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American Aristocracy
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
George Eastman Museum Annual Report 2018
Report to the U. S. Congress for the Year Ending December 31, 2003
A Companion to Literature, Film, and Adaptation Blackwell Companions to Literature and Culture
'Just Like Hitler': Comparisons to Nazism in American Culture
Blondes Have More Fun: Anita Loos and the Language of Silent Cinema
LITTLE CAESAR (1930, 80 Minutes)
Not So Silent: Women in Cinema Before Sound Stockholm Studies in Film History 1
Report to the U. S. Congress for the Year Ending December 31, 2004
Report to the U. S. Congress for the Year Ending December 31, 2001
Women, Cultural Capital, and High Society in New York City, 1870-1900
Opera in English: Class and Culture in America, 1878–1910
The Cosmopolitan South: Privileged Southerners, Philadelphia, and the Fashionable Tour in the Antebellum Era by Daniel Kilbride
Tribute to Anita Loos at the Museum of Modern Art Month-Long Retrospective of Loos Films in Recognition of Screen Writer's Role
“Visual Style in Early Works of Douglas Fairbanks” Miaad Minooie A
Proquest Dissertations
Feminisms, Publics, and Rhetorical Indirections: Figuring Marcet Haldeman-Julius, Anita Loos, and Mae West, 1905-1930
Wartime Film Stardom and Global Leadership
Top View
Luxury Yacht Interiors, 1870-1920 As a Reflection of Gilded Age Social Status
The Music of Silent Film Composer and Theater Organist Lee Erwin Michael Thomas Hix
Special Relationships: Anglo-American Love Affairs, Courtships and Marriages in Fiction, 1821-1914
The Divo and the Duce