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Authenticity in art
Artists Post 1990 in Turkey
Authenticity in the Performing Arts: a Foolish Quest? Maud Derbaix, University of Namur, Belgium Alain Decrop, University of Namur, Belgium
Fakers and Forgers, Deception and Dishonesty: an Exploration of the Murky World of Art Fraud†
Issues of Authenticity in Autonomously Creative Systems
Artworks Are Evaluated As Extensions of Their Creators
Appeals to Authenticity: Discourses on the True Self and the Politics of Identity Construction
Continuing the Existentialist Tradition in Painting Robert Howe University of Wollongong
Art Et Authenticité
Faking, Forging, Counterfeiting
Art and Social Change a Critical Reader
Musical Authenticity As ‘Being True to the Moment’
Fakes and Forgeries: the Art (And Science) of Deception and Issues with Recovery
Is Authenticity Authentic?
Anna Denise Van Der Reijden, MA Studentnumber: 0205567 August 2008
Subtleties in Discerning the Authenticity of African
Authenticity in Art Restoration
Changing Methodology and Theoretical Issues in Conserving Ephemeral Contemporary Artworks with Special Reference to Installation Art
Fakes in Art
Top View
Art and Authenticity: the Importance of Originals in Judgments of Value George E
Appeals to Authenticity: Discourses on the True Self and the Politics of Identity Construction
Why Art Does Not Need Copyright
Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting Through the Works of Zhang Daqian
Authenticity in Art Denis Dutton (University of Canterbury, New Zeland)
Authenticity, Restoration, Forgery
Identity, Metaphysics, and the Search for Authenticity
Critique of Authenticity
Authenticity, Accuracy, and Reliability of Artworks (DRAFT Version 2) J
The Art Period
The Scientific Detection of Forgery in Paintings*
Mapping the Contemporary Historiography of the Artist Interview As a Literary and Critical Genre: a Critical Introduction
Authenticity and Its Discontents