sally - Little Richard 14672 21 - Marty Wilde - Endless Sleep 2563 03 - Good golly miss molly (La plaga) - Bla 11643 03 - Blue Suede Shoes - Carl Perkins 14673 22 - Pat Boone - A Wonderful Time Up Th 2564 04 - Lucile - R Penniman-A collins 11644 04 - Ain't that a Shame - Pat Boone 14674 23 - The Champs - Tequila 2565 05 - All shock up (Estremecete) - Blockwell 11645 05 - The Great Pretender - The Platters 14675 24 - The Teddy Bears - To Know Him Is To 2566 06 - Rockin' little angel (Rock del angelito) 11646 06 - Shake, Rattle and Roll - Bill Haley and 2567 07 - School confidential (Confid de secund 11647 07 - Be Bop A Lula - Gene Vincent 1959 2568 08 - Wake up little susie (Levantate susani 11648 08 - Only You - The Platters (Album: 1006 en el CD: MP3Albms094 ) 2569 09 - Don't be cruel (No seas cruel) - Black 11649 09 - The Saints Rock 'n' Roll - Bill Haley an 14676 01 - Lipstick on your collar - Connie Franci 2570 10 - Red river rock (Rock del rio rojo) - Kin 11650 10 - Rock with the Caveman - Tommy Ste 14677 02 - What do you want - Adam Faith 2571 11 - C' mon everydody (Avientense todos) 11651 11 - Tweedle Dee - Georgia Gibbs 14678 03 - Oh Carol - Neil Sedaka 2572 12 - Tutti frutti - La bastrie-Penniman-Lubin 11652 12 - I'll be Home - Pat Boone 14679 04 - Venus - Frankie Avalon 2573 13 - What'd I say (Que voy a hacer) - R.
    [Show full text]
  • 1 a Conversation with Abigail Washburn by Frank
    A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band.
    [Show full text]
  • NTOZAKE SHANGE, JAMILA WOODS, and NITTY SCOTT by Rachel O
    THEORIZING BLACK WOMANHOOD IN ART: NTOZAKE SHANGE, JAMILA WOODS, AND NITTY SCOTT by Rachel O. Smith A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of English West Lafayette, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Marlo David, Chair Department of English Dr. Aparajita Sagar Department of English Dr. Paul Ryan Schneider Department of English Approved by: Dr. Dorsey Armstrong 2 This thesis is dedicated to my mother, Carol Jirik, who may not always understand why I do this work, but who supports me and loves me unconditionally anyway. 3 ACKNOWLEDGMENTS I would like to first thank Dr. Marlo David for her guidance and validation throughout this process. Her feedback has pushed me to investigate these ideas with more clarity and direction than I initially thought possible, and her mentorship throughout this first step in my graduate career has been invaluable. I would also like to thank the other members of my committee, Dr. Aparajita Sagar and Dr. Ryan Schneider, for helping me polish this piece of writing and for supporting me throughout this two-year program as I prepared to write this by participating in their seminars and working with them to prepare conference materials. Without these three individuals I would not have the confidence that I now have to continue on in my academic career. Additionally, I would like to thank my friends in the English Department at Purdue University and my friends back home in Minnesota who listened to my jumbled thoughts about popular culture and Black womanhood and asked me challenging questions that helped me to shape the argument that appears in this document.
    [Show full text]
  • Ken Andrews Selected Producer, Engineer & Mixer Credits
    KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: The Shelters Jupiter Sidecar (Warner Bros.) M Failure In The Future Your Body Will Be The Furthest Thing Co-P E M Co-W Underoath Erase Me (Fearless) M Stone Temple Pilots Stone Temple Pilots (Play Pen) M Citizen As You Please (Run For Cover Records) M Gone Is Gone Echolocation (Rise) M My Jerusalem A Little Death (Razor and Tie) M Jimmy Eat World Integrity Blues (RCA) M The Naked and Famous Simple Forms (Universal Music) M Meg Myers Sorry (Atlantic) M W Failure The Heart Is A Monster (Failure) P E M The Pierces Creation (Polydor) M M83 "Oblivion" from Oblivion [Motion Picture Soundtrack] (Back Lot Music)M A Day To Remember Common Courtesy (Fontana) M Mu Paramore Paramore (Fueled By Ramen) M M83 You and the Night (Naïve) P E M Candlebox Love Stories & Other Musings (Audio Nest) P E M W Mu Arsenal / Arsenal Lokemo (Play Out!) Unwritten Law Swan (Surburban Noise) M Settle At Home We Are Tourists (Epitaph) M FM Static Dear Diary (Tooth and Nail) M Anya Marina Slow & Steady Seduction: Phase II (Chop Shop) M Beto Cuevas Miedo Escenico (Warner Music Mexico) M Crosby Loggins Time to Move (RCA) M 1 P- Producer E- Engineer M- Mixer W- Writer Mu- Musician KEN ANDREWS SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Empyr Peaceful Riot (Jive) P E M W Mu Nine Inch Nails The Slip Live (The Null Corporation) M Thousand Foot Krutch The Flame In All Of Us (Tooth and Nail) P E M Army of Anyone Army of Anyone (Machine Shop) M Future of Forestry Future of Forestry (Credential) P M Bullets and Octane In
    [Show full text]
  • Kutmasta Kurt.” That Was Like the Beginning of the Strain
    ROCK KUTTIN’ IT WITH KURT 44.www.importtuner.com REDNECK GAMES KUTMASTER KURT TEXT BY JOEL MARASIGAN Hip hop music had a universal fiber when it was—in the spirit of MTV—brand-spanking new. Hip hop was sung and chanted. Hip hop was more than just music. It was a style: a life style, a spirit, a feeling. Today’s hip hop has lost a lit- tle of its elegance and originality mainly because artists exaggerate the “money, hoes and power” stereotype. There are a select few who remember hip hop’s roots and its inten- tions. There are a select few who are still accepted when they remove their headphones and backpacks and don the pink fur, ice the grill and jump in the Range. 05.03.2nr.45 son they were like, “We don’t want your name on it. We’ll pay you, but you can’t put KutMasta Kurt.” That was like the beginning of the strain. At the time I wanted to wrap-up a project with Keith (the Masters Of Illusion project)—and because I had already been working with Motion Man (who was on the back burner for 10 years)—I had to finish Black Elvis. We still went on to do the Dr. Dooom and Masters Of Illusion albums and I still helped with the Matthew album. But after that I was really just Keith’d out. He wanted to keep going, but I didn’t like the direction and I needed to take a break. He was- n’t too happy about that.
    [Show full text]
  • News@Niagara, Dec
    www.niagara-news.com Friday, Dec. 3, 2004 Free Volume 35, Issue 6 news@ Welland Jr. Canadians coverage continues on Page 35 niagara Check out the Christmas section on pages 15-26 serving the Niagara College communities Demolition begins on Black Walnut’s east end By IVAN ZATELLI of Black Walnut, the low-bay Staff Writer section was decommissioned. Students are hearing crunching Woodhouse says at one time concrete and seeing steel being there were discussions to move ripped from the Black Walnut the Broadcasting – Radio, building as Greenfield Services Television and Film program to demolishes the east end of the a new Black Walnut building building on the Niagara College consisting of two storeys, but Welland campus. “dollars just didn’t make it Since Sunday morning, work- possible.” ers have been clearing debris. The empty space created by The building has sat empty for the demolition will be seeded about four years, says Greg with grass, says Woodhouse. Smith, co-ordinator/professor of The cost of the demolition is the Graphic Design Production – about $40,000, says Bart Lanni, Art and Design Fundamentals FMS technologist. program. Lanni oversees and handles Smith’s office wall is beside a all the projects at the college. mechanical room. The room is all He hires contractors, reads that separates him from the new blueprints, gathers information demolition being carried out. and writes reports. It used to be the old program The demolition of the building building, which also housed the was due to “space rationaliza- old cafeteria, says Smith. tion,” says Lanni. The program was then moved That’s about 8,000 square feet into the newly renovated west of space the college doesn’t have section of Black Walnut.
    [Show full text]
  • 44 MILLION REASONS to #Savegamingrevenue
    44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough.
    [Show full text]
  • ANSAMBL ( [email protected] ) Umelec
    ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]