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Concerto delle donne
DOLCI MIEI SOSPIRI Tra Ferrara E Venezia Fall 2016
Finding Their Voice: Women Musicians of Baroque Italy
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Gesualdo Cruel Ecstasy City 2021 PROG-2
Join Us for Our Next Playday with Coach Elisabeth Reed – Saturday, Sept. 14Th • 9 - 9:30 Am – Set Up, Coffee/Tea
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MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor
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Molza: Music for a Muse Ashley Mulcahy & James Perretta
The Courtesan's Singing Body As Cultural Capital in Seventeenth--Century Italy
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1982 SHORT NOTICES 905 to Eliminate — a Virtual Justification of the Murders at Blois
Guide to the Exam in Music History for Entering Graduate Students (2020-21) University of Louisville School of Music
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In Camera Privatamente«. Zur Frühneuzeitlichen Begriffsgenese Des Privaten
Giaches De Wert and Claudio
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An Analysis of Virtuosic Self-Accompanied Singing As a Historical Vocal Performance Practice
Issues of Voice Range and Transposition in Monteverdi’S Mantuan Madrigals
Structure and Interpretation in Luca Marenzio's Settings of Il Pastor Fido
Claudio Monteverdi and L'orfeo, Favola in Musica