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Charles Mintz
UPA : Redesigning Animation
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Regionalism in Disney Animation: Pink Elephants and Dumbo
Nationalism, the History of Animation Movies, and World War II Propaganda in the United States of America
Heritage an Independent Producer, Creative Director and Writer
Cinecon Film List: Alphabetical
October 18, 2019 Animation & Disneyana Auction 116
The Magic Behind the Magic: Discovering Why the Walt Disney Company Is So Successful
The Animated Man: a Life of Walt Disney, Even Though I Did Not Impose on Him Nearly As Much This Time Around
7 Cools Things About Oswald
Disney Without Mickey Mouse? It Could Have Happened in 1928
Cinecon Films
What Disney's War on Copyrights Has to Do With
Thinking Animation: Bridging the Gap Between 2D and CG the Magic of Animation
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (75Th, Montreal, Quebec, Canada, August 5-8, 1992)
A Critical Re-Analysis of the Business Philosophies, Production Values and Studio Practices of Animator-Producer Paul Houlton Terry
WALT DISNEY TIMELINE 1901 Walter Elias Disney Is Born in Chicago To
Multiplane Camera, One of the Walt Disney Studios’ Most Important and Influential Technological Developments
Top View
UCLA Preserved Silent Animation
The Pennsylvania State University the Graduate School School of Humanities the GRAY LADY, the PEACOCK, and the MOUSE: CORPORATE
Disney – Part 1 (W.Stobrawe)
Comics and Videogames
Animation Or Cartoons: an American Dilemma Andrew Meyer Seattle Pacific Nu Iversity
• Articles • Toying with Corporate Narratives