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The Grizzlies
Presents THE GRIZZLIES A film by Miranda de Pencier 104 mins, Canada, 2018 Language: English, Inuktitut Official Selection: 2018 Toronto International Film Festival – World Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com THE GRIZZLIES – PRESS KIT Contents: 1. LOGLINE 4 2. SYNOPSIS 4 3. PRODUCTION NOTES – The Making of THE GRIZZLIES 4 a. Overview b. Development History of The Grizzlies c. Miranda de Pencier on Her Origins with THE GRIZZLIES d. Casting e. Collaboration Between North & South f. How The Grizzlies Changed a Town g. Director’s Statement h. About the Town of Kugluktuk i. Music j. Opening Title Sequence 4. CHARACTER BIOS (in order of appearance) 14 a. RUSS (Ben Schnetzer) b. MIKE (Will Sasso) c. ZACH (Paul Nutarariaq) d. ADAM (Ricky Marty-Pahtaykan) e. ROGER (Fred Bailey) f. SPRING (Anna Lambe) g. JANACE (Tantoo Cardinal) h. MIRANDA (Emerald MacDonald) i. KYLE (Booboo Stewart) j. HARRY (Eric Schweig) k. TANNER (Brad Fraser) l. VINNY (Jamie Takkiruq) m. JOHNNY (Seth Burke) n. SAM & LENA (Simon Nattaq & Madeline Ivalu) 5. FILMMAKER BIOS 15 a. MIRANDA DE PENCIER (Director/Producer) b. GRAHAM YOST (Writer) c. MOIRA WALLEY-BECKETT (Writer) d. ALETHEA ARNAQUQ-BARIL (Producer) e. STACEY AGLOK (Producer) 2 f. ZANNE DEVINE (Producer) g. DAMON D’OLIVEIRA (Producer) h. JAKE STEINFELD (Executive Producer) i. FRANK MARSHALL (Executive Producer) 6. ACTOR BIOS 23 a. EMERALD MACDONALD b. -
BreakingIntoTheVr|ArIndustry
CAREER PANEL BREAKING INTO THE VR | AR INDUSTRY Tuesday, December 5, 2017 5:00 PM – 9:00 PM Lehman College | CUNY 2501 Grand Concourse, 3rd Floor, Bronx VR/AR demos and industry panel discussion followed by networking reception and more demos Industry Panelists: JUSTIN HENDRIX Executive Director, NYC Media Lab JERELYN RODRIGUEZ Co-Founder and CEO, The Knowledge House HUGH McGRORY CEO, datavized NOAH VADNAI Vice President, Product, A+E Networks Student Panelists: MICHAEL BRENNER Student, Virtual Reality Academy and Development Lab TINA CHENG Student, Virtual Reality Academy and Development Lab Moderator: JANE MACKILLOP, PhD Interim Dean, School of Continuing & Professional Studies, Lehman College Presented by: In partnership with: BREAKING INTO THE VR|AR INDUSTRY Justin Hendrix, Executive Director, NYC Media Lab connects media and technology companies with New York City’s universities to drive digital media innovation and entrepreneurship. Launched by the New York City Economic Development Corporation, NYU and Columbia University, NYC Media Lab is a public-private partnership encompassing the universities of NYC and corporate members such as Hearst Corporation, ESPN, Major League Baseball Advanced Media, Bloomberg, News Corp, NBCUniversal, Viacom and Verizon. The Lab's interests range across disciplines from data science to virtual and augmented reality, and its programs include seed R&D projects with member companies as well as The Combine, which encourages digital media startup formation and technology commercialization on the City’s campuses. Previously Hendrix was Vice President, Business Development & Innovation for The Economist, where he directed prototyping and commercialization of new digital media business concepts. He is a regular writer and speaker on media & innovation. -
Amazon's Document
REQUEST FOR INFORMATION Project Clancy TALENT A. Big Questions and Big Ideas 1. Population Changes and Key Drivers. a. Population level - Specify the changes in total population in your community and state over the last five years and the major reasons for these changes. Please also identify the majority source of inbound migration. Ne Yok Cit’s populatio ge fo . illio to . illio oe the last fie eas ad is projected to surpass 9 million by 2030.1 New York City continues to attract a dynamic and diverse population of professionals, students, and families of all backgrounds, mainly from Latin America (including the Caribbean, Central America, and South America), China, and Eastern Europe.2 Estiate of Ne York City’s Populatio Year Population 2011 8,244,910 2012 8,336,697 2013 8,405,837 2014 8,491,079 2015 8,550,405 2016 8,537,673 Source: American Community Survey 1-Year Estimates Cumulative Estimates of the Components of Population Change for New York City and Counties Time period: April 1, 2010 - July 1, 2016 Total Natural Net Net Net Geographic Area Population Increase Migration: Migration: Migration: Change (Births-Deaths) Total Domestic International New York City Total 362,540 401,943 -24,467 -524,013 499,546 Bronx 70,612 75,607 -3,358 -103,923 100,565 Brooklyn 124,450 160,580 -32,277 -169,064 136,787 Manhattan 57,861 54,522 7,189 -91,811 99,000 1 New York City Population Projections by Age/Sex & Borough, 2010-2040 2 Place of Birth for the Foreign-Born Population in 2012-2016, American Community Survey PROJECT CLANCY PROPRIETARY AND CONFIDENTIAL 4840-0257-2381.3 1 Queens 102,332 99,703 7,203 -148,045 155,248 Staten Island 7,285 11,531 -3,224 -11,170 7,946 Source: Population Division, U.S. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Annual Report
NYC Commission on Human Rights 20 14 ANNUAL REPORT NYC Commission on Human Rights BILL DE BLASIO, Mayor BILL DE BLASIO, Mayor | CARMELYN P. MALALIS, Commissioner/Chair CARMELYN P. MALALIS, Commissioner/Chair 2014 Annual Report NEW YORK CITY COMMISSION ON HUMAN RIGHTS BILL DE BLASIO, MAYOR CARMELYN P. MALALIS, COmmISSIONER /CHAIR NEW YORK CITY COMMISSION ON HUMAN RIGHTS Message from the Mayor New York has always been a place filled with opportunity and the promise of equality, and people from all over the world have come here to be a part of our city’s great success story. Hailing from every corner of the globe, our residents and visitors contribute to the diversity and strength of our communities. To ensure that everyone is treated fairly and with respect, it is our duty to protect the civil rights of all those who live in, work in, and visit the five boroughs. Responsible for safeguarding the dignity and fundamental rights of all New Yorkers, the New York City Commission on Human Rights has upheld social justice and enforced our Human Rights Law, one of the most comprehensive civil rights laws in the nation. I have appointed Carmelyn P. Malalis as the Chair of the Commis- sion, whose background of encouraging positive community relations and advocacy for fair and equal treatment will help us better protect the rights of people in our city. The Commission on Human Rights has made vital contributions to our goal to build one city, where everyone can rise together, and I invite you to learn more about the Commission’s work in its 2014 Annual Report. -
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company. Mainly dealing with tv production. 568 Broadway SuiteManhattan 601 10012 212-541-4323 http://apostlenyc.com/contact/ Atlatntic Televsion Documentaries, Reality shows, Magazine shows, promos, and corporate videos 150 West 28th St,Manhattan 8th Floor 10001 212 625-9327 Belladonna Offers production services to international producers who want to shoot in North America 164 W 25th St, 9thManhattan Floor 10001 212 807-0108 [email protected] Casual Films Shoots coprorate, consumer, employer or CSR communications, commerical, etc 73 Calyer Street Brooklyn 11222 212 796-4933 [email protected] Chelsea Production and Talent Management Company, has directors who shot various movies, commericals, direcotrs,33 Bond etc. Street UnitManhattan 1 10012 212 431-3434 Click Play Films Produces corporate videos, commercials and animation 154 Grand Street Manhattan 10013 646 417-5330 [email protected] Co. Mission Content Groupcreative production company focusing on global video creation and participatory brand experiences. Deals202 with Plymouth mostly commercials St. EntranceBrooklyn B 11201 718 374-5205 [email protected] DePalma Productions Produces videos for the corporate, health care & entertainment industries. Also offers post-production. Also159 offers East equipmentMain Street,New including Suite Rochelle 300 green screen 10807 914 576-3500 Departure Films Produces mostly non-scripted shows for cable channels 240 West 37th -
Susan Arons, Managing Director Susie Oversees Rubenstein's
Susan Arons, Managing Director Susie oversees Rubenstein’s lifestyle and entertainment practice and has extensive experience in all aspects of cause-related, corporate entertainment, music, television and film publicity. Her work spans a wide range – from corporate public relations to film financing to publicity for individual films, shows and events; from marketing support and product launches to brand building; from crisis communications to reputation management. At Rubenstein, she has managed the agency’s representation and promotion of MGM Studios; BMW; Refinery29; Media Rights Capital; New Regency; Focus Features; Entertainment One; STARZ; AMC Networks; The Bowery Presents; AEG; Universal Music Group; Marlo Thomas’ THAT WOMAN!; Jimmy Iovine; Nina Jacobson and ColorForce; Tribeca Film Festival; St. Jude Children’s Research Hospital; and film and television campaigns, including “The Hunger Games” franchise, “LOVING,” “The Girlfriend Experience,” “Wall Street Money Never Sleeps,” “Saw” (films IV, V, VI, The Final Chapter and Legacy), “The People vs. OJ Simpson: American Crime Story,” “London Has Fallen,” “Inside Job,” “West of Memphis,” “Precious,” and the upcoming “The Circle” starring Tom Hanks and Emma Watson and the HBO documentary series, “The Defiant Ones.” Susie has also led sophisticated, strategic campaigns for causes including Autism Speaks, College Summit, and Nelson Mandela Day. Prior to joining Rubenstein, Susie was vice president of PR for Radio City Entertainment/MSG for six years. She developed promotional relationships and oversaw publicity for 300 annual music/entertainment events, including the MTV Music Awards, Barbra Streisand’s Farewell and Michael Jackson’s 30th Anniversary concerts. Earlier in her career, she owned her own public relations firm whose clients included Sports Illustrated, American Express, the Bolshoi Ballet, and the GRAMMY Awards and Grammy Foundation. -
Between Film and Television. an Interview with Lodge Kerrigan
INTERVIEW · Cinema Comparat/ive Cinema · Vol. III · no. 7 · 2015 · 28-34 Between film and television. An interview with Lodge Kerrigan Gerard Casau and Manuel Garin After directing key films of contemporary independent cinema, episode). But usually it’s the director who changes; they bring like Clean, Shaven (1993), Claire Dolan (1998) and Keane in a guest director. There are a number of theories regarding (2004), Lodge Kerrigan has directed a number of television why that’s the case, but usually what happens in the traditional episodes for shows such as The Killing (Veena Sud, AMC- financing model is that the network will approve or order a Netflix, 2011-2014), Homeland (Howard Gordon and Alex pilot, and then a pilot is made, they bring in the director to do Gansa, Showtime, 2011-) or The Americans (Joe Weisberg, FX, the pilot. Later the network will approve it or not, and then they 2013-). A month before the release of his latest project, The have to go and write scripts, generate scripts, and in this time Girlfriend Experience (Lodge Kerrigan and Amy Seimetz, Starz, the directors has already left, moved on, they have no continuity 2016), an eleven-episode television series produced by Steven of vision from the director. And I think now what’s beginning Soderbergh, we talked with him about the differences between to change, and what Soderbergh did on The Knick(Jack Amiel working for film and working for television, both in terms of and Michael Begler, Cinemax, 2014-), and the first season of narrative and mise-en-scène. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
GG CV GPD.Indd
GENEVIEVE GAIGNARD Born 1981 in Orange, MA, US Lives and works in Los Angeles, CA, US EDUCATION: 2014 MFA, Photography, Yale University, New Haven, CT, US 2007 BA, Photography, Massachusetts College of Art and Design, Boston, MA, US SOLO EXHIBITIONS: 2019 I’m Sorry I Never Told You That You’re Beautiful, Vielmetter Los Angeles, Los Angeles, CA, US In Passing, The Art Galleries at Black Studies, University of Texas, Austin, TX, US Black White and Red All Over, Monique Meloche, Chicago, IL, US 2018 Counterfeit Currency, The FLAG Art Foundation, New York, NY, US Hidden Fences, Praz-Delavallade, Paris, FR 2017 Genevieve Gaignard, Shulamit Nazarian, Expo Chicago, IL, US Grassroots, Prospect.4, New Orleans, LA, US In Passing, Houston Center for Photography, Houston, TX, US The Powder Room, Shulamit Nazarian, Los Angeles, CA, US 2016 Smell the Roses, California African American Museum, Los Angeles, CA, US Apt #3104, Shulamit Nazarian, SPRING/BREAK Art Show, New York, NY, US 2015 Us Only, Shulamit Nazarian, Los Angeles, CA, US A Golden State of Mind, Diane Rosenstein Presents at The Cabin LA, Los Angeles, CA, US GROUP EXHIBITIONS: 2019 Millard Sheets Art Center, Pomona, CA, US (forthcoming) Still I Rise, MASS MoCA, North Adams, MA, US Quiet as It’s Kept: Passing Subjects, Contested Identities, Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, NY, US Politically Private: The Interplay of Personal Identity and Public Performance, Guggenheim Gallery at Chapman University, Orange, CA, US Lost and Found in America, Florida Museum of Photorgaphic -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection.