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Alex Garland

Ex-Machina and the Feminine Body Through Human and Posthuman Dystopia
The (Im)Possibility of Adaptation in Alex Garland's Annihilation
Ben Salisbury
The Beach 4 5 by Alex Garland 6
CUH31920 Course Number: English 319-90-2 Course Title: Studies in Shakespeare Department of English Division of the Humanities Instructor Name: Brooke A
Alex GARLAND
Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St
Afrofuturism
Horror's Aesthetic Exchange: Immersion, Abstraction and <Em>Annihilation</Em>
Teacher's Notes
Mōnstrum Ex Machina : Reading the Artificial Life As Monster in Three Contemporary Western Narratives
Pressed His Interest
'The Grey Box and the Magician's Assistant': Gendered Technology in Alex Garland's Ex Machina
Posthumanism and Science Fiction: the Case of Alex Garland's Ex
MARK DIGBY Production Designer
The Beach Was in Bangkok, on the Khao San Road
Audiovisual Representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering Or Reality? the Cases of Black Mirror (Charlie
“Ava's Body Is a Good One”: (Dis)Embodiment in Ex Machina

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SF44 Marathon Program
Annihilation
Annihilation Roundtable Review', Sara L. Crosby, Andy Hageman, Dan Platt, Ali Sperling, Shannon Davies
Film Review: Ex Machina
Annihilation Netflix Release Date
Weird Farang Thing: Dark Tourism in Alex Garland's the Beach
Rob Hardy, Asc, Bsc Director of Photography
Montclair Film Announces Science on Screen® Programming
Ben Salisbury
GOTHIC FILM an E Din Bu Rg H C O Mpani O N
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Ex Machina: the Fiction Story of Love and Revenge
House&Fellow&Lance&Wahlert,&Ph

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