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Bleeding Edge (novel)
Metamodern Writing in the Novel by Thomas Pynchon
Pynchon's Sound of Music
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The Crying of Lot 49 by Thomas Pynchon
Transatlantica, 2 | 2016 Writing (At) the End: Thomas Pynchon’S Bleeding Edge 2
Thomas Pynchon and the Posthuman Gothic Gregory Stephen
Blood on the Tracks: Pynchon, Bleeding Edge, and (Un)Popular Music from Britney to Black Metal
"Self-Development and Modern Technological Culture: a Study of Thomas Pynchon’S Bleeding Edge"
Sanctuary City Pynchon's Subjunctive New York in Bleeding Edge
The Implicated Neoliberal Subject in Thomas Pynchon's Bleeding Edge
Bleeding Edge’ (2016) 4(1): 2 Orbit: Writing Around
New Perspectives on Dystopian Fiction in Literature and Other Media
This Land Is My Land.Tiinakäkelä
Thomas Pynchon's Bleeding Edge and Cormac
“The Ecocritical Carnivalesque of Mason & Dixon: Thomas Pynchon's
Rise of the Living Dead in Thomas Pynchon's “Vineland”
Durham Research Online
A Geocritical Reading of Thomas Pynchon John Stout University of Arkansas, Fayetteville
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The Pynchon Playlist: a Catalog and Its Analysis
The Search for Social Energy in Bleeding Edge
Late-Pynchon's Academics
Color-Coded Crises in Contemporary US Fiction and The