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Craig Harbison
Rolin Madonna" and the Late-Medieval Devotional Portrait Author(S): Laura D
Renaissance Art in Northern Europe
Visions and Meditations in Early Flemish Painting Craig Harbison
The Proceeds of Prosperity: Images of Domestic Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century
ARH 4339: NORTHERN RENAISSANCE ART School of Art and Art History, College of the Arts, University of South Florida, Tampa 3 Credit Hours; Lecture
Dutch and Flemish Art at the Utah Museum of Fine Arts A
Grad School Formatted Final
2013 Spring ART 326 (Coonin).Pdf
Albrecht Dürer's “Oblong Passion”
Transcultural Perspectives in Art History: Jan Van Eyck's Arnolfini
Iconography at the Crossroads
Rogier Van Der Weyden
RAR, Volume 17, 1997
"Jan Van Eyck's Arnolfini Portrait": Business As Usual? Author(S): Linda Seidel Source: Critical Inquiry, Vol
Eyckian Icons and Copies
November 2005 Journal
1 ARTH 341 Spring 2019 Renaissance Art in Northern
SCHOLARLY DEBATE SURROUNDUNG the ARNOLFINI PORTRAIT in 1934 Erwin Panofsky Published an Article Entitled Jan Van Eyck's
Top View
Excerpts from Craig Harbison, the Mirror of the Artist—Part III the Production of a Panel Painting Since Panel Painting Seems
Art History 260/660 Larry Silver Flemish Art from Van Eyck to Bruegel Fall 2004
HNA in Antwerp 2002 Plenary Addresses
Signature Spaces and Signature Objects in Early Netherlandish
ARTS 4375 NORTHERN RENAISSANCE ART Fall 2020 Jill
Northern Renaissance Art Spring 2005 Tth, 9:30-10:45
Emanuel De Witte's Sermon Paintings
The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
Lucas Cranach's <I>Samson and Delilah</I> in Northern European
November 2002 Newsletter
Research.Pdf (801.5Kb)
Northern Renaissance Art Spring 2001 Tth, 9:40-11:10
Oil Painting (Edited from Wikipedia)
The Woman's Role in Jan Van Eyck's Arnolfini Portrait
Excerpts from Craig Harbison, the Mirror of the Artist—Part II Sculpture
Excerpts from Craig Harbison, the Mirror of the Artist—Part I Introduction
The Market Paintings of Pieter Aertsen and Joachim Beuckelaer: Reflexy-Const, Recognition and the Pursuit of the “Real”
Judith Leyster: a Study of Extraordinary Expression