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Alternatim
The Liturgical Function of French Baroque Organ Repertoire Aaron James the University of Western Ontario
The Baroque Offertoire : Apotheosis of the French Organ Art
The Influence of Plainchant on French Organ Music After the Revolution
Introduction to Instalment 2
Some Historical Perspectives on the Monteverdi Vespers
Lutheran Theological Structure of the Troped Magnificats of Michael Praetorius’S Megalynodia Sionia Adrian D
The Liturgical Use of the Organ in the Sixteenth Century: the Judgments of Cajetan and the Dominican Order
Alternatim Practice in France
CATHOLIC CHURCH MUSIC Iwtbil Obstat
Ars Subtilior in Organ Playing C.1380–1420 Another Glimpse Into a Late Medieval Unwritten Performance Practice
Sacred Song Chanting the Bible in the Middle Ages and Renaissance
The Verset and Fabordão Genres in the Context of Music Manuscript 242 from the Coimbra University Library
The Italian Organ Mass
Minimalism, Exoticism, and Alternatim in Tarik O'regan's Magnificat and Nunc Dimittis and the Ecstasies Above
The Parish Book of Chant, 2Nd Edition
An Anthology of Renaissance Vocal Literature Suitable
Te Deum by Naji Hakim: Historical Background and Structural Analysis
The Tallis Scholars Director Peter Phillips
Top View
University Microfilms International 300 N
The Hymns and Responds of John Sheppard
MUSC 247 Music of the Catholic Church
Lutheran Alternatim Practices in the 16Th and Early 17Th Centuries: a Narrative of Liturgical Artistry and Accessibility
Winter 2019-2020/1 by Brian Wilson and Johan Van Veen [JV]
Brother Jacob Berns, O.S.B. Candidate for the Master of Arts in Liturgical Music Student of Dr
Les Maîtres Du Motet Sébastien De Brossard Les Arts Florissants Pierre Bouteiller Paul Agnew FRANZ LISZT