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British popular music
Final Version
Popular Music Studies and the Problems of Sound, Society and Method
What Questions Should Historians Be Asking About UK Popular Music in the 1970S? John Mullen
Music Department Courses
Book Review: Britishness, Popular Music and National Identity by Irene Morra
Censorship of Rock-And-Roll in the United States and Great Britain
Wednesday, July 31 Thursday, August 1
Popular Imperialism: the British Pop Music Industry 1950- 1975 Richard
Brit Awards… the Definition... Brit Pop… the Pop Music Formula
British Invasion Syllabus
"Ersatz As the Day Is Long": Japanese Popular
60 Verne Contextualism Final
Popular Music Studies and the Problems of Sound, Society and Method
Pop Article Url
Ethnic and Cultural Identity in Music and Song Lyrics
Popular Music and the State: the British Honours System and Its Treatment of Popular Musicians
Cumulative Form in Pop-Rock Music
Identity Performance in British Rock and Indie Music
Top View
Pleasure, Identity and Role Play in UK Pop Music in the 1970S John Mullen
Images of the Past in British Popular Music of the 1960S: 'Relevant History' of the Kinks
Andean Musicians in Vancouver
Britpop's Common People – National Identity, Popular Music and Young
Music Non-Major (MUNM) 1
A Night at the Opera: Performance, Theatricality, and Identity In
Popular Music and Public Diplomacy
The Heritage of British Bhangra: Popular Music Heritage, Cultural Memory, and Cultural Identity
The British Invasion
UGS 302—British Pop Music 1956-2006