DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Archibald Motley
Archibald Motley
A History of Mixed-Race Women in the United States During the Early Twentieth Century
Oral History Interview with Archibald Motley, 1978 Jan. 23-1979 Mar. 1
A Finding Aid to the Eldzier Cortor Papers, Circa 1930S-2015, Bulk 1972-2015 in the Archives of American Art
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Motley-Lesson-The-Plotters.Pdf
Fryd, “Archibald Motley: Jazz Age Modernist,” Panorama: Journal of the Association of Historians of American Art 1, No
Feminist Studies > Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood
VMFA – Collections – Acquistions Dec 2017
Exhibition Advisory
Archibald Motley, the Painter Who Captured Black America in the Jazz Age and Beyond
A Turning Point in American Negro Art?
Host-Pathogen-Venue Combinations and All That Jazz
“The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia
Archibald Motley: Jazz Age Modernist
American Art
Modern Paintings of the Prodigal Son: Depictions by James Tissot, Max Slevogt, Giorgio De Chirico, Aaron Douglas, and Max Beckmann, 1882-1949
Seeing Eldzier Cortor
Rebecca Baldwin Nina Litoff (312) 443-3625 (312) 443-3363
[email protected]
[email protected]
Top View
Archibald Motley's Portraits and the Art of ‘Serious Painting’
17372.Pdf (10.71
Foundation for American Art Report July 2008–June 2010
Aaron Douglas and Hale Woodruff: the Social
America and Race: a Bibliography for UK History Undergraduates
Street Scene Chicago, 1936
A New Deal for Illinois the Federal Art Project Collection of Western Illinois University
Rediscovering a Jazz-Age Modernist
Archibald Motley: Jazz Age Modernist
50 Years of Chicago Art and Architecture
Self-Portrait C
BOMB Magazine — Eldzier Cortor by Terry Carbone
The Routledge Companion to African American Art History the Enduring
Bibliography and Exhibitions
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
Davenport, J. Appositional Black Aesthetics FINAL1