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» Bernardo Bembo
Bernardo Bembo
Gilbert, F
Norberto Gramaccini Petrucci, Manutius Und Campagnola Die Medialisierung Der Künste Um 1500
Patrician Lawyers in Quattrocento Venice
Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century
4 Politics, Portraits, and Love
And Fifteenth-Century Italy
Leonardo Da Vinci and Flemish Painting ─On the Portrait of Ginevra De’ Benci─
Leonardo Da Vinci's Portraits: Ginevra De' Benci, Cecilia Gallerani, La Belle Ferronière, and Mona Lisa
Museodantesco Ita.Pdf
Cardinal Pietro Bembo 1539/1540 Oil on Canvas Overall: 94.5 X 76.5 Cm (37 3/16 X 30 1/8 In.) Framed: 124.6 X 106.7 X 11.4 Cm (49 1/16 X 42 X 4 1/2 In.) Samuel H
Leonardo Da Vinci's Portraits: Ginevra De' Benci, Cecilia Gallerani, La Belle Ferronière, and Mona Lisa
C3509599-C7a4-43Da-A583-10473A862d00.Pdf
The Social Lives of Paintings in Sixteenth-Century Venice Kessel, E.J.M
Unrelated Persons—Both Named Celsus—For the Purpose of Drawing a Parallel Between Different Historical Periods, and Between
Marine Hybrids, the Lombardo Workshop and the Immaculate Virgin Of
Italian Paintings of the Sixteenth Century
Raphael: Mythe and Realities Between Erasmus and Venice, Who Really Was Raphael?
Contemporary Interpretation of Three Paintings by Titian (Tiziano Vecellio, C
Top View
A Guide to the Italian Medals Exhibited in the King's Library
Pietro Bembo's Bias
