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Adam Elsheimer
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ARTIST Is in Caps and Min of 6 Spaces from the Top to Fit in Before
Science in Culture: a Miracle in Sight
A Discussion: Rembrandt's Influence on the Evolution of the Printmaking Process Through His Experimental Attitude Towards the Medium
The National Gallery Review of The
Adam Elsheimer, the Stoning of Saint Stephen
Rembrandt's 1654 Life of Christ Prints
1 Caravaggio and a Neuroarthistory Of
April 2007 Newsletter
Adam Elsheimer [PDF]
The Martyrdom of Saint Lawrence Signed with Initials 'C.P.F.' (Lower Right) Oil on Panel 35.5 X 58.4 Cm (14 X 23 In)
Old Master Paintings
The Artful Context of Rembrandt's Etching
Dutch Artists in Italy
The National Gallery Review April 2006
Poelenburch, Cornelis Van Also Known As Poelenburgh, Cornelis Van Poelenburg, Cornelis Van Dutch, 1594/1595 - 1667
Eustache Le Sueur; the Drawing of Two Female Zero Although 1966, Founder Members Are Stui Active
Top View
The Birth of Baroque Painting in Italy
Adam Elsheimer's Flight Into Egypt and the Renaissance Night
The Seventeenth-Century Spanish Purchase from Rubens's Estate Sale
Dutch Art in the Seventeenth Century Last Week Professor Burke Lectured
The Seventeenth Century 2. Spain and the Catholic North
Exhibition Brochure
King and Collector I
Dutch Golden Age Painting 1 Dutch Golden Age Painting
Interpreting St. Lawrence
Philemon and Baucis
Louisa Wood Ruby 433 4Th St., Brooklyn, N.Y
Caravaggio and the Painters of the North
SIR ANTHONY VAN DYCK and HIS CONTEMPORARIES Artistic Exchange Between the Spanish Netherlands and the Dutch Republic
Anthony Van Dyck: Thomas Howard, the Earl of Arundel
Print Format
Christ Carrying the Cross Early 1620S Oil on Copper Overall: 44.2 X 62.3 Cm (17 3/8 X 24 1/2 In.) the Lee and Juliet Folger Fund 2007.49.1
Old Master Drawings from the Witt Collection
The Truth of Night in the Italian Baroque