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Castrato

  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

  • Historical Vocal Pedagogies

    Historical Vocal Pedagogies

  • A Countertenor's Reference Guide to Operatic Repertoire

    A Countertenor's Reference Guide to Operatic Repertoire

  • The Castrato As a Rhetorical Figure

    The Castrato As a Rhetorical Figure

  • Vocal Music 1650-1750

    Vocal Music 1650-1750

  • ATINER's Conference Paper Proceedings Series HUM2020

    ATINER's Conference Paper Proceedings Series HUM2020

  • THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi

    THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi

  • Note by Martin Pearlman the Castrato Voice One of The

    Note by Martin Pearlman the Castrato Voice One of The

  • THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A

    THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A

  • Adaptation of Handel's Castrato Airs for Bass: a Lecture Recital, Together with Three Recitals of Selected Works of J

    Adaptation of Handel's Castrato Airs for Bass: a Lecture Recital, Together with Three Recitals of Selected Works of J

  • Cross Gender Roles in Opera

    Cross Gender Roles in Opera

  • Nature, the Natural, and the Castrato's Body in the Eighteenth Century

    Nature, the Natural, and the Castrato's Body in the Eighteenth Century

  • AMS San Francisco 2011 Final Abstracts

    AMS San Francisco 2011 Final Abstracts

  • The Castrato. the Englishcounter Tenor. and the Teachings Of

    The Castrato. the Englishcounter Tenor. and the Teachings Of

  • Salome Ever and Never the Same

    Salome Ever and Never the Same

  • About a Castrato?

    About a Castrato?

  • A Chronology Hannah Clancy, David Gutkin, and Lucie Vágnerová

    A Chronology Hannah Clancy, David Gutkin, and Lucie Vágnerová

  • Mozart's

    Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas

Top View
  • The Silencing of Bel Canto Brianna E Robertson-Kirkland (University of Glasgow)
  • The Controversy Concerning the Timbre of the Countertenor
  • A Historical Approach to Training the Vocal Registers
  • A Virtual Castrato (!?) Philippe Depalle, Guillermo Garcia, Xavier Rodet
  • Function of Singing Treatises
  • Four Recent Productions of Dido and Aeneas
  • Diva Performativity: Female Body and Voice Through
  • Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization
  • Aria(Air) Opera Seria Recitative Opera Buffa Secco (Simple) Oratorio Accompanied Church Cantata Word-Painting Castrato
  • Some Reflections on Countertenors and Castrati
  • 11. G. F. Handel [PDF]
  • Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century
  • Merope Mesmerizes the Innsbruck Festival of Early Music, 2019
  • Didone Abbandonata
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
  • |What to Expect from Giulio Cesare
  • A Resource Guide to Standard Handel Opera Roles for the Countertenor
  • L'antica Musica


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