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Billy Kersands
Aunt Jemima Explained: the Old South, the Absent Mistress, and the Slave in a Box Maurice M
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
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VOICE, RACE, and NATION in US MUSIC, 1890-1924 by Scott A
The African American Contribution to the Cornet of the Nineteenth Century: Some Long-Lost Names
Universiteit Gent Academiejaar 2015-2016 AFRO-AMERIKAANSE
Sliding Positionality in the Works of Pauline E. Hopkins, Zora Neale Hurston, Langston Hughes, and Spike Lee Jessica Metzler
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Stereotypy, Mammy and Recovery
Just a Buncha Clowns: Comedic-Anarchy and Racialized Performance in Black Vaudeville, the Chop Suey Circuit, and Las Carpas
A Critical Study of the African-American Comedic Tradition Allison Longo Union College - Schenectady, NY
Chronology and Itinerary of the Career of Ernest Hogan: Materials for a Biography Peter M
No Country for End Men: a Re-Evaluation of Small Ensemble Blackface Minstrelsy, 1843 to 1883
Minstrel Show Collection, 1831-1959 (Bulk 1860-1940)
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