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Cockpit Theatre
Repertory and Riot: the Relocation of Plays from the Red Bull to the Cockpit Stage
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Jane Milling
'Tis Pity She's a Whore
WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
The Protectorate Playhouse: William Davenant's Cockpit in the 1650S
The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623-1673
“A Poor Player That Struts and Frets His Hour Upon the Stage…”
See a Full List of the National Youth
Records Ofearfv~ English Drama
Diary and Correspondence of Samuel Pepys from His MS. Cypher in The
Appendix: Chronology of Pirate Plays in Britain
A Re-Examination of Spectacle and the Spectacular in Restoration Theatre, 1660-1714
Popular Theatre and the Red Bull
He Theatres of Inigo Jones and John Webb John Orrell Index More Information
Joseph Marcell
Sir William Davenant, the Senses, and Royalism in the Seventeenth Century
The Cambridge Companion to Shakespeare's Last Plays
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Sir Christopher Abdy. Brother-In-Law to Humphrey Mildmay, Recorded As Accompanying Him to a Play
A Study of the Salisbury Court Theatre
SPECTACLE in EARLY MODERN ENGLISH DRAMA Meg F. Pearson
Saffron Hill a New Play by Penny Culliford Directed by Anthony Shrubsall 6Th – 11Th October 2015
In Richard Brome's (1590?-‐1652) Comedies
BEESTON's BOYS and NEGOTIATIONS of SOVEREIGNTY in LATE CAROLINE DRAMA by SCOTT VENTERS Bachelor of Fine Arts in Drama / Bache
Reassessing the Worc#52DBAC
Press Release
The Beestons and the Art of Theatrical Management in Seventeenth-Century London
STUDY GUIDE TOOLS for TEACHERS Sponsored By
2019 Annual Review
English Renaissance Drama, 1642-1660 by Heidi Craig a Thesis Submitted in Conformity with the Requiremen