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Annalise Keating
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
Examining Interracial Relationships in Shondaland
A Content Analysis of Olivia Pope: How Scandal Reconfirms the Negative Stereotypes of Black Women
Annalise Keating's Portrayal As a Black Attorney Is the Real Scandal
The Black Paper
O Papel Da Televisão No Streaming: Um Estudo Sobre a Evolução Das Séries Da Produtora Shondaland E Sua Contratação Pela Netflix1
MODERN FAMILY Take Your DISH OUTDOORS
Ii Property, Mobility, and Epistemology in U.S. Women of Color Detective
Black Women and Scandal: Representation and Recognition in Crooked Spaces
'How to Get Away with Murder' Takes a Somewhat Realistic Look at Law
The Popular Culture Studies Journal
A Critical Cultural Study of Lived Experiences and Societal Implications of the 21St Century Natural Hair Movement
O Papel De Shonda Rhimes E Suas Protagonistas Na Terceira Era De Ouro Da Televisão Americana
How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series
130Mm Tv Time Fans Cast Their Vote on the State of Diversity on Television
Review of "How to Get Away with Murder"
Who Got Away with Murder? an Analysis and Discussion About the Death of Sam Keating in Season 1 of ABC’S “How to Get Away with Murder”
Top View
Colour- Blindness and the Myth of a Postracial America in American Television Series
Statistical Plight of Black Women Kimberly-Joy M
The Final Murder Free
TGIT' Strut Back to Thursday Nights
Defense Mechanism in the Tv Series How to Get Away with Murder Season 1
(On Black Twitter): Second Screening of How to Get Away with Murder As a Discourse on Black Womanhood
9781474473972 Sulimma Gen
Univerzita Palackého V Olomouci Bakalářská Práce
Transcript of Lecture by Dr
A Rhetorical Analysis of Annalise Keating's
Invocations of Feminism: Cultural Value, Gender, and American Quality Television
Queer As Folk Y How to Get Away with Murder
From Mrs. Bradwell to Annalise Keating, Gender Bias in the Courtroom
Heroínas Y Antiheroínas De La Ficción Televisiva Estadounidense Actual
“You Can Only Deny Me for So Long by Saying That I Don't
Fan Culture : Résistance Et Mémétique Sur Les Médias Sociaux Morgane Brucelle
How a Dark Triad Personality Affects Perceptions of Dark Triad Characters in Film and Television Timothy Davis University of Mississippi
Feminist and Patriarchal Themes in Shondaland A
Defense Mechanism in the Tv Series How to Get Away with Murder Season 1
Jokes Are Funny; Murder Is Dramatic
Audiences Have Been Captivated by Courtroom Dramas for Hundreds of Years