Montclair Film Announces Science on Screen® Programming
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Ex-Machina and the Feminine Body Through Human and Posthuman Dystopia
Elisabetta Di MINICO Ex-Machina and the Feminine Body through Human and Posthuman Dystopia Abstract: Ex-Machina is a 2015 sci-fi thriller, written and directed by Alex Garland, and starring Domhnall Gleeson, Oscar Isaac and Alicia Vikander. Critically acclaimed, the movie explores the relations between human and posthuman, as well as the relations between men and women. The article analyzes four main themes: the dystopian spaces of relations and conflicts between human and posthuman entities; the gender issues and the violent tendencies represented both in humans and in AIs; the construction and the representation of women’s bodies, roles, identities and images; the control and the manipulation perpetrated by “authoritarian” individuals on feminine bodies. The goal of my contribution is to show the reasons of the “double male fear of technology and of woman” (Huyssen 226), and I hope that my reflections could encourage a debate on posthumanism and on gendered power relations. Keywords: Human and Posthuman, Gender Issues, Dystopia. Ex-Machina is a 2015 sci-fi thriller, written and directed by Alex Garland, and starring Domhnall Gleeson, Oscar Isaac and Alicia Vikander. Acclaimed by critics, the movie ex- plores the relations between human and post- human, as well as the relations between men and women. With its lucid and tense writ- Elisabetta Di MINICO ing, Garland reflects on the possible dysto- University of Barcelona pian evolution of artificial intelligence, and Email: [email protected] he does that with no usual negative tenden- cy to create an evil sentient mechanism with- EKPHRASIS, 1/2017 out a cause. In the vision of Ex-Machina, both GHOSTS IN THE CINEMA MACHINE human and posthuman subjects contribute to pp. -
Stations WNYE (FM) and WNYE-TV Are Equal Opportunity Employers
EEO PUBLIC FILE REPORT This Report covers full-time vacancy recruitment data for the period: January 23, 2018 – January 22, 2019. 1) Employment Unit: New York City Department of Information Technology and Telecommunications (“DoITT”)/Mayor’s Office of Media and Entertainment (“MOME”)/NYC Media 2) Unit Members (Stations and Communities of License): WNYE(FM), WNYE-TV 3) EEO Contact Information for Employment Unit: Chisom Ananaba Mailing Address: Telephone Number: (212) 974-4019 NYC Media Contact Person/Title: Chisom Ananaba, Assistant 1 Centre Street, 26th Floor General Counsel New York, NY 10007 E-mail Address: [email protected] 4) Full-Time Job Vacancies Filled by Each Station in the Employment Unit: Job Title Recruitment Source Referring Hiree (a) Graphic Designer Citywide distribution through www.nyc.gov (b) Master Control Operator Citywide distribution through www.nyc.gov (c) Broadcast and IT Support Engineer Citywide distribution through www.nyc.gov (d) Press Secretary/Director of Digital Media Citywide distribution through www.nyc.gov (e) Executive Assistant to Commissioner Citywide distribution through www.nyc.gov (f) Director of Gov’t and Legislative Affairs Citywide distribution through www.nyc.gov Consistent with City of New York policy, notice of each full-time vacancy was posted on www.nyc.gov. 5) Total # of Interviewees Referred: For the period from January 23, 2018 through January 22, 2019 this Employment Unit interviewed 44 interviewees for full-time job vacancies. 6) Recruitment Initiatives. List and briefly describe the Supplemental Recruitment Initiatives undertaken during the period covered by this Report. (a) Participation in Job Fairs DoITT hiring representatives attended 1 job fair in 2018--Tech Job Tour (LGBTQ Community) June 19, 2018. -
The (Im)Possibility of Adaptation in Alex Garland's Annihilation
The (Im)Possibility of Adaptation in Alex Garland’s Annihilation Emmanuelle Ben Hadj A 2018 article about Alex Garland’s science-fiction film Annihilation (2018) asks the question: “is Annihilation the first true film of the Anthropocene?”1 The answer is most likely no. The Anthropocene is a term created in 2000 by scientists Paul Crutzen and Eugene Stoermer to signify the importance of environmental change caused by humans. For decades, and even centuries, humanity has become a geological agent capable of reshaping planet Earth according to their own needs and desires. Our actions have altered the planet’s climate for the worse to the point of hindering the natural course of evolution. For this reason, scientists—though disagreements within the scientific community still exist—have felt the need to suggest the existence of a new geological era, the Anthropocene, that would follow the previous era of the Holocene. Selmin Kara coined the term “Anthropocenema” to talk about the trend of science fiction and other genre films depicting the consequences of anthropogenic actions on Earth.2 I would argue that it would be unfair to call Annihilation the first true film of the Anthropocene when the science fiction genre has been so prolific in tackling environmental disasters, with recent films such as Interstellar (Nolan, 2014), or older films like Andreï Tarkovski’s Stalker (1979) to which Annihilation is often compared. However, Alex Garland’s film certainly stands out in its refusal to compromise with humanity’s fate, hence its particularly negative and pessimistic representation of man. The new ecology of cinema that no longer hesitates to feature human-made disasters, as well as the creation of fictional alternate worlds for pleasure and escapism, could be read as a way to 1 Lewis Gordon, “Is Annihilation the First True Film of the Anthropocene?”, Little White Lies, March 13, 2018 (accessed January 23, 2020). -
Ben Salisbury
Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there. -
BreakingIntoTheVr|ArIndustry
CAREER PANEL BREAKING INTO THE VR | AR INDUSTRY Tuesday, December 5, 2017 5:00 PM – 9:00 PM Lehman College | CUNY 2501 Grand Concourse, 3rd Floor, Bronx VR/AR demos and industry panel discussion followed by networking reception and more demos Industry Panelists: JUSTIN HENDRIX Executive Director, NYC Media Lab JERELYN RODRIGUEZ Co-Founder and CEO, The Knowledge House HUGH McGRORY CEO, datavized NOAH VADNAI Vice President, Product, A+E Networks Student Panelists: MICHAEL BRENNER Student, Virtual Reality Academy and Development Lab TINA CHENG Student, Virtual Reality Academy and Development Lab Moderator: JANE MACKILLOP, PhD Interim Dean, School of Continuing & Professional Studies, Lehman College Presented by: In partnership with: BREAKING INTO THE VR|AR INDUSTRY Justin Hendrix, Executive Director, NYC Media Lab connects media and technology companies with New York City’s universities to drive digital media innovation and entrepreneurship. Launched by the New York City Economic Development Corporation, NYU and Columbia University, NYC Media Lab is a public-private partnership encompassing the universities of NYC and corporate members such as Hearst Corporation, ESPN, Major League Baseball Advanced Media, Bloomberg, News Corp, NBCUniversal, Viacom and Verizon. The Lab's interests range across disciplines from data science to virtual and augmented reality, and its programs include seed R&D projects with member companies as well as The Combine, which encourages digital media startup formation and technology commercialization on the City’s campuses. Previously Hendrix was Vice President, Business Development & Innovation for The Economist, where he directed prototyping and commercialization of new digital media business concepts. He is a regular writer and speaker on media & innovation. -
Amazon's Document
REQUEST FOR INFORMATION Project Clancy TALENT A. Big Questions and Big Ideas 1. Population Changes and Key Drivers. a. Population level - Specify the changes in total population in your community and state over the last five years and the major reasons for these changes. Please also identify the majority source of inbound migration. Ne Yok Cit’s populatio ge fo . illio to . illio oe the last fie eas ad is projected to surpass 9 million by 2030.1 New York City continues to attract a dynamic and diverse population of professionals, students, and families of all backgrounds, mainly from Latin America (including the Caribbean, Central America, and South America), China, and Eastern Europe.2 Estiate of Ne York City’s Populatio Year Population 2011 8,244,910 2012 8,336,697 2013 8,405,837 2014 8,491,079 2015 8,550,405 2016 8,537,673 Source: American Community Survey 1-Year Estimates Cumulative Estimates of the Components of Population Change for New York City and Counties Time period: April 1, 2010 - July 1, 2016 Total Natural Net Net Net Geographic Area Population Increase Migration: Migration: Migration: Change (Births-Deaths) Total Domestic International New York City Total 362,540 401,943 -24,467 -524,013 499,546 Bronx 70,612 75,607 -3,358 -103,923 100,565 Brooklyn 124,450 160,580 -32,277 -169,064 136,787 Manhattan 57,861 54,522 7,189 -91,811 99,000 1 New York City Population Projections by Age/Sex & Borough, 2010-2040 2 Place of Birth for the Foreign-Born Population in 2012-2016, American Community Survey PROJECT CLANCY PROPRIETARY AND CONFIDENTIAL 4840-0257-2381.3 1 Queens 102,332 99,703 7,203 -148,045 155,248 Staten Island 7,285 11,531 -3,224 -11,170 7,946 Source: Population Division, U.S. -
The Beach 4 5 by Alex Garland 6
Penguin Readers Factsheets level E Teacher’s notes 1 2 3 The Beach 4 5 by Alex Garland 6 SUMMARY ADVANCED he Beach by Alex Garland tells the story of Richard, a young backpacker from England who goes to Thailand looking for ABOUT ALEX GARLAND T adventure. At a guesthouse in Bangkok he finds a map pinned to his door. It has been put there by the man in the next room who kept Alex Garland was born in London in 1970. After leaving school, he him awake the previous night talking incoherently about a beach. The spent six months in Southeast Asia, and he has returned there many man has now killed himself. The map shows the way to a secret beach times since, most frequently to the Philippines. He graduated in history on an island in a National Park in the Gulf of Thailand where tourists of art from Manchester University in England and began his career as are forbidden to go. Together with a French couple, Étienne and an artist and freelance journalist. The Beach, his first novel, was Françoise, Richard finds the beach and the small community of written in 1996 and soon became an international bestseller, with five travellers, led by a woman called Sal, who have gone there in search million copies sold worldwide. In 1997 it won the Betty Trask prize for of a place unspoilt by tourism. They soon make friends with the others the best first novel by a writer under 35. Garland’s second novel, The and settle down to life in paradise. -
Annual Report
NYC Commission on Human Rights 20 14 ANNUAL REPORT NYC Commission on Human Rights BILL DE BLASIO, Mayor BILL DE BLASIO, Mayor | CARMELYN P. MALALIS, Commissioner/Chair CARMELYN P. MALALIS, Commissioner/Chair 2014 Annual Report NEW YORK CITY COMMISSION ON HUMAN RIGHTS BILL DE BLASIO, MAYOR CARMELYN P. MALALIS, COmmISSIONER /CHAIR NEW YORK CITY COMMISSION ON HUMAN RIGHTS Message from the Mayor New York has always been a place filled with opportunity and the promise of equality, and people from all over the world have come here to be a part of our city’s great success story. Hailing from every corner of the globe, our residents and visitors contribute to the diversity and strength of our communities. To ensure that everyone is treated fairly and with respect, it is our duty to protect the civil rights of all those who live in, work in, and visit the five boroughs. Responsible for safeguarding the dignity and fundamental rights of all New Yorkers, the New York City Commission on Human Rights has upheld social justice and enforced our Human Rights Law, one of the most comprehensive civil rights laws in the nation. I have appointed Carmelyn P. Malalis as the Chair of the Commis- sion, whose background of encouraging positive community relations and advocacy for fair and equal treatment will help us better protect the rights of people in our city. The Commission on Human Rights has made vital contributions to our goal to build one city, where everyone can rise together, and I invite you to learn more about the Commission’s work in its 2014 Annual Report. -
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company. Mainly dealing with tv production. 568 Broadway SuiteManhattan 601 10012 212-541-4323 http://apostlenyc.com/contact/ Atlatntic Televsion Documentaries, Reality shows, Magazine shows, promos, and corporate videos 150 West 28th St,Manhattan 8th Floor 10001 212 625-9327 Belladonna Offers production services to international producers who want to shoot in North America 164 W 25th St, 9thManhattan Floor 10001 212 807-0108 [email protected] Casual Films Shoots coprorate, consumer, employer or CSR communications, commerical, etc 73 Calyer Street Brooklyn 11222 212 796-4933 [email protected] Chelsea Production and Talent Management Company, has directors who shot various movies, commericals, direcotrs,33 Bond etc. Street UnitManhattan 1 10012 212 431-3434 Click Play Films Produces corporate videos, commercials and animation 154 Grand Street Manhattan 10013 646 417-5330 [email protected] Co. Mission Content Groupcreative production company focusing on global video creation and participatory brand experiences. Deals202 with Plymouth mostly commercials St. EntranceBrooklyn B 11201 718 374-5205 [email protected] DePalma Productions Produces videos for the corporate, health care & entertainment industries. Also offers post-production. Also159 offers East equipmentMain Street,New including Suite Rochelle 300 green screen 10807 914 576-3500 Departure Films Produces mostly non-scripted shows for cable channels 240 West 37th -
CUH31920 Course Number: English 319-90-2 Course Title: Studies in Shakespeare Department of English Division of the Humanities Instructor Name: Brooke A
#CUH31920 Course Number: English 319-90-2 Course Title: Studies in Shakespeare Department of English Division of the Humanities Instructor Name: Brooke A. Carlson, Ph.D. Email: [email protected] Office Location: Henry Hall 206 C Office Hours: M/W/F 11:00 am - 12:20 pm, and by appointment Term: Winter 2020 January 6 – March 17, 2020 Class Meeting Days/Hours/Location: always already online everywhere “Heaven is my judge, not I for love and duty,/But seeming so for my peculiar end./For when my outward action doth demonstrate/The native act and figure of my heart/In compliment extern, ‘tis not long after/But I will wear my heart upon my sleeve/For daws to peck at. I am not what I am” (Othello, I.i.62-7). Syllabus Course Description In this learning community, we will cover five plays and ten films over ten weeks. Our goal is an individual experience with the primary texts of Shakespeare, the ten appropriations of his plays, and our own appropriation of art. We’ll start by coming to terms with the theoretical concepts of adaptation and appropriation. Instead of writing analytical essays, will then apply our understandings of adaptation and appropriation to three prompts offering us the chance to adapt and appropriate the Shakes. The first will be memorizing and adapting a short passage from the play. The second will be the collaborative appropriation of a scene, or a sequence. I am asking you to work with someone on this effort (a classmate or someone else). The third will be an appropriation of a play, individually or collaboratively, whereas the fourth will invite you all together as a group to collaborate and appropriate the Shakes. -
Dumbo | New York
dumbo | new york Channel Productions is an independent production company, founded by the Emmy® award-winning team that built NYC TV in New York. The principals, veterans of New York City's The current portfolio at Channel Productions includes both competitive television market, founded NYC TV in 2003. In just television and film projects that explore significant historical six years, they've built it into the most decorated local TV and contemporary events. Each endeavor concentrates on network in the country with 160 Emmy® nominations and 42 people and stories that have far-reaching, global repercussions. Emmy® awards. NYC TV programs can be seen worldwide and across the U.S. on PBS, NBC and other major cable networks. projects principals Channel Productions is taking its successful track record of ARICK WIERSON award-winning documentaries at NYC TV and combining it with Mr. Wierson is a Principal Executive Producer of Channel Productions. He is also the an array of established distribution relationships. This will ensure President of NYC Media Group where he oversees NYC TV's six New York City market that their projects will be seen on PBS and other major US outlets. broadcast and cable channels, WNYE 91.5 FM Radio, and a host of online properties. He is a senior media and communications aide to New York City's Mayor Michael Channel Productions is a known entity on the film and television Bloomberg, and has built and oversees the single largest local media enterprise operat- festival circuit. Their first project will be shown in June 2009 at ing in the New York City market. -
Alex GARLAND
48/FILM THE NOVELIST TURNED SCREENWRITER NOW ADDS FILM DIRECTOR TO HIS LIST OF BRILLIANT CAREERS. Alex GARLAND HIS DEBUT FEATURE TURNS THE ANXIETY OVER By CHRISTOPHER BOLLEN ARTIFICIAL INTELLIGENCE INTO A CAT-AND-MOUSE Portrait DAVID BAILEY ABOUT THE CONFINES OF HUMAN CONSCIOUSNESS When The Beach was published in 1996, the response But The Beach was a pre-internet book, really. It was a was swift and convincing: the dark, backpacker-odys- “I KNEW I WANTED TO word-of-mouth book. sey novel about a secret beach in Thailand and all of WRITE SOMETHING BOLLEN: Exactly. It was the last of its kind in a way. the dystopian horrors that come along with coloniz- ABOUT AI AND A It’s like how we used to learn about albums or bands. ing paradise was a critical and popular blockbuster. The PARTICULAR KIND OF AI: Slowly, through our friends. Beach was made to summarize a generation of white, STRONG AI, HUMANLIKE GARLAND: I was talking about that phenomenon globe-hopping Westerners in search of the last unpar- CONSCIOUSNESS IN A with one of the guys who wrote the soundtrack ented, untouched locale, and read like an On the Road MACHINE. PARTLY BECAUSE, for Ex Machina. We’ve got a shared love of an old for South Asian rambling. Alongside Generation X and INEVITABLY, YOU’LL ALSO German band called Can—a kind of krautrock, Infinite Jest, it was one of the few literary novels of the TALK ABOUT PEOPLE.” prog-rock band from the late ’60s and early ’70s. ’90s to capture the eyes, hearts, and cynicism of post- When I discovered them, you couldn’t go online.