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Ashley Kahn
Seeing (For) Miles: Jazz, Race, and Objects of Performance
The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
Dominican Republic Jazz Festival @ 20
MILES DAVIS: the ROAD to MODAL JAZZ Leonardo Camacho Bernal
Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
ASHLEY KAHN News
Reuben Bradley. from Coltrane to Magma and Beyond- Interpreting
When Discussing the Development of Music Over the Course of the 20Th
Monterey Jazz Festival 54
HANK JONES TRIO with Mads Vinding & Shelly Manne
JIMMY COBB NEA Jazz Master (2009)
The Play of Meaning and the Meaning of Play in Jazz
The Denial of a General Performance Right in Sound Recordings: a Policy That Facilitates Our Democratic Civil Society?
An Investigation of Specific Structural Techniques Used by the Miles Davis Quintet on Selected Live Recordings from 1964-1965
The Coltrane Project at Foundry 616
Jazz Jazz Saxophonist John Coltrane
Top View
The Play of Meaning and the Meaning of Play in Jazz
Jazz, Poetry, and the Black Arts Movement, 1960–1969
Elvin Jones: Defining His Essential Contributions to Jazz