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Black metal

  • “Grunge Killed Glam Metal” Narrative by Holly Johnson

    “Grunge Killed Glam Metal” Narrative by Holly Johnson

  • Hipster Black Metal?

    Hipster Black Metal?

  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)

    Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)

  • Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community

    Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community

  • Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording

    Mid-Fi’ Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording

  • True Black Metal: Authenticity, Nostalgia, and Transgression in The

    True Black Metal: Authenticity, Nostalgia, and Transgression in The

  • Locating Experiential Richness in Doom Metal

    Locating Experiential Richness in Doom Metal

  • 6.2. Black Metal: History, Trace of Character and Archetype 215

    6.2. Black Metal: History, Trace of Character and Archetype 215

  • Viking, Pagan Or Folk? Distinguishing Possibilities for Metal Sub-Genres

    Viking, Pagan Or Folk? Distinguishing Possibilities for Metal Sub-Genres

  • Music As Transgression: Masking and Sonic Abjection in Norwegian Black Metal

    Music As Transgression: Masking and Sonic Abjection in Norwegian Black Metal

  • Summoning with Doom We Come Cd

    Summoning with Doom We Come Cd

  • Considering Genre in Metal Music © Benjamin Hillier, 2020. The

    Considering Genre in Metal Music © Benjamin Hillier, 2020. The

  • Heavy Metal and Globalization

    Heavy Metal and Globalization

  • Gender, Race & the Aesthetics of Aggressive Heavy Metal Subcultures

    Gender, Race & the Aesthetics of Aggressive Heavy Metal Subcultures

  • Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music

    Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music

  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology

    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology

  • Avast – a Fuckin’ Freak Show of Musical Preferences

    Avast – a Fuckin’ Freak Show of Musical Preferences

  • Sacred Metalcore: a Worship, Culture, & Missiology Study of the Christian Metal Scene

    Sacred Metalcore: a Worship, Culture, & Missiology Study of the Christian Metal Scene

Top View
  • Cultural Heritage and History in the Metal Scene
  • The Music of Bipolar Disorder
  • The Unchaining of Prometheus in Black Metal
  • Power, Gender and the Communicative Discourse of the Black Metal Scene
  • Metal Mayhem to Music Theory: the Use of Heavy Metal Music in Collegiate Music Theory Instruction
  • Blacker Than Death: Recollecting the “Black Turn” in Metal Aesthetics Ian Reyes University of Rhode Island, [email protected]
  • Adorno and Black Metal
  • Medievalism and Metal Music Studies Emerald Studies in Metal Music and Culture
  • Why Collect Heavy Metal?
  • Metal Evolution Family Tree Poster Fixj
  • The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore
  • True Black Metal: Authenticity, Nostalgia, and Transgression in The
  • Tradition and Death/Doom Metal Music M Selim Yavuz, Leeds Beckett University (BFE Member ID: 222102) [email protected]
  • Extrém Metal És Hardcore Szószedet
  • Genre Theories, Genre Names and Classes Within Music Intermedial Ecology
  • Build an Active Foundation for Heavy Metal Subculture Community
  • Black Metal and the Works of Tolklen99
  • 1 'Golden Hatred': Anti-War Sentiment and Transgression in Death Doom


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