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Camille Billops
A History of African American Theatre Errol G
Btn 33 Program Print Copy
CAMILLE BILLOPS B. 1933 Los Angeles, CA D. 2019 New York, NY
April 18, 2018 – 8:30AM to 4:30PM Michael C
Digital Review Copy May Not Be Copied Or Reproduced Without Permission from the Museum of Contemporary Art Chicago
The SRRT Newsletter
Dinner Focuses on Leadership Blue Devils Conquer Streaking Cavaliers
Camille Billops, Who Filmed Her Mother‑ Daughter Struggle, Dies at 85
James V. Hatch and Camille Billops Papers, 1954-2011
We Wanted a Revolution: Black Radical Women, 1965–85 This
CREATING COMMUNITY. CINQUE GALLERY ARTISTS MAY 3 – JULY 4, 2021 1 Charles Alston
Camille Billops and James V. Hatch Archives at Emory University
Examining the Creative Practices of Kiera Boult, Madelyne Beckles, Kalale Dalton-Lutale and Cason Sharpe
3932-Black Film Directors
Oral History Interview with Emma Amos, 2011 November 19-26
Camille Billops by Candice Lawrence | July 13, 2020
The Southeastern Librarian Volume 56, Number 2 Summer 2008
Guide to the Papers of African American Artists and Related
Top View
Rewriting the History in Toni Morrison's Trilogy of Beloved, Jazz
For the Fiscal Year Ending September 30, 2003 Annu Al Repor T of the Librarian of Congress
Howardena Pindell's Black Feminisms by Sarah Louise Cowan A
African American Theatre: a White Man’S Journey
Finding Aid to the Historymakers ® Video Oral History with Camille Billops
Black Playwrights and Authors Became a Bestseller
Storycorps Griot Cultural Confluency: the Art of Sanford Biggers Gallery
Black Women Artists, Resistance, Image and Representation, 1938-1956
Womenls Studies
UCLA Electronic Theses and Dissertations
The Harlem Book of the Dead: Pan-Africanism, Funerary Portraiture, and the African-American Way of Death
Object Labels
Biographical Description for the Historymakers® Video Oral History with Camille Billops