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» Abraham Polonsky
Abraham Polonsky
Ruth Prawer Jhabvala's Adapted Screenplays
National Gallery of Art Fall10 Film Washington, DC Landover, MD 20785
The American Indian in the American Film
And Marxism in Pre-Blacklist Hollywood
Jews and Hollywood
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood
Still Dangerous: Abraham Polonsky, His Legacy and the Question of Hollywood Radicalism in the 20Th and 21St Century
Sharethe Offilm!
Abraham Polonsky Papers, 1946-1999 (Bulk 1970S-1990S)
BOOK Vs.FILM
The Inventory of the Don Siegel Collection #454
Post-War America, the Hollywood Left and the Problem with Film Noir
16TH ANNUAL TORONTO JEWISH FILM FESTIVAL May 3–11, 2008
Jews, the Blacklist, and Stoolpigeon Culture / Joseph Litvak
January 2017 at BFI Southbank Films
Black, White, and Blue-Collar Noir: a Study of Changing Depictions of Race Relations in Film Noir
Mccarthyism's Discontents: Abraham Lincoln Polonsky's the World Above." Austria and America: 20Th-Century Cross Cultural Encounters
Top View
The Gladiators Vs. Spartacus, Volume 2
Films at the National Gallery of Art This Fall Celebrate Norwegian and French Cinema, Classic and Avant- Garde Films, and D.C
The Origin of the Polonsky Surname
Left History.Qxd 2012-12-21 12:50 AM Page 55
Red Hollywood Thom Andersen and Noël Burch
Early Wolves on Wall Street in 'Force of Evil' February 6, 2014|By Michael Phillips
Finding Aid for the Oral History Collection
Antifascist Feature Films and the Hollywood Popular Front, 1934-1941
Film and Politics in America
Force of Evil U.S. (1948)
From Shtetl to Stardom: Jews and Hollywood Vincent Brook UCLA
Elia Kazan's on the Waterfront Reconsidered
1 Introduction: Martin Scorsese, Authorship, Context
The Representation of African Americans in Film Noir