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Alessandro Moreschi
Performing Classical Repertoire : the Unbridgeable Gulf Between Contemporary Practice and Historical Reality
The Profane Choral Compositions of Lorenzo Perosi
Programma Presentazione Del Libro “Moreschi
Note by Martin Pearlman the Castrato Voice One of The
Wednesday, July 31 Thursday, August 1
THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A
Cross Gender Roles in Opera
Castrati by Patricia Juliana Smith
Castrati Singers and the Lost "'Cords"9 Meyer M
Los Castrati
Castrati Friday 2
Voices That ‘Don’T Fit’: Case Studies in the Reception of ‘Queer’ High Male Singing Voices
Sacred & Profane Season 2, Episode 3: “To Move the Passions”
9-2019 Printed, Cds, Lps. Pp. 149-170
Evolution of the Countertenor
Italian Sound Italian Sounds, Lost and Found: Introduction to Volume 4, Issue 1
“Female Voices in Male Bodies”: Castrati, Onnagata, and the Performance of Gender Through Ambiguous Bodies and Vocal Acts
Les Restes Du Castrat Farinelli Exhumés Pour Être Analysés 17/07/2006 03:20 PM
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A Message from Dean Cannestra, ICC President
Copyright by Francisca Paula Vanherle 2002
SACRED MUSIC Spring 2004 Volume 131 No.1 West End
Choral & Vocal Ensemble
Rome Has Long Been Regarded As One of the Most Significant Cultural Centers of Western Civilization, and This Was No Less True in the 17Th and 18Th Centuries
Synopsis of the Last Castrato Full-Length Drama. 6M, 2F. Single
Os Castrati: Visão Holística Da Prática Da Castração Na Música*