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Carnaval (ballet)
Lynn Garafola Most Fruitful Experiments in His Company's History
The Problems of Studying the Ballet in the Culture of the Late XIX - Early XX Centuries
Commence to Dancing by David Vaughan Introduced by Alastair Macaulay
Diaghilev's Ballet Russes Sanatsal Bir Devrim Fenomeni
A Ballets Russes Collection, Gathered in London by Boris Yeltsin's Right Arm, Boris Berezovskiy
Serge Grigoriev/Ballets Russes Archive Consists Primarily of Photographs, Photo Albums, and Notes and Manuscript Drafts for Grigoriev’S S.P
Diaghilev London Walk
The Ballets Russes: Courting the Exotic
Modernist Meanings in the European Renovation of Commedia
Dance, Film, and the Ballets Russes
Robert Helpmann (1909-1968) 2
The Performative Memory of Vaslav Nijinsky, I Had Viewed the Nureyev Performance Again.9 I Subsequently Purchased the VHS Tape of the Joffrey/Nureyev Performance
Music by Sergei Prokofiev Choreography by Alexei
We Are Pleased to Announce That the Landmark Exhibition Ballets Russes
Myles Thatcher World Premiere Program 01
Nijinsky a Ballet by John Neumeier November 22 – 30, 2014
Subjective Appropriation of Musical Form in Schumann's Carnaval, Op. 9
Bronislava Nijinska in Revolutionary Russia
Top View
The Ballets Russes in Australasia, 1936-1940
The Symbiosis Between Villa-Lobos's Carnaval Das Crianças and Momoprecoce: a Comparative Study
Neoclassical Choreographer GEORGE BALANCHINE (1904–83) (Program 01: Symphony in C) Is One of the 20Th Century’S Most Influential and Innovative Artists
Emil Otto Hoppé and the Ballets Russes Page 1 Exhibition Checklist
Nijinsky & Ballets Russes Baroque
Leland Windreich Collection
The World of Diaghilev 2018
Study Guide B Y K at E R Ay N O R