The Inventory of the Don Siegel Collection #454
The Inventory
of the
Don Siegel
Collection
#454
Howard Gotlieb Archival Research Center SIEGEL, DON
1970
Box 1 1) "Two Mules for Sister Sara". Movie produced by Universal
Studios, directed by DS. Final shooting script by Albert
Maltz; original story by Budd Boetticher.
a) Loop script, Shirley MacLaine's copy, July 2, 1969.
Xerox typescript (with carbon typescript, 1 p.), Ca. 125 pp.
(// 1).
b) Loop script, DS's copy, July 2, 1969. Xerox typescript,
Ca. 250 pp. (#lA).
c) Revised first draft screenplay, March 20, 1968.
Signed mimeograph typescript with holograph notations,
Ca. 125 pp. (t/2).
d) Continuity Breakdown, October 22, 1968. Xerox of holograph,
Ca. 75 pp. (#3).
e) Script dated November 27, 1968. Signed mimeograph typescript,
Ca. 125 pp. (//4).
Box 2 f) Final shooting script. Continuity script (with loop notes,
signed carbon typescript with holograph notations, 6 pp.)
Xerox typescript with holograph notations, Ca. 300 pp. (#5).
g) Music notes, August 6, 1969. Xerox typescript, 8 pp. (#6).
h) Shooting schedule, January 10, 1969. Typescript, Ca. 30 pp. (#6).
i) Continuity breakdown. Xerox of holograph, Ca. 40 pp. (#6).
j) Photographs of set and cast, including Shirley MacLaine and
Clint Eastwood. ~ 39 7½"X9" Glossies. (116).
k) Set List. Himeograph typescript with profuse holograph
notations, 5 pp. (#6). page 2 SIEGEL, DON 1970
2) "Madigan". Movie produced by Universal Studios. Final screenplay
by Abraham Polansky and Harry Kleiner. Based on the novel
THE COMMISSIONER by Richard Dougherty. Directed by Don Siegel.
a) Third draft screenplay titled "The Commissioner",
December 21, 1966. Mimeograph typescript, 137 pp. (#7).
b) Final screenplay titled "Friday, Saturday and Sunday",
February 27, 1967. Mimeograph typescript with few
holograph notations, 125 pp. (#8).
Box 3 c) Final screenplay titled "Madigan", February 27, 1967.
Mimeograph typescript, including cast list, 135 pp. (#9).
d) Final screenplay, February 27, 1967. Xerox typescript with
holograph corrections, 130 pp. (#10).
e) DS's personal shooting script. Signed and corrected mimeograph
screenplay dated April 28, 1978. Includes: Xerox typescript
loop notes with holograph corrections; 14 negatives of
Henry Fonda and James Whitmore; Xerox inter-office memos;
Carbon typescript lyrics of "You don't Know What Love Is" by
Don Raye and Gene de Paul; Shooting schedule.
Total pages, Ca. 200 pp. (#11).
f) Call sheets and production reports.
23 signed production reports and 32 Call sheets. (#12).
g) Correspondence. December 2, 1966-Se~tember 19, 1968.
Includes business and fan mail. (1/13).
10 Carbon memos
5 Xerox memos
2 Memos
5 TLS
2 Xerox TT.~ page 3
SIEGEL, DON 1970
1 ALS
6 CTL
Including:
Rydman, Sture. TLS, July 2, 1967.
Widmark, Richard. Xerox TLS, August 31, 1967. Q Photograph ofALondon Theater marquee.
h) Printed matter. Ca. 22 xerox newspaper reviews. (#13).
i) Miscellaneous. List of invitations to screenings, set list,
script pages. Typescript and carbon typescript with holograph
notations, Ca. 25 pp. (#13).
Box 4 3) "Stranger of the Run". World Premiere, October 31, 1967, for
television directed by DS. Teleplay by Dean Riesner, based on
story by Reginald Rose.
a) Titled "Death Dance at Banner". Mimeograph typescript script
with holograph corrections and notations, 110 pp. (#14).
b) Titled "The Hunters", June 28, 1966. Mimeograph typescript,
106 pp. (//15).
c) Titled "Death Dance at Banner", August 10, 1966.
Mimeograph typescript, 106 pp. (#J/;).
d) August 10, 1966. Mimeograph, 106 pp. (#17).
e) Correspondence, August 17, 1966-April 5, 1967. (#18).
4 CTL
6 Carbon memos
1 Memo
f) "Press Kit". Mimeograph, Ca. 40 pp. (1/18).
g) Printed music and lyrics for "Stranger on the Run" by Kay
Scott, 1 p. (#18). page 4 SIEGEL, DON 1970
h) "First Rough Notes on 'The Hunters'". Typescript with holograph
corrections, 5 pp. Includes carbon copy. (#18).
i) Shooting schedules. Mimeograph typescript with holograph
notations, 35 pp. (#18).
j) Cash sheets. Mimeograph with holograph corrections, 2 pp. (#18).
k) Opening credits. Typescript, 3 pp. (#18).
Box 5 4) "The Legend of Jesse James".
Television series produced by DS. Episodes labelled(*) include
miscellaneous items such as: cast lists, credits, shooting
schedules,memos, screening reports, summary, project reports, in addition to pages listed. budgets, Some signed. All scripts mimeograph typescript.~
a) "The Legend of Jesse James". Pilot script, January 18, 1965.
2 mimeograph typescript, one with holograph notations,
33 pp. each. (f/19).
b) "And a Rooster Crowed" by Frederic Louis Fox, November 24, 1965.
Summary. Signed mimeograph typescript, 3 pp. (#19).
*c) "As Far As the Sea" by Ed Adamson, December 23, 1965.
Final script, Ca. 30 pp. (#20).
*d) "Auld Lang Syne" by Albert Duffy, Rewrite by Robert Sherman,
November 1, 1965.
First draft, Ca. 30 pp. (#20).
*e) "A Burying for Rasey" by Bruce Whitfield", March 8, 1966.
Final script, Ca. 35 pp. (#21).
f) "Cain and Abel" by Anthony Spinner, October 4, 1965.
Summary. Mimeograph typescript, 10 pp. (#22).
*g) '"fhe Cave" by Carey Wilber, November 2, 1965.
Final script, Ca. 35 pp. (#22). page 5 SIEGEL, DON 1970
*h) "The Celebrity" hy Dick Carr, July 16, 1965.
Final script, Ca. 35 pp. (#23).
*i) "The Chase" by Carey Wilber, December 22, 1965.
Final draft, Ca. 30 pp. (#24).
Box 6 *j) "The Colt" by Donald S. Sanford, November 11, 1965.
Final script, Ca. 30 pp. (#25).
*k) "Dark Side of the Moon" by Frederic Louis Fox, January 21, 1966.
Final draft, Ca. 30 pp. (#26).
*l) "The Dean Man's Hand" by Denne Bart Petitclerc, July 13, 1965.
Final script, Ca. 30 pp. (#27).
*m) "1863" by Samuel A. Peeples, December 20, 1965.
Revised final script, Ca. 30 pp. (#27).
*n) "The Empty Town" by Samuel A. Peeples, October 1, 1965.
Final script, Ca. 30 pp. (#28).
*o) "A Field of Wild Flowers" by Ronald M. Cohen, February 28, 1966.
Final draft, Ca. 30 pp. (#28).
*p) "The Hunted and the Hunters" by Samuel A. Peeples,
January 13, 1966.
Revised final draft, Ca. 30 pp. (#29).
*q) "Jail Break" by Daniel Mainwaring, June 4, 1965.
Shooting final script, Ca. 40 pp. (#29).
Box 7 *r) "The Judas Boot by Sam Ross, June 8, 1965.
Final script, Ca. 30 pp. (#30).
's) "Kinfolk" by Ellis Marcus, September 9, 1965.
Summary. 2 typescripts, 9 pp. each. (#30).
*t) "The Last Stand of Captain Hammel" by Richard Neubert,
Teleplay by Frederic Louis Fox, January 10, 1966.
Final draft. Ca. 30 DD. (#31) page 6
SIEGEL, DON 1970
*u) "The Lonely Place" by Sam Ross and Carey Wilber, December 13, 1965.
Final script, Ca. 30 pp. (#31).
*v) "The Man in the Sealed Car" by Samuel A. )?eeples,
October 4, 1965.
Partial carbon script, Ca. 35 pp. (#32).
*w) "The Man Who Killed Jesse" by Carey Wilber, September 22, 1965.
Final script, Ca. 35 pp. (#32).
~x) "The Man Who Was" by Denne Bart Petitclerc and Robert Hardy
AndFews, August 27, 1965.
Final script, Ca. 30 pp. (#33).
*y) "Man hunt" by S:a.muel A. Peeples, September 21, 1965.
Final script, Ca. 30 pp. (#33).
*z) "One Too Many Mornings" by Denne Bart Petitclerc,
September 27s 1965.
Final script, Ca. 30 pp. (#34).
*aa)"The Pursuers" by Samuel A. Peeples, June 29, 1965.
Final script, Ca. 35 pp. (#34).
Box 8 *bb) "Put Me in Touch with Jesse" by Ellis Marcus, July 27, 1965.
Revised final script, Ca. 30 pp. (#35).
*cc) "The Quest" by Carey Wilber, June 21, 1965.
Final script, Ca. 35 pp. (#35).
*dd) "The Raiders" by Samuel A. Peeples, August 19, 1965.
Revised final script, Ca. 30 pp. (#36).
*ee) "A Real Rough Town" by Samuel A. Peeples, November 1, 1965.
Final script, Ca. 30 pp. (#36).
*ff) "Return to Lawrence" by Carey Wilber, August 11, 1965.
Final script, Ca. 30 pp. (#37). page 7 SIEGEL, DON 1970
Wgg)"Reunion" by Thomas Thompson, November 15, 1965.
Revised final script, Ca. 30 pp. (#37).
*hh) "South Wind" by Mort R. Lewis, December 1, 1965.
Final script, Ca. 30 pp. (#38).
*ii) "Things Don't Just Happen" by Claude Traverse, November 3, 1965.
Final script, Ca. 30 pp. (#38).
Box 9 *jj) "Three Men From Now" by Anthony Spinner, June 23, 1965.
Final script, Ca. 30 pp. (#39).
*kk) "Vendetta" by Sam Ross, August 2, 1965.
Final script, Ca. 35 pp. (#39).
11) "The Vigilante" by Anthony Spinner, July 22, 1965.
Summary. Typescript, 6 pp. (#40).
*mm) "Wanted: Dead Only" by Dick Carr, March 3, 1966.
Final draft, Ca. 35 pp. (#40).
*nn) ''Vee Benjamin Bates" by Eugene Paine and Dick Colla,
November 26, 1965.
Final draft, Ca. 35 pp. (#41).
*oo) "The Widow Fay" by Hal Fimberg, June 28, 1965.
Final script, Ca. 35 pp. (#41).
pp) Cast Lists. The cast in the episodes above.
In alphabetical order according to title, some signed.
Mimeograph typescript, Ca. 40 pp. (#42).
qq) Staff lists. (#42).
1. January 19, 1965. Mimeograph typescrtpt, 3 pp.
2. June 18, 1965. Typescript, 5 pp.
3. September 27, 1965. Typescript with holograph corrections,
6 PP• page 8
SIEGEL, DON 1970
4. November 10, 1965. Signed xerox typescript, 6 pp.
5. December 10, 1965. Typescript with holograph corrections, 6 pp
6. February 28, 1966. Xerox typescript with holograph
corrections, 6 pp.
rr) Credits. The credits in the episodes above in alphabetical
order according to title.Mimeograph typescript, Ca. 40 pp. (#42).
ss) Music and lyrics of "Gold-Hungry Gun" by Irving Gertz and
Ken Darby, July 20, 1965. Reproduction of holograph score
and lyrics. (#43). tt) Original air dates and rerun schedule for "James" episodes.
Xerox typescript, 2 pp. (#43). uu) Correspondence: June 21, 1965-July 14, 1967.
Business and fan mail. (//43).
7 TLS
11 CTL
7 ALS
1 Memo
7 Carbon Memos
7 Telegrams
1 TLS photostat
Including:
Monash, Paul. Telegram, Jun.e 21, 1965.
Scherick, Ed. Telegram, June 21, 1965.
Carr, Dick. Telegram, September 13, 1965.
Chambers, Everett. Telegram, September 13, 1965. vv) Miscellaneous. (1143).
1. 3 photographs of Chris Jones and Allen Case. page 9
SIEGEL, DON 1970
2. Weekly script report. Xerox typescript, 3 pp.
3. 2 news clips.
4. Nielsen Ratings. Typescript, Ca. 30 pp.
5. 3 Miscellaneous pages.
Box 10 5) "Invasion of the Body Snatchers" 1955. (//44).
a) Script. Xerox typescript, 290 pp.
b) 8"XlO" glossy photographs of DS and cast.
c) Printed matter.
1. Famous Fantasy Films. Booklet, January 1965.
2. 1 newsclip and 5 xerox copies of it.
d) Correspondence: October 27, 1965-November 17, 1969
5 TLS
8 Xerox TLS
9 CTL
6) Scripts directed by DS for "Twilight Zone". (//45).
a) "The Self-Improvement of Salvadore Ross" by Jerry McNeely
and Henry Slesar, July 1, 1963.
Mimeograph typescript with holograph notations including
shooting schedule, Ca. 50 pp.
b) "Uncle Simon" by Rod Serling, April 22, 1963.
Signed mimeograph typescript with holograph notations, including
staff list and shooting schedule, Ca. 40 pp.
7) "Riot in Cell Block if'. Ca. 1953. (1/46).
a) Xerox typescript script, Ca. 130 pp.
b) Correspondence: September 25, 1969-November 17, 1969.
1 TLS
2 CTL page 10 SIEGEL, DON 1970
8) Scripts for "Lancer" series created and written by DS in
association with Samuel A. Peeples for TwenEieth Century Fox
Television.
a) "Lancer", May 27, 1966.
Story outlines and pilot script for episode titled
"The Drift Fence". Mimeograph typescript, Ca. 100 pp.
2 sets. (1/47-48)
Box 11 b) Titled "Warlance" (Alternate series title). script Story outlines and pilotvfor episode Js~XIJ§:X "Drift Fence".
Mimeograph typescript, Ca. 100 pp. (#49).
c) Titled "The High Riders" (Alternate series title).
Story outlines and pilot script for episode "Drift Fence".
Mimeograph typescript, Ca. 100 pp. (#50).
d) Xerox contract between Twentieth Century-Fox Television,
Inc. and DS, March 24, 1965. Signed by DS. (#51).
e) Short Samuel A. Peeples bibliography. Typescript, 1 p. with
2 carbon copies. (#51).
f) Variety, March 30, 1966. Tearsheet re: "Warlance". (//51).
g) Correspondence; April 6, 1965-August 10, 1966. (//51).
8 TLS
13 CTL
2 ALS
16 Xerox TLS
4 Memos
16 Carbon memos page 11
SIEGEL, DON 1970
9) "Coogan's Bluff" by Herman Miller, Dean Riesner, and Howard
Rodman. Produced and directed by DS.
a) Revised screenplay by Jack Laird. Xerox typescript, Ca. 70 pp.
(1/52) .
b) Second draft by Herman Miller, March 30, 1967.
Xerox typescript, Ca. 140 pp. (#53).
Box 12 c) Revised screenplay by Roland Kibbee. Xerox typescript,
86 pp. (//54).
d) Revised screenplay by Howard Rodman, September 16, 1967.
Xerox typescript and carbon typescript, 77 pp. (#55)
e) Revised screenplay by Howard Rodman, October 5, 1967.
Mimeograph typescript, 128 pp. (#55).
f) Revised final screenplay, October 12, 1967.
Xerox typescript with holograph correctd:ons, 109 pp. (//56).
g) Temporary working script, October 24, 1967.
Mimeograph typescript, 107 pp. (#57).
h) Revised final script, November 1, 1967.
Mimeograph typescript, 123 pp. (#58).
Box 13 i) Revised final script, November 1, 1967. Mimeograph typescript
with holograph notations (includes shooting schedule, cast and
crew lists, xerox memos, notes, etc.). Ca. 150 pp. (#59).
j) Loop script. Carbon typescript, Ca. 150pp. (#60).
k) Miscellaneous typescript, Carbon typescript, xerox pages from
script, Ca. 50 pp. (#61).
1) "First rough notes on continuity". Typescript with holograph
corrections, 8 pp. Includes memo, October 16, 1967.
Xerox copies laid in. (#61). page 12 SIEGEL, DON 1970
m) "First rough notes on continuity". Carbon typescript, 10 pp.
Different version from above. (#61).
n) Shooting schedules. Ca. 60 pp. (#62).
o) Production reports. Most are signed. Ca. 40 pp. (#62).
p) "Pigeon-Toed Orange Peel". Music and lyrics. Reproduction of
holograph score and lyrics. (#63).
q) Step outline, September 16, 1967. Carbon typescript, 10 pp.
(//63).
r) Rough notes of Herman Miller's second draft script.
Typescript, 3 pp. (#63).
s) Material for credits.
Typescript, carbon typescript, xerox, Ca. 12 pp. (#63).
t) Lists of guests for screenings. Holograph and typescript~
Ca. 15 pp. (//64).
u) Miscellaneous. Includes set list, call sheet, interviews,
notes, lists. Mimeograph, holograph, typescript, some
signed, 12 pp. (//64).
Box 14 v) Advertising and audience Response. (#65).
1. Printed matter. Advertising and reviews. Ca. 40 pieces.
Including 8"X10" glossy photograph and DS and Clint Eastwood.
2. Dates of movie's engagement at theaters.
Typescript, 91 pp.
3. Correspondence: OCtober 4, 1968-December 3, 1968.
1 TLS 4 CTL
1 ALS 2 Memos
4. Miscellaneous typescript, 3 pp, page 13
SIEGEL, DON 1970
w) Preview cards. Ca. 70 cards. (//66) .
x) Correspondence: October 9, 1967-0ctober 7, 1968. (116 7).
6 TLS
12 CTL
1 ALS
3 Xerox TLS
15 Memos
36 Carbon memos
12 Xerox memos
Including: Eastwood, Clint.
3 TLS, January22, 1968-March 25; 1968.
2 Xerox TLS, February 12, 1968 and
March 25, 1968.
10} Miscellaneous printed matter. (f/68) .
a) Don Siegel: Biogtaphical Notes, Filmogtaphy; Bibliography.
Compiled by Dave Hutchison. Booklet, March 1968.
Mimeograph.
b) Don Siegel- American Cinema. Booklet prepared by Alan Lovell.
Mimeograph.
c) The man with the Movie Camera. March/April 1968.
Article re: DS starting on page 12. SIEGEL, DON
Addenda: August 1970-June 1971
Manuscripts
Box 15 1) "The Beguiled". Movie produced by Universal Studios. Directed by
Don Siegel. Screenplay by Albert Maltz from the novel by Thomas
Cullinan.
a) Fourth draft script, August 1, 1969. Signed mimeograph with
holograph notations, 120 pp. (#1).
b) Dated September 3,1969. Mimeograph with holograph notations,
122 pp. (112).
c) Dated December 3, 1969. Mimeograph with some holograph correc
tions, 123 pp. (#3).
d) Dated February 20, 1970. Typescript and mimeograph with
holograph corrections, Ca. 100 pp. (#4).
e) "Music Timing" dated August 30, 1970. Carbon typescript with
holograph corrections, 3 pp. (#5).
f) Xerox copy of "When Johnny Comes Marching Home" and 11 The
Woman of Canaan", 1 p. (115).
g) "Music notes" dated August 30, 1970. Carbon typescript with
holograph notations, Ca. 100 pp. (#5).
h) "Nest of Sparrows". Script by Irene Kamp. Xerox of typescript,
134 pp. (116).
Box 16 i) Screen tests. Xerox of mimeograph, Ca. 35 pp. (#7).
j) Casting. Typescript, carbon typescript, holograph, and
xerox, 14 pp. (117).
k) Staff and crew list. Typescript, 10 pp. (#7).
1) Shooting Schedule. Typescript, 2 copies, 33 pp. each. (//8).
m) Shooting Call. Mimeograph, Ca. 35 pp. (#8).
n) Set List. Mimeograph, 4 pp. (#8). page 2
SIEGEL, DON Addenda: August 1970-June 1971
o) Special orders. Typescript, 9 pp. (#8).
p) Daily Production Reports. Mimeograph, some signed, Ca. 200 pieces
(//9) .
q) 33 7½"X9½" glossies of cast and crew. (1/10).
2) "Death of a Gunfighter". Movie produced by Universal Studios.
Directed by Don Sigel. Screenplay by Joseph Calvelli based on
novel by Lewis B. Patten.
a) Titled "Patch", April 8, 1968. Mimeograph, typescript, and
carbon typescript, with holograph corrections, 108 pp.
Miscellaneous memos, shooting calls, set lists, cast lists, etc.
laid in. Some pieces are signed. (#11).
b) Titled "Ben Stark", May 31, 1967. Mimeograph, 128 pp. (//12).
Box 17 c) Titled "Tribute to s Gunfighter", May 31, 1967. Mimeograph,
128 pp. Signed by Richard Lyons, producer. (#13).
d) Titled "Patch's Law", December 27, 1967. Mimeograph, 122 pp.
(//14).
e) Daily Production Reports. Mimeograph, some signed, Ca. 30 pieces.
(1115).
f) Shooting calls, set list, cast list, etc. Mimeograph, Ca. 25 pp.
(1/15).
g) Material on music score. Typescript and carbon typescript,
5 pp. (//15).
h) Miscellaneous notes, revisions, drafts, additions, etc.
Typescript, carbon typescript, xerox with holograph corrections,
Ca. 40 pp. (#15). page 3
SIEGEL, DON Addenda: August 1970-June 1971
i) Correspondence. July 1968-June 1969. (#15).
2 TLS
3 CTL
1 Carbon memo
3 Memos
3 Xerox Memos
3 Xerox TLS
Including:
Widmark, Richard. TLS, December 19, 1968.
3) 11 The Other Man". Project abandoned by DS.
a) Second draft by Ivan Goff and Ben Roberts, dated July 28, 1967.
Typescript with holograph corrections, 122 pp. Typescript and
holograph notes, and several memos laid in. (#16).
b) Second draft dated August 8, 1967. Mimeograph, 122 pp. Typescript
notes, 6 pp. laid in. (1117).
Box 18 c) Second draft dated August 8, 1967. Mimeograph, 122 pp. (#18).
d) Third draft by Howard Rodman. Xerox of typescript, 120 pp. (#19).
4) "Two Mules for Sister Sara". Movie produced by Universal Studios.
Directed by DS. Script by Albert Maltz from original story by
Budd Boetticher.
a) Shooting script and notes. Mimeograph, typescript, and carbon
typescript with profuse holograph notations, Ca. 150 pp. (#20).
b) Partial revised first draft screenplay. Mimeograph with
holograph corrections, 14 pp. (#21).
c) Survey of Chicago preview cards. Xerox of typescript, 1 p. (#21).
d) Daily production Report. Signed miemograph, 3 pp. (#21). page 4
SIEGEL, DON Addenda: August 1970-June 1971
e) Casting. (#21).
1. Signed xerox of typescript with holograph notations, 15 pp.
2. 6 7½"X9½" glossies of actors. Includes ALS, December 9
from Gene Collins, actor.
3. Correspondence. November 1968.
2 Xerox Memo
1 Memo
2 Carbon Memos
1 TLS
3 Xerox TLS
f) Correspondence. January 1969-June 1970. (#21).
7 TLS
1 ALS
11 CTL
2 Xerox TLS
5 Memos
12 Carbon memos
11 Xerox memos
Including:
Estuardo, David. (Actor). TLS, June 23, 1969.
Morricone,fnnio (Song writer). Xerox TLS, September 8, 1969.
Rap£, Maurice. TLS, April 26, 1970.
Printed Matter
Miscellaneous reviews, ads, etc. re: Siegel's productions. Many
newsclips, tearsheets, and xerox copies. (1/22). SIEGEL, DON
Addenda: July-December 1971
Manuscripts
Box 19 1) "Flaming Star". Screenplay by Nunnally Johnson and Clair
Huffaker, from the novel by Clair Huffaker.
Dated July 20, 1960, originally titled "Flaming Lance".
Xerox of typescript, 108 pp. (#1).
2) "Hell Is For Heroes". Screenplay written by Richard Carr and
directed by DS.
Dated July 15, 1961. Xerox of typescript, 109 pp. (#2).
3) "The Legend of Jesse James". Screenplay by W.R.Burnett.
Dated January 13, 1965. Mimeograph, 35 pp (#3).
4) "Johnny, I hardly Knew You". Written by Robert Guy Barrows for
"Destry" pilot.
Dated August 1, 1963. Mimeograph, 60 pp. (#4).
5) "There Are the Hip and There are the Square". Teleplay by
Mark Rodgers for "Breaking Point" sJries.
Dated May 15, 1963. Mimeograph with holograph corrections,76 pp. (#5).
Blueprints
Construction blueprints for "Stranger on the Run". Originally
titled "The Hunters". 6 pieces. (116).
Bumper Stickers for "Dirty Harry" publicity, 2 pieces. (116).
Printed
Program of the 7th Chicago International Film Festival, November 5-25,
1971. DS mentioned on page 9. Laid in:
Flynn, Charles. Xerox TLS, November 91,1971. (t/6) . SIEGEL, DON
March 1972
Printed Pieces
Box 19 A) Reviews and ads for "Dirty Harry".
1) Xerox of Taurus, December 1971.
2) Entertainment Today, December 3, 1971.
3) Time, January 3, 1972.
4) Los Angeles, Harald-Examiner, February 6, 1972.
5) Rolling Stone, March 2, 1972.
B) Review of "Beguiled". The Hollywood Reporter, March 8, 1971.
C) Mention of DS.
1) "Don Siegel: Fading 'In' on a New Wave" by Stan Berkowitz.
Coast, February 1972.
2) Newsclip, Los Angeles Times Calendar, February 6, 1972. SIEGEL, DON
April 1972
Scripts
Box 20 1) "The Beguiled". Universal, 1971.
a) Screenplay titled "Johnny McB" ey Albert Maltz. Mimeo, 138 pp.
b) Partial screenplay. Mimeo, Ca. 70 pp.
c) Production material, including production design sheets, looping
schedules, holograph notes, Ca. 50 pp.
d) Casting materials, including partial script, 10 pp., 14 glossy
photographs, 1 magazine.
e) Preview cards and publicity schedule, Ca. 100 items,
2) "Dirty Harry". Warner Brothers, 1971.
Script dated February 8, 1971. Mimeo, 135 pp. SIEGEL, DON Addenda November 1972 - February 1973
I. "The Beguil ed 11 Film. Box 21 , · A. Scripts Folder 1 1. By Albert Maltz. July 23, 1969. Carbon typescript with holograph corrections, 139 P•. With map of locale Folder 2 2. By Albert Maltz. July 23, 1969. Typescript with holograph corrections, 139 p. Folder 3 3. By Albert Maltz. July 23, 25, 1969 Carbon typescript, 141 p. Folder 4 4. By Albert Maltz. July 23, 25, 1969. Typescript with holograph corrections, 141 p. Folder 5 5. Irene Mamp draft. October 6, 8, 1969. Typescript and typescript photocopy, 37 p. Holograph notes by Don Siegel. Folder 6 6. By Albert Maltz and Claude Traverse. December 3, 1969 Typescript mimeo, with holograph corrections, 45 p. ( i ncomp 1ete) Folder 7 7. By Albert Maltz and Claude Traverse. Ca. December 1969 - January 1970 Typescript with holograph corrections, 134 p. Folder 8 8. By Albert Maltz and Claude Traverse. Ca. December 1969 - January 1970 Typescript photocopy with holograph corrections, 122 p. With plans of house and grounds, 4 p. Box 22 Folder l 9. By Albert Maltz and Claude Traverse. Ca. December 1969 - January 1970 Typescript and typescript photocopy, both with holograph corrections,122 p. With plans of house and grounds, 4 p. Folder 2 10. By Albert Maltz and Claude Traverse. January 9, 1970. Typescr.t~t mimeo, with holograph corrections, 126 p. With plans of house and grounds, 4 p. And letter: TLS photocopy - Eugene G. Dougherty (Motion Picture Association of American) to Evelyn Phine (Legal Dept of Universal Pictures) December 19, 1969 SIEGEL, DON Addenda. November 1972 - February 1973 Page 2
Box 22 Folder 3 11. By Albert Matz and Claude Traverse. February 20, 1970. Typescript mimeo, 139 p., with holograph notes by Jennings Lang. And with plans of house and grounds, 4 p. Folder 4 12. By Albert Maltz and Claude Traverse. March 13, 1970. Typescript mimeo, 139 p. With plans of house and grounds, 4 p. Folder 5 13. Changes in script during shooting. Typescript mimeo, and typescript mimeo photocopy, both with halo grant corrections, ca. 130 p. Box 23 Folder 1 B. Loop Script Carbon typescript, ca. 350 p. Folder 2 C. Production budget Typescript mimeo, ca. 100 p. Folder 3 D. Casting 1. Contract memos, March-May 1970. Ca. 30 pieces 2. Testing scripts. Typescript photocopy, 13 p. 3. Cast 1 ists. Carbon typescript and typescript photocopy with holograph corrections, 9 p. 4. Lists of casting possibilities Typescript, carbon typescript, and type- script photocopy, all with holograph notations, ca. 20 p. 5. Holograph notes, 5 p. 6. Agents• flyers for Charlie Briggs, Patrick Hawley, and Ina Massari 7. Correspondence: 1969-1970 5 TLS 1 CTL 3 ALS 2 TLS photocopies 1 carbon typescript memo SIEGEL, DON Addenda. November 1972 - February 1973 Page 3
D. Casting (cont.) Including: Traverse, Lans (wife of Claude Traverse. ALS. No date Tully, Tom ALS. No date Folder 4 E. Credits 1. Lists. Typescript mimeo, typescript photocopy, and holograph, ca. 30 p. 2. Correspondence: 1970 9 TLS photocopies 2 TL photocopies 3 carbon typescript memos 6 TLS 1 CTLS 1 CTL 3 miscellaneous Including: Traverse, Claude. TLS .May 18 Maltz, Albert, copy of TL. April 10 Folder 5 F. Notes 1. Comments and suggested revisions for script. Typescript with holograph corrections and type script photocopy, 18 p. 2. Survey of audience interest. September 10, 1969. Typescript, photocopy, 3 p. 3. Miscellaneous notes, 5 pieces 4. Pamphlet on Houmas House in Louisiana. 5. Correspondence: 1969-1970 1 ALS 4 TLS 2 TL photocopies 5 CTL 1 TL 2 miscellaneous SIEGEL, DON: Addenda. November 1972 - February 1973 Page 4
F. Notes (cont.) Including: Haworth, Ted (set designer) ALS. September 7, 1969 Folder 6 G. Production Memos 1. Featurette script Typescript photocopy, 11 p. 2. Notes and miscellaneous Typescript and typescript photocopy, 12 p. 3. Correspondence: 1970 1 TLS 2 CTL memos Box 24, · .. ·. Folder 1 H. General Correspondence 1. 1969-1971 139 CTL 39 TLS 16 TLS photocopies 2 TL:drafts 21 ALS 2 TL 2 TL Photocopies 7 telegrams 1 telgram photocopy 1 CTLS 11 miscellaneous Including: Blaustein, Julian TLS. August 26, 1969 CTL. July 7, 1969 Haworth, Ted (designer) ALS. October 28, 1969 TLS. June 3, 1970 Head, Edith (fashion designer) TLS. November 24, 1969 Howe, James Wong (cinematographer) ALS. November 21, 1969 SIEGEL, DON Addenda. November 1972 - February 1973 Page 5
Lang, Jennings {producer) TLS. June 7, 1971 CTL. November 20, 1970 Selznick, Daniel Mayer {producer) ALS. March 2, 1971 Traverse, Claude (writer) TLS. May 12, 1970 Traverse, Lans (wife of above) ALS. April 28, 1970 Vale, Eugene TLS. February 23, 1971 Folder 2 2. Undated 13 ALS 1 TLS photocopy 4 TLS 4 cards 1 ANS 1 TL 5 mi see 11 aneous Including: Eastwood, Clint (actor) ALS. 11 Sunday 11 Thomas, Melody (actress) holograph card signed Traverse, Claude (writer) ALS Traverse, Lans (wife of above) ALS. 11 Tuesday 11 Folder 3 I. Miscellaneous Press preview invitations, Don Siegel appearance schedules, cast lists, etc. Ca. 30 pieces. Folder 4 J. Blueprints for sets (4 items) II. PRINTED Folder 5 News stories re Don Siegel. 1972-1973. 9 pieces. SIEGEL, Don
Addenda - March 1973
Screenplays
Numerous versions of AND MOLLY MAKES THREE (alternate titles:
GID, RAZZLE-DAZZLE, RACE TO LIVE), film which DS was once interested
in making (based on LEAVING CHEYENNE by Larry McMurtry)
Box 24: a) Typescript, first draft, 172 pp.
b) Typescript (mimeo script) with holograph corrections,
202 pp.
Box 25: c) Mimeo script, 180 pp.
d) Typescript with revision pages,. 152 pp.
e) Mimeo script with revision pages, 170 pp.
f) Mimeo script, 122 pp.
Box 26: g) Mimeo script, 170 pp.
h) Mimeo script, 122 pp.
i) Typescript, 130 pp.
j) Mimeo script, 128 pp.
k) Xerox, 126 pp.
1) Typescript, 124 pp. Memos m) (holograph, type, carbon), ca. 75 PP•
Box 27: n) Mimeo screenp~y, 123 pp.
o) Xerox of novel LEAVING CHEYENNE
II. THE BEGUILED
Random mimeo screenplay pages, ca. 45 pp. Siegel, Don page 2
III. DIRTY HARRY Files
A. Casting
glossy photos, 7
Notes, holograph - 1
Correspondence (with encl.)
TL - 3
TLS - 13
Xerox TLS - 2
B. Production Notes
Memos - 10
Press Release - 1
Xerox items - 24
Correspondence
TLS - 1
Telegram - 1
C. Production Miscellaneous
Carbon & typed items - 11
Xerox items - 60
Memos - 3
Correspond~nce
CTL - 22
CTLS - 1
ALS - 6
TLS - 12
D. Shooting Schedule
Mimeo shooting schedules - 2 SIIDEL, Don
Addenda: April, 1973-June, 1974.
I. Film Material.
Box 28: A. THE BLACK WINDMILL (originally titled DRABBLE) Universal, 1974. Screenplay by Leigh Vance.
a) Treatment, mimeo, Jan. 22, 1973. 70 p. (Folder #1)
b) Second draft treatment, Feb. 8, 1973. Mimeo, 86 p. (#2) c) Revised first draft screenplay, (n.d.) Mimeo 117 P• (#3)
d) Second draft screenplay, May 3, 1973. Mimeo, 1~6 p. (#4) B. Char]ey Varrick (alternate titles: THE Looteri;THE LAST OF THE INDEPENDENTS). Adapted from a novel by John Reese. Universal, 1973. Screenplays: by Peter Bogdanovich: a) Revised first draft, Oct. 31, 1969. Xerox, 114 P• (#5) by Ifoward Rodman: b) Treatment, Jan. 25, 1972, typescript (autographed by
Rodman) 157 p~ (#6)
Box 29: c) Treatment, Jan. 25, 1972-March 6, 1972. Mimeo (autographed by Rodman} 157 P• (#1)
d) "treatment Jan. 25, 1972-March 6, 1972, mimeo, 157 P• (#2) e) Step outline, mimeo with holo. corr. March 14, 1972,
35 p. (#3)
f) itep outline, March 14, 1972. Mimeo, 34 p. (#4) g) ltep outline, March 14, 1972, xerox, 34 p. (4 copies) and carbon typescript notes, 6 p. (#5) h) &evised step outline, March 31, 1972, mimeo. 34 p. with
carbon typescript notes. l p. (#6) SIEGEL, Don Page 2 of 1974 Addenda.
Box 30: i) ~artial screenplay, April 5, 1972. Mimeo, 16 P• (Folder #1)
j) Revised first draft screenplay, May 2, 1972. Mimeo 61 p. and
notes, xerox 19 p. (#2) k) Revised first draft screenplay, May 2, 1972. Mimeo, 6lp. (#3)
1) First draft M~y 17, 1972. Typescript(autographed by RodmanJ
167 P• (#4) m) First draft May 17, 1972. Mimeo with holo. corr. by 00, 166 P• (#5)
Box 31: n) First draft May 17, 1972. Mimeo, 166 p. (#1) by Dean Riesner
o) ~vised screenplay, June 30, 1972. Mimeo, 142 P• (#2)
p) Final screenplay, July 11, 1972. Mimeo, 127 P• (#3) q) Final screenplay, July 12, 1972. Xerox, 127 p. (#4)
r) Revised final screenplay, Aug. 2, 1972. Mimeo, 134 P• (#5) Box 32: s) Screenplay, n.d. Typescript with holo. corr. Ca. 140 p. (#1)
t) Partial carbon typescript screenplay, n.d. 91 p. u) Partial carbon typescript screenplay, n.d. 80 p. v) Partial screenplay. n.d. Mimeo and typescript, 37 p. (#2)
w) Notes, critiques, memoranda. Ca. 315 p. (#3) x) Production Material for Charley Varrick.
1) Casting - lists and memos. Ca. 25 items. (#4)
2) Continuity Sheets. Ca. 75 p. (#5)
Box 33: 3) Contracts - Ca. 20 items.
4) Credits - memos, lists. Ca. 25 items. (#1) 5) Daily Production Reports. Ca. 100 p. (#2). 6) Departure Notices. Ca. 50 p. (#3) 7) Design Sheets, Maps, Layouts. 9 items. (#4)
8) Grosses. Reports from foreign countries, Ca. 25 items. (#5) SIIDEL, Don Page 3 of 1974 Addenda.
9. Memos (Folder #6) 3 ALS; 10 TLS; 28 CTL; 5 TL; 6 Xerox; including:
Rodman, Howard TLS March 28 and May c, 1972. 10. Miscellaneous materials.
Notes, contact sheets, brochures. Ca. 20 items. (i/!7) 11. Publicity. Includes: press release and interview schedules,
screening lists and stills from Varrick. Ca. 100 items. (#8)
Box 34: 12. Shooting Call. Ca. 100 P• (#1) 13. Shooting Schedules. Ca. 100 p. (#2)
y) Printed Material Reviews, foreign and domestic and news items. Ca. 150 items. (#3)
C. Dirty Harry, Warner Brothers, 1971. Screenplay: by Harry Fink and R.M. Fink
a) First draft, March 1, 1970. Mimeo with holo. notes. 111 p. (#4) b) First draft, March 1, 1970. Mimeo, 111 P• (#5)
Box 35: c) First draft March 1, 1970. Xerox, 111 p. (#1) d) Second draft revision, Oct. 26, 1970, xerox, 117 P• (#2) By Dean Riesner:
e) Final Feb. 8, 1971, typescript with holo. corr. 135 P• (#3)
f) Final Feb. 8, 1971, mimeo with holo. corr. 135 P• (#4) g) Final Feb. 8, 1971. Mimeo, 135 p. (#5)
h) Final with revised pages, Feb. 8, 1971. Mimeo, 145 p. (#6)
Box 36: i) Revised final, April 1, 1971. Mimeo with holo. corr. 124 p. (#1)
j) Revised final, April 1, J.971., M:rwio, 124 r;~ (;~) SIIDEL, Don Page 4 of 1974 Addenda.
Box 36: k) Additional revised pages, mostly mimeo. Ca. 150 p. (#3 folder) 1) Production Material.
1) Casting - mostly list~, Ca. 20 P• (#4)
2) Budget Report - mimeo, 26 p. (3 copies) #5)
3) Miscellany - Shooting schedules, loop lines, addresses,
notes, lists, promo copy, etc. Ca. 150 p. (#6)
Box 37: 4) Publicity - Photos, press books, memos, etc. Ca. 35 items. (#1)
5) Screen credit. Includes 7 memos and Ca. 20 credit sheets. (#2)
m) Printed Material - reviews, ads and news items, Ca. 50 clippings. (#3)
D. Play Misty for Me (directed by Clint Eastwood; DS had featured role)
Universal, 1970. Screenplay by J. Heims and Lean Reisner.
a) Second draft, June 4, 1970. Mirneo, 104 P• (#4)
b) Final Sept. 8, 1970. Mirneo with holo. corr. 112 p. (#5)
c) Printed material, Ca. 15 clippings. (#6)
E. The Bequiled (based on a novel by Thomas Cullinan). Universal, 1971.
Screenplay by Albert Maltz and Claude Traverse.
a) Mimeo with holo. corr. Ca. 145 p. (117)
b) Production material includes shooting schedules, continuity
pages, cast lists, etc. Mostly mimeo, ca. 75 p. (#8)
Box 38: c) Printed material includes reviews, ads, news stories, Ca. 100
clippings. (#1)
F. Grid (unrealized film based on Larry McMurty's Leaving Cheyenne;
eventually mady by Sidney Lumet in 1973 under the title, Lovin
Molly) Ca. 1969.
Screenplay (by Robert L. Joseph)
a) Typescript with holo. corr. 124 P• (#2)
b) Memos. Ca. 30 items. (#3) SIIDEL, Don Page 5 of 1974 Addenda.
Box 38: c) Miscellaneous material, including: casting sheets, suggested screen play revisions, photos, etc. Ca. 25 items. (Folder ·· #4)
G. Two Mules for Sister Sara. Universal, 1969. Miscellaneous material, including: clippings, screen credit memo and
MPAA rating note, Ca. 30 items. (#5) H. Coogan's Bluff. Universal, 1968
Clippings, looplines, publicity material, 10 items. (#6)
I. Madigan. Universal, 1968. Clippings. Ca. 20 items. (#7)
J. Convoy. T.V. Pilot, Universal. 1965.
Teleplay by.Calvin Clements and Alfred Hayes. Mimeo with holo. corr.
62 p. and ca. 25 p. production material. (flt,)
K. The Hanged Man (T.V. movie) Universal, 1964.
Teleplay by Jack Laird and Stanford Whitmore.
a) Mimeo. 94 p. (~ Box 39: b) Partial teleplay, part carbon typescript, typescript, xerox
with hole. corr. 80 p. and 7 p. carbon typescript memo. (#1)
L. The Killers (earlier title: Johnny North) Based on story by E.
Hemengway. Universal, 1964. Screenplay by Gene Coon.
a) Xerox, Oct. 28, 1963 with added carbon typescript and holo. scenes by D.S. 119 P• (#2) b) Mimeo Oct. 29, 1963, 106 p. (#3) c) Mimeo with added scenes and revisions, Dec. 27, 1963.
106 P• (#4)
d) Production material including call sheets, casting,
production reports, etc. Ca. 150 P• (#5) SIIDEL, Don Page 6 of 1974 Addenda.
e) Clippings. Ca. 10 items.
Box 40: M. Hell is for Heroes. Paramount, 1962. Screen play by Robert Pirosh and Richard Carr.'
a) Mimeo typescript, June 7, 1961 with typescript and holo. corr.
Ca. 130 P• b) Production material includes shooting schedules, budget
sheets, equipment and cast lists. Ca. 20 p.
c) Clippings. 2 items (Folder #1) II. Printed Material A. Clippings about T.V. shows (Jesse James, Lancer) Ca. 10 items (#2) B. Press Kit, Stranger on the Run (TV movie. Universal, 1966)
Mimeo, Ca. 35 P• (#3) c. Material about D.S. Includes 150 clippings an~ 3 magazines. Bo~ 41: III. Biography
A. Kaminsky, Stuart DON SIEGEL, DIRECTOR. Curtis Books, 1974. 241 p. (#1) Original vexsi.on. Mimeo, 241 p. with holo. corr. B. Story Ideas, xerox. 11 p. (#2) IV. Correspondence (#3) May 10, 1966-Jan.24, 1974 and undated.
33 ALS; 104 TLS; 2 CTLS; 151 CTL (mostly from Don Siegel); 17 TL;
19 Xerox; 7 Telegrams. Includes: Dozier, William (producer) n.d. "Wednesday" ALS.
Matthau, Walter ALS Nov. 8, 1972. Platt, Polly (production designer) ALS April·,.17, 1972.
Reese, John (author of The Looters) 3 TLS: Feb. 24 & July 8, 1972; and Jan. 11, 1973. SIEGEL, Don Page 6 of 1974 Addenda.
Rodman, Howard TLS April 27, 1972; ANS March 31, 1972. Siegel, Ix>n TLS May 10, 1971, TLS Oct. 25, 1971. Stark, Ray (producer) TLS Jan. 10, 1972. Traverse, Claude TLS Nov. 28, 1969.
Turman, Lawrence TLS Feb. 28, 1972.
Von Stroheim, Josef (Pres. Motion Picture Sound Editors)
TLS Jan. 21, 1974. Zanuck, Richard Do TLS Jan. 11, 1972; ALS n.d.
Siegel, Don #454 1974 - 1999
Box42
I. Manuscripts.
A. A SIEGEL FILM, autobiogr_aphy by DS.
1. Author's notes. [F. #1]
2. Draft, TS photocopy, pp. 1-1,318. [F. #2-8]
3. Text revisions, approx. 120 p. [F. #9]
4. Incomplete draft, TS, approx. 800 p. [F. #10-14]
5. Incomplete, draft, TS, pp. 1-999. [F. #15-20]
Box43
6. Incomplete draft, TS, pp. 1,000-1,160 (continued from Box 43, F. #15-20). [F. #1-2]
7. Fragments and sections, all TS.
a. Pp. 36-72. [F. #3] b. Approx. pp. 700-900. [F. #4] c. Approx. pp. 650-1,100. [F. #5] d. Approx. pp. 1,030-1,200. [F. #6] e. Approx. 60 p.; includes photographs. [F. #7] f. Pp. 110-399. [F. #8-10] g. Pp. 1-1,273. [F. #11-22] h. Pp. 724-8411. [F. #23] 1. Pp. 940-l,064C. [F. #24] J. Pp. l,135O-l,273C. [F. #25]
Box44
k. Pp. 1-1,312. [F. #1-6]
8. Draft and revisions, pp. 1-109 and 400-1,112; includes 200 p. of incomplete draft and text revisions. [F. #7-13]
2
Box 44 cont'd. 9. Incomplete draft, TS, pp. 258-429. [F. #14)
10. Various fragments and pages, TS; includes memos. [F. #15)
Box45
11. Draft, TS, pp. 1-1,112. [F. #1-8)
12. Fragment, TS, pp. 258-304 (with some other pages); includes TL to DS. [F. #9)
13. Various pages, TS; includes ideas for cover, agent agreement. [F. #10)
14. Various pages, TS, approx. 130 p.; includes photocopied photographs. [F. #11)
15. Various pages, TS, approx. 100 p.; includes TLS from Irving Lazar, 1985. [F. #12)
16. Pre-publication sample, bound; 2 copies, 257 p. each; includes photographs, memos.
Box46
17. "A Siegel Film," promotional folder; includes TLS, 1986. [F. #1)
18. Holograph notes for A SIEGEL FILM re: various subjects, some on notepads.
a. Various notes. [F. #2, 49) b. "American Red," includes letter drafts, partial interview with Stephen Karpf. [F. #3) c. Re: John Cassavetes and "Dirty Harry"; includes letter drafts. [F. #4) d. "Rough Cut." [F. #5, 15, 50) e. "The Beguiled." [F. #6) f. "Two Mules for Sister Sara." [F. #7, 13) g. "The Black Windmill." [F. #8) h. "CharleyVarrick." [F. #9) 1. Re: years at Warner Brothers; includes typed list ofDS's film credits. [F. #10, 12)
3
Box 46 cont'd. J. "The Shootist," 88 p. [F. #11] k. "Jinxed." [F. #14] 1. "The Killers" (includes letter to Gene Coon in F. #28). [F.#16, 18,28,29] ill. "Madigan." [F. #17] n. "The Hanged Man." [F. #19-20] 0. "Crime Without Passion." [F. #21] p. "Do Moguls Sleep Through Dailies?" [F. #22] q. "The Magic Spell of Christmas." [F. #23] r. "Curiosity Killed the Killers." [F. #24] s. "Universal's Unique Scheduling." [F. #25] t. "6th Annual Riverside Grand Prix," 1963. [F. #26] u. "One on One." [F. #27] v. "Television in the '50s and '60s." [F. #30] w. "Hell is for Heroes," 1962. [F.#31] X. "Flaming Star," 1960. [F. #32] y. "Hound Dog Man," 1959. [F. #33] z. "Edge of Eternity," 1959. [F. #34] aa. "The Lineup." [F. #35] bb. "Baby Face Nelson," 1957. [F. #36] cc. "China Venture," 1953. [F. #37] dd. "Count the Hours," 1975. [F. #38] ee. "The Filmmaker's Private Hell," 1954. [F. #39] ff. "An Annapolis Story," 1955. [F. #40] gg. "President Steve Broidy," 1955. [F. #41] hh. "Invasion of the Body Snatchers," 1956. [F. #42] 11. "Crime in the Streets," 1956. [F. #43] JJ. "Spanish Affair," 1957. [F. #44] kk. "Riot in Cell Block 11," 1954. [F. #45] 11. Re: working with Sam Peckinpah. [F. #46] mm. Re: W amer Bros. montage department. [F. #47] nn. "Coogan's Bluff." [F. #48] 00. "Escape from Alcatraz," 1979. [F. #51] pp. Re: introduction. [F. #52] qq. "Telefon," 1977. [F. #53] rr. "Dead Silent." [F. #54]
An additional manuscript re: A SIEGEL FILM is located in the Large Size Materials section ofthis inventory.
4
Box47
B. Screenplays by various authors, made into films by DS; all TS.
1. "A Star in the Night," revised final draft by Saul Elkins, 31 p., Feb. 6, 1945. [F. #1]
2. "Hitler Lives," author unknown, 9 p., 1945. [F. #1]
3. "The Verdict" [aka "The Open Verdict], revised final draft by Barre Lyndon and Peter Milne, 129 p., Sep. 18, 1945. [F. #2]
4. "Night Unto Night," by Kathryn Scola, 146 p., Sep. 18 - Oct. 17, 1946. [F. #3]
5. "China Venture," final draft by George Worthing Yates, 133 p., Mar. 18, 1953. [F. #4]
6. "Invasion of the Body Snatchers," by Daniel Mainwaring, 125 p., Mar.25, 1955. [F.#5]
7. "The Lineup," fifth draft, by Sterling Silliphant, 139 p., Aug. 27, 1957. [F. #6]
8. "Hound Dog Man," final shooting script by Winston Miller and Fred Gibson, 111 p., July 9, 1959. [F. #7]
9. "Flaming Star" [aka "Flaming Lance"], revised final shooting script, by Nunnally Johnson and Clair Huffaker, 2 copies, 108 p. each, 1uly 20, 1960. [F. #8]
10. "Hell is for Heroes," by Richard Carr.
a. Incomplete revised final draft, two copies, 109 p. each, July 15, 1961. [F. #9] b. Incomplete revised script, 131 p., July 17, 1961. [F. #10] c. Draft, 118 p., 1962. [F. #11]
Box 47 cont'd. 11. "The Killers" [aka "Johnny North"]. 5 a. Incomplete draft by Anthony Veiller, 142 p., Apr. 3, 1946. [F. #12]
b. Draft by Gene Coon, revised by DS; 105 p., Oct. 23, 1963; includes 9 p. of script notes. [F. #13]
12. "The Hanged Man," teleplay, final revision by Jack Laird and Stanford Whitmore," 94 p., July 29, 1964; includes correspondence and revisions. [F. # 14]
13. "Madigan," by Abraham Polonsky and Harold Kleiner.
a. Various revised pages, approx. 120 p., April-May 1967. [F. #15] b. Final draft, 125 p., ca. 1967. [F. #16]
14. "Coogan's Bluff," by Howard Rodman.
a. Incomplete revised draft, 79 p., Sep. 16, 1967. [F. #17] b. Final draft, 120 p., Nov. 1, 1967. [F. #18]
15. "Two Mules for Sister Sara," by Albert Maltz.
a. Draft, 138 p., Mar. 20, 1968 (revised Oct. 22, 1968). [F. #19] b. Draft, 131 p., Nov. 27, 1968 (revised Jan. 3, 1969). [F. #20] c. Incomplete draft, 130 p., Nov. 27, 1968 (revised Jan. 3 and 27, 1969). [F. #21]
Box48
16. "The Beguiled," by Albert Maltz.
a. Draft, 122 p., 1969. [F. #1] b. Omitted pages, with holograph notes, approx. 100 p., 1969. [F. #2]
Box 48 cont'd. c. Second draft, with holograph notes, 132 p., June 13, 1969. [F. #3] d. Fourth draft, 138 p., July 23, 1969. [F. #4] e. Written with Claude Traverse, incomplete draft, with holograph notes, Dec. 3, 1969 (Revised Jan. 9, 1970).
6
[F. #5] f. Written with Claude Traverse, 136 p., Dec. 3, 1969 (revised Mar. 3, 1970); includes floorplans. [F. #6]
17. "Dirty Harry."
a. First draft by Harry Julian Fink and R.M. Fink, 111 p., Mar. 1, 1970; includes synopsis. [F. #7]
18. "Charley Varrick" [aka "The Looters," "Last of the Independents"].
a. Draft by Dean Riesner, 127 p., July 11, 1971. [F. #8] b. Draft by Howard Rodman, 166 p., May 18, 1972. [F. #9] c. Incomplete revised draft by Howard Rodman, 31 p., Apr. 12, 1972. [F.#10] d. Second revised final draft by Dean Riesner, with holograph notes, 133 p., Aug. 11, 1972. [F. #11]
19. "The Black Windmill" [aka "Drabble"], by Leigh Vance.
a. Draft, with holograph notes, 126 p., June 27, 1973. [F. #12] b. Second draft, 126 p., 1973; includes revisions. [F. #13] c. Treatment, 7 p.; includes step progression, 16 p.; Jan. 5, 9, 1973. [F.#14] d. Treatment, 70 p., Jan. 22, 1973. [F. #15] e. Second draft of full treatment, 85 p., Feb. 8, 1973. [F. #16] Box 48 cont'd. f. Revised first draft, with holograph notes, 142 p., Feb. 28, 1973. [F.#17] g. Revised first draft, 142 p., Mar. 5, 1973. [F. #18] h. Second draft, with holograph notes, 117 p., 1973. [F. #19] 1. Alternate version of second draft, 119 p., 1973. [F. #20]
Box49
20. "The Shootist," by Miles Hood Swarthout (and Scott Hale, where noted).
a. Draft, 117p., 1975; includes extra pages. [F. #1] b. First revision, with holograph notes, 134 p., Feb. 21, 1975. [F. #2] C. Second revision, 123 p., Sep. 15, 1975. [F. #3] d. Draft by Scott Hale, 129 p., Nov. 4, 1975. [F. #4]
7
e. Revised draft, with holograph notes, 134 p., Jan. 2, 1976; includes call sheets. [F. #5] f. Revised pages, pp. 6-124, Jan.-Mar. 1976. [F. #6] g. Revised pages, 134 p. total, Jan.-Mar. 1976. [F. #7] h. Draft by Scott Hale, approx. 70 p., 1976. [F. #8] 1. Treatment by Scott Hale, 117 p., 1976. [F. #9] J. Draft by Scott Hale, 134 p., Apr. 5, 1976. [F. #10]
21. "Telefon."
a. Draft by Peter Hyams, 146 p., Feb. 12, 1976. [F. #11] b. fucomplete draft by Peter Hyams and Scott Hale, 130 p., Oct.-Nov. 1976; includes text revisions. [F. #12] c. Draft by Sterling Silliphant, 127 p., Dec. 22, 1976; includes shot outline, Jan. 1977. [F. #13] d. Draft by Sterling Silliphant, 127 p., Jan. 11, 1977; includes: revisions of camera angles, 30 p., Dec. 22, 1976; text rev1s10ns. [F. #14] e. Draft by Sterling Silliphant, 127 p., Dec. 27, 1976; includes: expense reports; revisions, Jan. 6, 1977. [F. #15]
22. "Escape from Alcatraz" [aka "The Rock"], by Richard Tuggle.
a. fucomplete draft, pp. 5-134, ca. 1978; includes "presentation" by DS, 17 p. [F. #16] b. Final draft, 137 p., Aug. 25, 1978. [F. #17]
Box 49 cont'd. c. Revised draft, 137 p., Sep.-Dec. 1978. [F. #18]
23. "Rough Cut" [aka "Jack of Diamonds"], by Larry Gelbart.
a. First draft, 133 p., Jan. 21, 1978. [F. #19] b. Script notes and revisions, approx. 30 p., ca. 1979. [F. #20] c. Early draft, 151 p., ca. 1978. [F. #21]
Box SO
24. "Jinxed!" [aka "Jinx," "Hit Me," "Jackpot," "Hot Streak"].
a. Draft by Frank D. Gilroy, 124 p., 1980. [F. #1] b. Draft by Frank D. Gilroy, 123 p., Oct. 7, 1980. [F. #2] C. Revision pages, pp. 1-81, 5-126; ca. Jan. 1981. [F. #3]
8
d. Draft by Bette Midler, Carol Rydall, Jerry Blatt and DS, 117 p., revised Jan. 19, 1981. [F. #4] e. Draft with holograph notes by Midler, Rydall, Blatt and DS, 117 p., revised Jan. 27, 1981; includes revision pages, pp.95-117. [F.#5] f. Draft by Midler, Rydall, Blatt and DS, 117 p., revised Feb. 1, 1981. [F. #6] g. Draft by Midler, Rydall, Blatt and DS, 115 p., revised Feb. 17, 1981. [F. #7] h. Draft by Jerry Blatt, 116 p., revised Feb. 25, 1981. [F. #8] 1. Incomplete draft by Jerry Blatt, 115 p., revised Feb. 25, 28, 1981. [F. #9] J. Draft by Jerry Blatt, 116 p., Mar. 6, 1981; includes cast and crew list, timing sheet. [F. #10] k. Draft by David Newman, with holograph notes, 157 p., Apr. 7, 1981. [F. #11] 1. Draft by David Newman, 123 p., Apr. 20, 1981. [F. #12] m. Draft by David Newman, 123 p., Apr. 20, 1981; includes additional dialogue, Apr. 27, 1981. [F. #13] n. Revised final draft by David Newman, with holograph notes, 134 p., Apr. 27, 1981; includes additional dialogue. [F. #14] o. Draft, with holograph notes, approx. 110 p., Apr. 1981; includes suggested cuts. [F. #15] p. Second ending and revisions,j approx. 110 p., May-Sep. 1981. [F.#16]
Box 50 cont'd. q. Revised final draft by David Newman, 127 p., May 1, 1981. [F. #17] r. Revised final draft, 126 p., May 1, 1981; includes revisions, June 20, 1981. [F. #18] s. Text revisions, with holograph notes, approx. 100 p., 1981. [F. #19] t. Various pages with revisions, approx. 160 p., 1981. [F. #20] u. Various pages, with holograph notes, approx. 110 p., 1981. [F. #21] v. Revised final draft by David Newman, 127 p., May 1, 1981; includes revisions, Oct. 22, 1981. [F. #22]
Box 51
9
C. Screenplays and teleplays by various authors, not made into films by DS; all TS.
1. "The Big Box," by Richard English and DS, 101 p., ca. 1950s. [F. #1]
2. "Satan's Bucket" [aka "The Dancing Bucket"], second revised final draft by Richard Collins, 112 p., Apr. 1, 1959; includes revised scene, July 24, 1959. [F. #2]
3. "Limbo," treatment by James Henaghan, 65 p., 1960s. [F. #3]
4. "Destry."
a. Special promotional material, approx. 60 p., Sep. 3, 1963. [F. #4]
5. "Brandy Hawk," story outlines by DS and Eugene Paine, 30 p., ca. 1964. [F. #5]
6. "Convoy: Night Rendezvous," by Calvin Clements and Alfred Hayes, 62 p., Nov. 5, 1964. [F. #6]
Box 51 cont'd. 7. "The Last Westerner," by DS and Jack Elam.
a. Draft, with holograph notes, 130 p., ca. 1965. [F. #7] b. Bound draft, 130 p., ca. 1965. (F. #8]
8. "To Steal a Town," treatments by DS and Eugene Paine, 3 versions (13 p., 23 p., 32 p.); ca. 1966. [F. #9]
9. "The Stop at fudian Gap," incomplete re-write draft by Carey Wilber, 55 p., Feb. 18, 1966. [F. #10]
10. "Boy Friday," treatment by DS, 20 p., Mar. 7, 1966. [F. #11]
11. "The High Riders" [aka "The Lancers"], treatments (40 p.) and drafts (60 p.) by Samuel A. Peeples, July 25, 1966. (F. #12]
12. "It All Happens at Once" (aka "The fufamous Fugitive," "Joshua and the Wall"].
10
a. Draft by Collier Young, in French, 150 p., ca. 1966. [F. #13] b. "Submission #47," by Ricardo Diaz, 124 p., 1966. [F. #14] c. Script breakdown by Ricardo Diaz, 120 p.; includes: second step outline, 32 p.; first revisions, pp. 1-78; 4 memos re: script, June-Aug. 1966. [F. #15] d. Rough first draft by Ricardo Diaz, 197 p., Sep. 26, 1966. [F. #16] e. Incomplete draft by Ricardo Diaz and DS, 70 p., ca. Dec. 1966. [F.#17] f. Draft by Collier Young, from story by Ricardo Diaz, 110 p., Dec. 16, 1966. [F. #18] g. Draft by Ricardo Diaz and DS, with holograph notes, 120 p., ca. Dec. 21, 1966. [F. #19] h. Draft by Ricardo Diaz and DS, 120 p., Dec. 21, 1966 (revised Jan. 11, 1967). [F. #20] i. Draft by Ricardo Diaz, 124 p.; includes TLS from Jerry Adler, Aug. 18, 1966. [F. #21] J. Draft by Collier Young, with holograph corrections, 114 p., revised Dec. 21, 1966. [F. #22] k. Draft by Ricardo Diaz, 93 p.; includes correspondence, Jan. 1967. [F.#23]
Box 51 cont'd. 1. DraftbyCollierYoung, ll0p.,Dec.16, 1966,Feb.13, 1967; includes outline, 41 p., Jan. 18, 1967. [F. #24]
13. "Crisis and Justice in Latin America," by Octavio Larocca and Octavio Ylich Larocca, 61 p., ca. 1960s. [F. #25]
Box52
14. "Wary Transgressor," by Daniel Mainwaring.
a. Multiple fragments, with holograph corrections, ca. 1966. [F. #1] b. Draft, 129 p., ca. 1966. [F. #2] c. Draft, 158 p., ca. 1966. [F. #3] d. Treatment by DS titled "Easy Money," 4 p., Feb. 14, 1966. [F. #3] e. Draft by Carel Wilber titled "Dial 'D' For Desperate"; includes correspondence, show outline; 1966. [F. #3]
11
15. "The Choice," by Robert Joseph.
a. Draft, 155 p., Sep. 8, 1967. [F. #4] b. Final draft, 119 p., Sep. 13, 1968. [F. #5] c. Draft with holograph notes, 90 p., ca. 1968; includes new continuity sheet. [F. #6]
16. "Shadows on the Bridge," by Steve Shagan, 125 p., Nov. 19, 1968. [F. #7]
17. "Deep Water."
a. Novel by Patricia Highsmith, 281 p., photocopy, published 1957. [F. #8] b. Screenplay by Pourtale, Lombrosa and Tudal, 286 p., ca. 1960s. [F. #9]
18. "Crime Without Passion," by John Cassavetes, 127 p., May 14, 1964, 2 copies. [F. #10-11]
19. "Evil," by John Cassavetes, 128 p., ca. 1965. [F. #12]
20. "Champion of the Damned," 127 p., Feb. 15, 1967. [F. #13]
Box 52 cont'd. 21. "Gloria II," 111 p., Nov. 21, 1988. [F. #14]
22. "Play Misty For Me," final draft by Jo Heims and Dean Riesner, 112 p., Sep. 8, 1970. [F. #15]
23. "The First Deadly Sin."
a. Draft, author unknown, 161 p., ca. 1971. [F. #16] b. Draft by Stephen Geller, 211 p., ca. 1974. [F. #17] c. First draft by Stephen Qeller, 138 p., 1974. [F. #18] d. Draft by Stephen Geller, 164 p., June 7, 1974; includes budget proposal. [F. #19] e. Second draft by Stephen Geller, 157 p., June 25, 1974. [F. #20] f. Fourth draft by Stephen Geller, 147 p., Sep. 6, 1974. [F. #21]
24. "Vinegarroon," by Jo Swerling and Niven Busch, 101 p., ca. 1971. 12
[F. #22]
Box53
25. "Istanbul Express," by Bonnavere Wall, 80 p., ca. 1970s. [F. #1]
26. Untitled, author unknown, 123 p., ca. 1970s. [F. #2]
27. "Rosscullen," author unknown, with holograph notes, 123 p., ca. 1972. [F.#3]
28. "Frown of the World," by Scott Hale, 132 p., July 12, 1972. [F. #4]
29. "Seven Days to a Killing," novel by Clive Egleton, photocopy, 223 p., 1973. [F. #5]
30. "Strange Peaches," author unknown, treatment (15 p.) and script (10 p.), Jan. 9, 1973. [F. #6]
31. "The Limey," by David Shraber.
a. First draft, 132 p., Sep. 1973. [F. #7] b. Draft, 138 p., ca. Sep. 1973. [F. #8]
Box 53 cont'd. 32. "Paradise Mountain" [aka "Yesterday's People," "The Ravage"], by Tom Weitzner.
a. Draft, with holograph notes by DS, 143 p., 1973. [F. #9] b. First draft edit pages, with holograph notes, approx. 70 p., Apr. 1974. [F. #10] c. First draft, with holograph notes, 133 p., Apr. 1974. [F. #11] d. Second draft, 131 p., Apr. 1974. [F. #12] e. Second draft, with holograph notes, 127 p., Apr. 1974. [F. #13] f. Two step treatments, 43 p., July 7, 1974; includes notes and revised step treatment, 45 p., July 22, 1974. [F. #14] g. Third draft, 181 p., Aug. 1974. [F. #15] h. Fourth draft, 129 p., Sep. 6, 1974. [F. #16]
33. "The Dogs of War," first draft by Wendell Mayes, 133 p., Sep. 20, 13
1974. [F. #17]
34. "Billy the Kid," author unknown, 133 p., ca. 1975. [F. #18]
35. "McCloud: Return to the Alamo," by Glen A. Larson, 88 p., Feb. 7, 1975 [DS played the part of"Sargent"]. [F. #19]
36. "The Last Clipper from Lisbon," treatment by Stephen and Elinor Karpf, 17 p., June 11, 1975; includes newspaper clipping. [F. #20]
37. "The Sentinel," by Richard Alan Simmons.
a. Incomplete draft, 110 p., Aug. 11, 1975. [F. #21] b. Revised draft, 142 p., Aug. 25, 1975. [F. #22] c. Draft, 136 p., Sep. 11, 1975 (revised Oct. 7, Nov. 12, 1975). [F. #23] d. Draft, 136 p., Sep. 11, 1975. [F. #24]
38. "Candy Man," by Kurt Willadsen, bound, 131 p., revised Mar. 1976. [F. #25]
39. "Dirty Harry #3," final shooting script by Dean Riesner, 125 p., May 25, 1976. [F. #26]
Box 53 cont'd. 40. "The Stone Leopard," by Robert Chapman.
a. Draft, 115 p., ca. 1980; includes step outline for "The Libertine," 2 p. [F. #27] b. Third draft and some of fourth, 133 p., ca. 1976; includes correspondence. [F. #28]
Box54
41. "Tom Hom" [aka "The Saga of Tom Hom," "I, Tom Hom," "Mr. Hom"].
a. Draft by Dean Krakel, with holograph notes, 122 p., 1954. [F. #1] b. Draft by Thomas McGuane, 63 p., ca. 1970. [F. #2] C. Draft by Thomas McGuane, 205 p., ca. 1974. [F. #3] d. First draft by Thomas McGuane, 205 p., ca. 1974. [F. #4]
14
e. Sampler draft by Will Henry, 45 p., 1975. [F. #5] f. Draft by Thomas McGuane, 63 p., ca. 1975. [F. #6] g. First draft by Will Henry, 149 p., ca. 1975. [F. #7] h. Draft by William Goldman, with holograph notes by Carol Rydall, 139 p., June 1976. [F. #8]
42. "The Night I Caught the Santa Fe Chief," by Scott Hale.
a. Preliminary treatment, 102 p., 197 4. [F. #9] b. Draft, 125 p., Apr. 21, 1975, 2 copies. [F. #10-11] c. Draft, 130 p., May 9, 1975. [F. #12]
43. "The Sea Kings," by William Goldman, 132 p., ca. 1978. [F. #13]
44. "The Mercenary," treatment by Claude Traverse, 36 p., 1979. [F. #14]
45. "The Boat," from the novel "Das Boot" [aka "The Old Man"], by Dean Riesner.
a. Draft, 152, p., ca. 1970s; 2 copies. [F. #15-16] b. First draft, with holograph notes, 150 p., ca. 1978; 2 copies. [F. #17-18]
Box 54 cont'd. 46. "Silence."
a. Revised first draft by Michael Christofer, 130 p., Pct. 3, 1977. [F.#19] b. Draft by David Rayfiel, 99 p., Apr. 1, 1980; includes TLS to DS, 1973-1983. [F. #20]
47. Draft by David Rayfiel, 99 p., Aug. 1980. [F. #21]
48. "Ryan's Rules," by Marion Levine, 139 p., ca. 1980s. [F. #22]
49. "Above Suspicion," first draft by Iren Koster and James Fryman, 102 p., ca. 1980s. [F. #23]
50. "Dangerously," by Jim Cash and Jack Epps, Jr., 133 p., ca. 1980s. [F. #24]
15
51. "Sanctuary," by Robert J. Avrech, 118 p., ca. 1980s. [F. #25]
Box55
52. "Jamaica," by Bruce Kirschbaum, 135 p., ca. 1980s. [F. #1]
53. "Kingfisher," by Derek Marlowe, 131 p., ca. 1980s. [F. #2]
54. "Serious Car Trouble," by Edwin Fortson and Marion Cronin, 122 p., ca. 1980s. [F. #3]
55. "American Red," by Derek Marlowe, 138 p., ca. 1980s. [F. #4]
56. "Knight," by Derek Marlowe, 96 p., ca. 1980-1982. [F. #5]
57. "Peregrine," novel by William Bayer, 125 p., photocopy, 1981. [F. #6]
58. "Dangerously," revised, by Andy Wolk, 137 p., Aug. 17, 1981. [F. #7]
59. "Legree," by Pat Cacciotti, approx. 140 p., July 29, 1986. [F. #8]
60. "DeathofaKing,"byPaulDoherty, approx. l00p., 1987; includes TLS. [F. #9]
Box 55 cont'd. 61. "Exile," first draft by Richard Bliss, 121 p., Jan. 29, 1987. [F. #1 0]
62. "Winchester '99," by Jason and Elinor Karpf, 143 p., ca. 1988; includes TLS from Elinor Karpf. [F. # 11]
63. "Hitman," revised, by Robert Foster, 120 p., Nov. 4, 1988. [F. #12]
64. "Karma: A Case of Murder with Cosmic Implications," by Leigh Vance, 127 p., 1989. [F. #13]
65. "Varian Fry," by Jan Skrentny, 108 p., 1989. [F. #14]
66. "The Stopover," treatment by Richard Keith, 8 p., 1989; includes TLS. [F. #15] 16
67. "Hoops," second draft by Britt and Diane /Lomond, 111 p., May 5, 1989; includes treatment. [F. #16]
68. "The Year of the Comet," by William Goldman, 125 p., ca. 1990. [F. #17]
69. "Sam McCain is Going Home," by Wayne and Ashley Crusetumer, 121 p., ca. 1990. [F. #18]
70. "Billy," incomplete draft by Jonathan Wassail, 117 p., Jan. 27, 1991; includes budget and casting information. [F. #19]
71. "The Stone Leopard," by Robin Chapman.
a. Fragment of second draft, step outline, and notes; Aug. 30- Sep. 2, 1976. [F. #20] b. Novel outline, 2 treatment drafts, second draft outline, and fragment of first draft; 1976. [F. #21] c. Early draft, 120 p., 1976. [F. #22]
72. "The Happy Death of Johnny Blue Eye," 3 treatments by Daniel Manwaring and Edward Medard, ca. 1968. [F. #23]
73. "Caribbean Correspondent," story outline, 12 p. [F. #24]
Box 55 cont'd. 74. "Ghosts ofBerchtesgaden," by Saul Biking, 3 versions, May-June 1945. [F. #25]
75. "The Desert Shall Rejoice," radio play by Robert Finch and Betty Smith, 24 p., n.d. [F. #26]
76. "Silence," novel by James Kennaway, photocopy; includes TLS photocopy,Feb. 16, 1979. [F.#27]
77. "Comeback," 3 story outlines by Eugene Paine, 29 p. each, 1970. [F. #28]
78. "12 in Eden," 2 treatments by DS and Eugene Paine, 16 p. each, Jan. 5, 1967. [F. #29]
17
Box56
D. Miscellaneous screenplays.
1. "Dirty Harry," incomplete revised draft, 123 p., Apr. 12-27, 1971. [F. #1]
2. "Charley Varrick," incomplete draft by Dean Riesner, 129 p., ca. 1972; includes TLS to DS re: movie from executive, Mar. 1, 1973. [F. #2]
3. "Jinxed!" varoius pages, some with holograph notes, approx. 110 p., 1981. [F. #3]
II. Personal Memorabilia.
A. Material and articles re: DS's son Kristoffer Tabori; includes TLS from DS, 1969-1971. [F. #4]
B. Real estate material re: Phoenix Les Jarding, 1983. [F. #5]
Box 56 cont'd. D. Miscellaneous notes for autobiography.
1. Re: "Acknowledgements," "The Hanged Man," 1964. [F,. #6]
2. Anecdotes re: Dean Riesner and "What Makes Sammy Run?" [F. #7]
E. Magazines with articles about DS or topics of interest to him; includes Millimeter, Newsweek, Time, Film, American Film, Los Angeles Magazine, May 1968-March 1980. [F. #8]
F. Information packet re: Film Noir Festival, Grenoble, France. [F. #9]
G. 2 poems by DS's son, Nowell Siegel. [F. #10]
H. Financial statements and investment material. [F. #11]
I. Re: "The Shootist," research for memoirs; photocopies photographs, TS pages. [F. #12]
18
J. Brochures re: DS film retrospectives, 1968, 1973, 1976, 1987. [F. #13]
K. Chaplin, Swedish magazine with DS interview; includes typed transcript of interview, 1972. [F. #14]
L. Printed material re: DS retrospective in Vienna; includes: newspaper, press releases, publicity booklets, posters, 1975. [F. #15-16]
M. Magazines and television listings mentioning documentary re: DS, 1979- 1981. [F. #17]
N. Window decal: "Dirty Harry is a Smash!" [F. #18]
0. Article re: Warner Brothers montage department, 1943; includes photocopies photographs ofDS. [F. #19]
P. Reviews of"Sudden Impact," 1983; includes Peter Bogdanovich's interview ofDS from Movie magazine, ca. 1971. [F. #20]
Q. "The Savage Siegel," interview ofDS for Playboy magazine (unpublished), Apr. 3, 1978. [F. #21]
Box 56 cont'd. R. 2 spiral-bound notebooks with holograph notes. [F. #22]
S. "Cassavetes on Siegel," article, 2 copies with holograph notes by John Cassavetes; includes interview ofDS by Curtis Hanson for Cinema magazine and interview ofDS by Peter Bogdanovich for Movie magazine. [F. #23]
T. Andrew Sarris article re: DS, 1972; includes Journal of Popular Film article re: DS and Variety magazine, with article re: SteveMcQueen's death. [F. #24]
U. American Film magazines; includes: mention ofDS, Sep. 1976; article re: movie violence, Dec. 1985. [F. #25]
V. Famous Fantasy Films magazine re: "Invasion of the Body Snatchers," 1965. [F. #25]
W. TAXI DRIVER, by Paul Schrader (paperback version of screenplay), inscribed by author.
19
X. DEADLY PURSUIT, by Robert V. Cox, hardbound, 1977.
Y. THE SIMPLE ART OF MURDER, by Raymond Chandler, paperback, 1972.
Additional personal memorabilia is located in the Large Size Materials section of this inventory.
Box57
III. Photographs.
A. Re: DS playing table tennis and re: Viveca Lindfors and Ronald Reagan in "Night Unto Night," 1949; 16 black and white prints. [F. #1]
B. Re: "No Time for Flowers," "Stan's Bucket," "China Venture," "Flaming Star," "Madigan," "Gun Runners," "Passage to Merseilles," "Spanish Affair"; 10 black and white prints. [F. #2]
C. Re: DS, Clint Eastwood, "Hell is for Heroes," "Baby Face Nelson"; 18 black and white prints. [F. #3]
Box 57 cont'd. D. Re: "The Killers," 1963; 34 black and white prints. [F. #4]
E. Re: "Coogan's Bluff," 1968; 49 black and white prints. [F. #5]
F. Re: "Two Mules for Sister Sara," 1969; 7 black and white prints and 1 color slide. [F. #6]
G. Re: "The Beguiled," 1970; 30 black and white prints. [F. #7]
H. Re: "Dirty Harry," 1971; 35 black and white prints. [F. #8]
I. Re: "Charley Varrick," 1973; 35 black and white prints. [F. #9]
J. Re: "The Black Windmill," 1973; 28 black and white prints. [F. #10]
K. Re: "Telefon," 1977; positive transparent photocopy prints. [F. #11]
L. Re: "Telefon," "Escape from Alcatraz"; photocopied prints. [F. #12]
20
M. Re: "Jinxed!"; 21 color and black and white prints, 7 Polaroids. [F. #13]
N. Re: Kristoffer Tabori in "Making It," 1971; 10 black and white and color prints. [F. #14]
0. Re: Steve McQueen in "Hell is for Heroes," 1962; 1 black and white print. [F. #15]
P. Re: casting; 12 black and white prints. [F. #16]
Q. Publicity stills, 1950s-1974; 83 prints. [F. #17]
R. Re: Fosi's Modeling and Talent and Directory of Professional Stuntwomen; photographs and bios. [F. #18]
S. Color set drawings and 3 hand-drawn aerial maps. [F. #19]
T. Stills from various DS movies; approx. 90 photocopied prints. [F. #20]
U. Re: "The Beguiled," 1970; 34 prints. [Env. #1]
V. Re: "Telefon," ca. 1977, including some ofDS shooting film in Helsinki; 5 prints. [Env. #2]
Box 57 cont'd. w. Re: "Telefon," 1977; production prints and stills. [Env. #3]
X. Re: "Shadows on the Bridge," ca. 1974; 30 black and white prints. [Env. #4]
Y. Re: "The Shootist," 1976; 4 color Polaroids, 18 color slides. [Env. #5]
Z. Re: "The Black Windmill": 15 prints re: outdoor scenery; 3 prints re: unknown men; 3 short pieces of film. [Env. #6]
AA. Re: trip to Africa (possibly scouting for "Shadows on the Bridge"), ca. 1974; color prints. [Env. #7]
BB. Re: "The Black Windmill," 1974; 76 black and white prints (stills). [Env. #8-9]
CC. Stills from various DS films, including: "Invasion of the Body Snatchers," 1956; "The Verdict," 1948; "Charley Varrick," 1973; "Stranger on the
21
Run," 1968; "Madigan," 1967; "The Hanged Man," 1960s; "Riot in Cell Block 11," 1954; 29 black and white prints. [Env. #1 OJ
DD. Re: "The Beguiled," 1970, "Play Misty For Me," 1971; 15 prints. [Env. #11]
EE. Autographed color print ofDS, used as sample for cover ofDS's autobiography. [Env. #12]
FF. Re: "Charley Varrick," 1973; 22 black and white prints. [Env. #13]
GG. Re: "Dirty Harry"; 60 black and white prints. [Env. #14-15]
HH. Re: "The Shootist," 1976; 36 black and white prints. [Env. #16]
II. Re: "Rough Cut," 1980; 10 black and white prints (production stills) and 52 color prints (location snapshots). [Env. #17]
JJ. Re: "The Shootist"; negatives and slides. [Env. #18]
Box58
IV. Printed Material.
A. Re: DS film productions.
1. "Hell Is For Heroes" dialogue continuity booklet, Sep. 8, 1961; includes travel expenses, June 6, 1961. [F. #1]
2. Re: "The Killers."
a. Revised shooting schedule, Dec. 3, 1963; includes: cast suggestions, cast sheet, title copy (Mar. 13, 1964), NBC censor suggestions, newspaper reviews. [F. #2] b. Continuity and dialogue script, 103 p., Apr. 13, 1964. [F. #3]
22
3. "Edge of Eternity" six month financial statement, Sep. 28, 1963, Mar. 23, 1964. [F. #4]
4. "The Hanged Man" cast sheet, production report, shot list, TV censor list, and some revised script pages; 1964. [F. #5]
5. "Convoy: Night Rendezvous" (TV pilot) budgets, shooting schedule, cast lists, production reports; 1964. [F. #6]
6. "The Infamous Fugitive" budget, 1967; includes The Hollywood Reporter magazine, 2 issues, 1967-1968. [F. #7]
7. "The Hunters,"rough notes and NBC cautionary remarks, 1966. [F. #8]
8. "The Choice," treatment, 45 p., ca. 1967; includes cast notes, cast list, revised script pages (6 p., Oct. 8, 1968). [F. #9]
Box 58 cont'd. 9. "Coogan's Bluff."
a. Clippings, production notes, continuity, foreign press kit, some title sheets, 1968. [F. #10] b. Production notes and correspondence, 1968. [F. #11] c. Newspaper ads, related articles, reviews, 1968. [F. #12]
10. "Death of a Gunfighter" [aka "Patch], script additions shot by DS, dated Mar. 18, 1969; includes TLS from Directors' Guild noting use of credit "Allen Smithee." [F. #13]
11. Miscellaneous newspaper reviews and articles clipped from newspapers, 1962-1967. [F. #14]
12. Newspaper articles re: DS film festival in London, 1968; includes 2 TNS from Peter Bogdanovich. [F. #15]
13. "Duel at Silver Creek" and "The Hired Man" production notes. [F. #16]
14. "Madigan" printed reviews, 1968. [F. #17]
15. "Two Mules for Sister Sara," newspaper articles, advertisements, reviews, 1970. [F. #18]
23
16. "The Beguiled."
a. Credit sheets, crew list and notes, 1970. [F. #19] b. Newspaper articles, reviews, 1971; includes clippings re: DS (1967-1971) and "Stranger on the Run." [F. #20] c. Clint Eastwood's looping pages, 1971. [F. #21] d. Promotional booklet, 1971. [F. #22] e. Hand-drawn and colored poster sketches by Edward Gorey; includes TNS from Gorey, 1970. [F. #23] f. Newspaper reviews and articles, 1969-1971. [F. #24]
17. "Dirty Harry" production reports, floor plan, correspondence, Apr.- May 1971. [F. #25]
Box 58 cont'd.
18. "Dirty Harry'' press kit, with photographs and printed material, 1972. [F. #26]
19. "Coogan's Bluff," "The Beguiled" and "Stranger on the Run" blueprints and floor plans. [F. #27]
20. Miscellaneous printed items. 1960's. [F.#28] Box 59
21. "Shadows on the Bridge."
a. Pre-production material: shooting schedule, press clippings, typed memos, 1971. [F. #1] b. Breakdown sheets, sketch layout of location, 1971. [F. #2]
22. "Charley Varrick."
a. Cast lists, shooting schedule, timing breakdown, MP AA rating memo, July-Aug. 1972. [F. #3] b. Script notes, Mar. 8, 1972; includes correspondence, DS interview, review of film. [F. #4] c. Script notes, 1973. [F. #5] d. Script synopsis, Feb. 1968; cast list, set list, timing breakdown. [F. #6] e. Script notes, June 1, 1972. [F. #7] f. Newspaper advertisements and some reviews, 1973. [F. #8] g. U.S., Finnish and German newspaper with articles re: film,
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1974. [F. #9] h. English and Dutch newspapers and magazines with articles re: film, 1973. [F. #1 O]
23. "Paradise Mountain" locations and notes, 1973. [F. #11]
Box 59 cont'd. 24. "Play Misty for Me" articles and reviews, 1971; includes: articles re: DS, 1968-1980; Walter Wanger obituary; article re: Sam Peckinpah. [F. #12]
25. "The First Deadly Sin."
a. Casting material: headshots, actor bios, 1974. [F. #13] b. Notes and designs by Ted Haworth; includes ANS, 1974. [F. #14] c. Location plans, casting lists, legal contracts, 1974. [F. #15] d. Shooting lists, maps, editing outlines, 1974. [F. #16] e. Legal contracts, production lists, 1974. [F. #17]
26. "Yesterday's People" production budget, May 9, 197 4. [F. #18]
Box60
27. "The Black Windmill."
a. Production schedules, progress reports, locations, music, 1973. [F. #1] b. Casting and call sheets, 1973. [F. #2] c. Progress report, budget, movement order, unit lists, call sheets, July 1973-Sept. 1974. [F. #3] d. Shooting schedule, July 1973; cost reports, grosses, budget, show dates, July 1974. [F. #4] e. Comparison grosses, May 6, 1974. [F. #5] f. Expenses and memos, July 1973-Mar. 1974. [F. #6] g. Post-production schedule, Sep. 1973-Jan. 1974; unit lists, tentative shooting schedule. [F. #7] h. Credits, cast and crew list, June 1973-June 1974. [F. #8] 1. Newspaper clippings ofreviews and some articles, 1974. [F. #9]
28. "The Sentinel," rough notes, 25 p.; includes reviews of novel, TLS.
25
[F. #10]
29. Re: Vienna Film Festival, featuring DS retrospective; newspaper and magazine articles, mostly Austrian, 1975. [F. #11]
30. Re: DS retrospective at Austrian Film Museum; newspaper and magazine clippings, 1975. [F. #12]
Box 60 cont'd. 31. "The Shootist."
a. Call sheets, filming breakdown (5 p.), titles, editor's version; Jan.-Mar. 1976. [F. #13] b. Character lists, script notes (TS and holograph). [F. #14] c. Notes re: Miles H. Swarthout's script, TS. [F. #15] d. Reviews of novel by Glendon Swarthout, photocopies, 1975. [F.#16] e. Script notes, TS, Feb. 21, 1975. [F. #17] f. Press kit, includes bios of stars and director, 2 copies, 1976. [F. #18] g. Expenses, 1975-1976. [F. #19]
Box61
h. Newspaper articles, Mad magazine with parody; includes ANS from Scott Hale, Rooster Cogburn card, 1976. [F. #1] 1. Articles and reviews from newspapers; magazines; Hollywood Reporter. [F. #2] J. Reviews and articles, 1976. [F. #3] k. Reviews and financial records, 1976-1977. [F. #4] 1. Reviews (some foreign), newspapers and magazines, 1976. [F. #5]
32. "I, Tom Hom," legal papers, casting lists, contracts, shooting schedule, 1977. [F. #6]
33. "Telefon."
a. Production budgets, director's notes, distribution statements; includes some TLS; 1977. [F. #7] b. Production notes and revisions. [F. #8] c. Preview reports. [F. #9] d. Director's notes re: script and production schedule, 1977.
26
[F. #10] e. Notes on musical score; includes 2 TLS, 1977. [F. #11] f. Research analysis: first preview report, Sep. 10, 1977. [F. #12] g. Marketing strategies, 1977. [F. #13] h. Financial records, 1977. [F. #14] 1. Marketing chronology and second preview report, Sep. 16, 1977. [F.#15]
Box 61 cont'd. j. · Legal and financial documents; includes TLS; 1976-1982. [F. #16] k. Posters, promotional ads, reviews; includes some TLS; 1977. [F.#17] 1. Articles from various Scandinavian magazines and U.S. newspapers, 1977. [F. #18]
Box62
m. Newspaper clippings (some Finnish and Russian); American Film magazine; Hollywood Reporter; Finnish magazine with interview and translation; 1977. [F. #1] n. Magazine publicity: Time, US, Hollywood Reporter, 1977- 1978. [F. #2] 0. Professional correspondence, 1978 [F. #4]
34. "Escape from Alcatraz."
a. Production budget, Oct. 1978. [F. #3] b. Director's notes and script notes, 1978. [F. #4] c. Staff and crew lists and contact sheets, 1978. [F. #5] d. Financial payments and projections of income for DS, 1981-1983. [F. #6] e. Director's notes; Alcatraz stationery; Variety pages with Academy Award promotion; blueprint of Alcatraz Island; 1978-1984. [F. #7] f. Newspaper articles, some foreign (with translations), 1976. [F. #8] g. Reviews for many ofDS's movies; 1 article in either Danish or Swedish. [F. #9]
35. "Invasion of the Body Snatchers," newspaper clippings; magazines with articles; DS interview; advertisement flyer. [F. #10] .
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36. "Rough Cut."
a. Press kit, 1980. [F. #11] b. Legal contracts, title sample, TNS to DS (notice of dismissal), 1979. [F. #12] c. Call sheets, shooting schedule, July-Aug. 1979. [F. #13] d. Cast lists, contracts; includes professional correspondence, Dec. 1979-Apr. 1980. [F. #14]
Box 62 cont'd. e. Reviews and press books, 1980. [F. #15] f. Location breakdown; bit of floor plan for set; call sheet, 1980. [F.#16] g. Legal material re: arbitration, 1980. [F. #17] h. Shooting schedule; director's notes; Apr. 22, 1980. [F. #18] 1. Contractual papers, payments, distribution statements, 1979-1984. [F.#19]
Box63
37. "Jinxed!"
a. Camera reports, 1981. [F. #1-2] b. Songs and musical spotting notes; includes ANS, 1981. [F. #3] c. Casting suggestions and cast lists; includes ANS, 1981. [F. #4] d. Blueprints; holograph notes., 1981. [F. #5] e. Actor's contracts, 1981. [F. #6] f. ADR notes; voice over sheets, 1981. [F. #7] g. Shooting schedule, 1981. [F. #8] h. Publicity and script material, 1981. [F. #9] 1. Call sheets and production reports, April-Sep. 1981. [F. #10-11] J. 1 line shooting schedule. [F. #12] k. Post-production schedules and final audio dubbing prices; includes some related correspondence, 1981-1982. [F. #13] 1. Rough sketches; includes TLS; 1981. [F. #14] m. Newspaper articles re: film and MGM/UA financial troubles; Los Angeles Times; 1981-1982. [F. #15] n. Preview report: Toronto [under film title "It's All in the Game"], Apr. 2, 1982. [F. #16] o. Reviews from newspapers; Hollywood Reporter, 1982;
28
note to DS from Sam Peckinpah printed in Hollywood Reporter, 1981. [F. #17]
Box 64
B. Miscellaneous.
1. Continuity breakdown for unidentified project. [F. #1]
Box 64 cont'd. 2. "Rick O'Shay'' cartoon; includes 1 item of correspondence. [F. #2]
3. Promotional material for new lenses and camera system. [F. #3]
4. Biographies ofDS from 1960s-1974. [F. #4]
5. Essay re: symbolic religious imagery in "Dirty Harry," July 7, 1978. [F. #5]
6. Script coverage for various works; includes TLS re: submitted receipts, 1981. [F. #6]
7. Pamphlets re: German film studios; articles; ca. 1980. [F. #7]
8. "The Witnesses" legal material and arbitr~tion agreement, 1984. [F. #8]
9. Faber and Faber book catalog, 1989; dust jackets for DS's memoirs; notes from Carol Siegel re: memoirs; 1992-1993. [F. #9]
10. Clint Eastwood's forward to DS's memoirs; MS pages and notes. [F. #10]
V. Research Material.
A. Re: "The Legend of Jesse James," photocopied articles from various books, ca. 1970. [F. #11]
B. New Mexico tourism/ film board material, 1973. [F. #12]
C. Re: "Yesterday's People," newspaper clippings, notes, correspondence, 5 29
photographs; Dec. 1973-July 1974. [F. #13]
D. Re: "The Sentinel," book synopsis, script notes (TS and holograph), 1974- 1975. [F. #14]
E. Re: Tom Horn; photocopied newspaper articles, ca. 1975. [F. #15]
F. Re: memoirs; photocopied memos and TS draft pages, ca. 1980s. [F. #16]
Box 64 cont'd. G. Interview material; excerpt from book re: crime movies; Ronald Reagan bio. [F. #17]
H. Resume of DS credits; TLS re: "Night Unto Night"; Jason and Elinor Karpf credits; DS signed overlay for book cover; 1980s. [F. #18]
VI. Correspondence.
A. Professional.
1. Warner Bros. Studio. Memos (photocopies), 1939-1948. [F. #19-20]
2. "Hound Dog Man." Memos and TLS, 1959. [F. #21]
3. "Flaming Star." Production memos (photocopies), 1960. [F. #22]
4. "Hell is For Heroes." Memos, 1961. [F. #23]
5. McQueen, Steve. TLS, 1961. [F. #23]
6. Memos from various, including: Scott Hale, Hilly Elkins, Daniel Mainwaring; 1961, 1963-1964. [F. #24]
7. "Lancer," "Limbo," "Frown of the World," "Deep Water," 1952, 1966-1971. [F. #25]
8. Rivette, Jacques and Cahiers du Cinema. TNS. Includes DS's reply, Nov. 11, 1963. [F. #26] 30
9. Universal projects. TLS to and from DS, 1963-1964. [F. #26]
10. "The Wary Transgressor," "The Legend of Jesse James." TLS and telegrams, 1963-1966. [F. #27]
11. "Crime Without Passion," "Champion of the Damned." Memos, 1964, 1967; includes script notes. [F. #28]
12. Siegel, Don. TL to Scott Hale re: "The Hanged Man," 1964. [F. #29]
Box 64 cont'd. 13. "Convoy: Night Rendezvous." Memos, TLS, show time, 1964- 1965. [F. #30]
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14. Traverse, Claude. ANS and TLS to and from DS, 1964-1981. [F. #1]
15. "Easy Money." TLS re: television projects, 1965-1966. [F. #2]
16. "The Great Bonacker War," 1966; "The Forty Days ofNusa Dagh," 1965; "Fort Purgatory" coverage, 1960s. Memos. [F. #3]
17. Traverse, Claude. TLS. Includes material for "Boy Friday"; May 1966-1968. [F.#4]
18. "The Scarlet Ibis," 1966; "The Rock," 1966; "Strange Peaches," 1973. TLS. fulcudes TLS re: scripts submitted, 1968. [F. #5]
19. Maltz, Albert. 1966. [F. #6]
20. "The Rock." TLS and outlines, 1966. [F. #6]
21. "Jesse James" [TV series]. Fan letters for support following cancellation, 1966-1967. [F. #7]
22. "Friday; Saturday and Sunday." TLS, 1966-1967. [F. #8]
23. "Friday, Saturday and Sunday"; "Madigan." Memos and TNS, 1966-1968. [F.#9] 31
24. Widmark, Richard. ALS. [F. #10]
25. "The Choice," 1968-1969. [F. #10]
26. General business. TLS and memos, 1967-1973. [F. #11, 13]
27. Siegel, Don. ALS to Clint Eastwood re: "Coogan's Bluff," 1968. [F. #12]
28. "Two Mules for Sister Sara." Music notes, 1969. [F. #14]
Box 65 cont'd. 29. Eastwood, Clint. ANS to DS, 1969. [F. #14]
30. "Death of a Gunfighter." TLS, 1969. [F. #15]
31. Haworth, Ted [art director]. ALS to DS. [F. #16]
32. "The Beguiled." TNS, letters, script suggestions, 1969-1970. [F. #16]
33. Siegel, Don. TLS re: replies to scripts submitted to DS, Mar. 1969-June 1972. [F. #17]
34. William Morris Agency. Legal material, 1969-1976. [F. #18]
35. Wasserman, Lew. TLS. [F. #18]
36. Gotlieb, Howard B. TLS to and from DS, 1969-1991. [F. #19]
37. Maltz, Albert. TLS to Jennings Lang, July 1971, Aug. 1971. [F. #20]
38. Siegel, Don. Letter to Delbert Mann, Dec. 19, 1969. [F. #20]
39. "Death of a Gunfighter." TLS re: BFI, BBC, Mar. 1968. [F. #20]
40. "Mr. Love and Justice." TLS, 1970-1971; includes partial copy of book. [F. #21]
41. "The Beguiled." Production memos, screening invitations, fl.ii'\ mail and responses, 1970-1971. [F. #22]
32
42. Cassavetes, John ["East Coast Mother"]. Telegram to DS. [F. #22]
43. "One Ann." TLS re: adaptation of Tennessee Williams story, 1970-1971. [F. #23]
44. Chicago International Film Festival. TLS, 1971; includes programs, brochures. [F. #24]
45. "Dirty Harry." TLS re: production, 1971-1972. [F. #25]
Box 65 cont'd. 46. Various; includes: Malpaso Co.; Ted Haworth (TLS), Stuart Kaminsky, DS biographer; Peter Bogdanovich (ALS); 1971-1975. [F. #26]
47. "Officer Singer Needs Help." TNS, June 1972; includes synopsis. [F. #27]
48. "Charley Varrick." TLS and memos, 1972-1973. [F. #28]
49. "How I Caught the Santa Fe Chief." 1972-1976. [F. #29]
50. Haworth, Ted. ALS. [F. #29]
51. Hale, Scott. TLS. [F. #29]
52. Tabori, Kris [DS's son]. ANS. [F. #29]
53. Various, re: projects submitted to DS; includes: Andre de Toth, Daniel Mainwaring, Jennings Lang; with TLS replies from DS. [F. #30]
54. "Strange Peaches." TS memos, some photocopied letters, 1973. [F.#31]
55. "The Black Windmill."
a. TLS, 1973; includes printed material. [F. #32] b. Memos, Feb.-Aug. 1973. [F. #33]
56. "The Dogs of War." TLS re: John Forsyth novel and script
33
development, 1973-1974. [F. #34]
57. "The First Deadly Sin." Re: development of script and project, 1974 - Feb. 1975. [F. #35]
58. Haworth, Ted. ALS and TLS. [F. #35]
59. Geller, Stephen. ANS. [F. #35]
Box 65 cont'd. 60. "The Shootist."
a. TLS from actors interested in working on film, 197 5. [F. #36]
Box66
b. TLS and ALS from various, including Miles Hood and Glendon Swarthout, 1975-1976. [F. #1] c. Typed thank-you letters from DS to cast and crew, Apr.- May 1976; includes resumes. [F. #3]
61. Siegel, Don. Typed responses to rejected scripts, 1975-1976. [F. #2]
62. "The Stone Leopard."
a. TLS; includes newspaper reviews, Hollywood Reporter, Variety, 1975-1977. [F. #4] b. TLS from various, including Sir John Woolf; includes timing sheets, script notes; June and Dec., 1976. [F. #5] c. TLS to and from Gang, Tyre and Brown [legal correspondence], July 1976-Nov. 1978. [F. #12] d. TLS from Sir John Woolf; telegrams; story notes; breakdown sheets; June 1976-Feb. 1978. [F. #13]
63. Various work solicitations and script submissions, TLS, 1976- 1977. [F. #6]
34
64. "Deadly Pursuit." TLS to and from DS; includes TLS from William Girdler (photocopies), 1978. [F. #7]
65. Siegel, Don. TLS to William Morris Agency re: legal agreement for "The Boat," 1978; includes script notes. [F. #8]
66. Siegel, Don. TLS re: production and script of "Silence," 1978. [F. #9]
67. "Rough Cut."
a. TLS re: contracts and payments, 1979-1980. [F. #10] b. TLS re: production, 1979-1980. [F. #11]
Box 66 cont'd. C. TLS, 1980-1983. [F. #15]
68. TLS re: script and project submissions, 1980. [F. #14]
69. "Escape from Alcatraz." TLS re: financial records, 1980-1983. [F. #16]
70. "Jinxed!"
a. TLS re: production, 1981. [F. #17] b. TLS; includes expense reports, sound post-production, resumes; Jan.-Oct. 1981. [F. #18]
71. "American Red." TLS re: script, mostly between DS and Derek Marlowe, 1984-1985. [F. #19]
72. "A Siegel Film."
a. TLS, 1985-1986. [F. #20] b. TLS, ANS, 1986-1991. [F. #21] C. TLS re: publication, 1988; includes Knopf contract. [F. #22] d. TLS and memos re: rejected material, 1980s. [F. #23]
Box67
B. Personal. 35
1. Unidentified [a friend of DS]. TLS to DS, 1987; includes "Warner Bros. News" and article re: ping pong, 1937 and 1939. [F. #1]
2. TLS to and from various, including: Viveca Lindfors [wife], Lew · Wasserman, and others, re: "The Killers," "Convoy," "The Hanged Man," 1963-1964. [F. #2]
3. Siegel, Don. TL to Kristoffer Tabori [son]. [F. #2]
4. [Gulager], Clu. ALS to DS. [F. #2]
5. Wyriteti Dana. ANS to DS, 1965; includes material re: "Invasion of the Body Snatchers." [F. #3]
Box 67 cont'd. 6. "Invasion of the Body Snatchers." TLS re: questions and answers, 1966; includes DS bio from Warner Bros. [F. #4]
7. "Tyler Camera Systems." TLS, 1967; includes brochure. [F. #5]
8. Wanger, Walter. 2 TLS to DS, Dec. 1963. [F. #6]
9. Tully, Tom. ANS to DS, 1967. [F. #6]
10. Siegel, Don. TLS to and from various, 1967. [F. #7]
11. Various, including Richard Widmark (ANS), John Cassavetes (TLS), 1967-1968. [F. #8]
12. Siegel, Don. TL to Viveca Lindfors and Kristoffer Tabori, 1967- 1970; includes: letters from Viveca Lindfors; material re: N.Y. Cultural Center. [F. #9]
13. Various TLS to DS, including Joshua Logan and George Couloruis, 1968. [F. #10]
14. Various, including: Michael Reeves; Sam Peckinpah (TNS); Richard Matheson, 1972; Richard Widmard (TNS, ANS), 1969; Governor of Arizona (TNS). [F. #11]
15. TLS re: "The Beguiled," Dec. 1970; ANS from Richard Widmark (photcopies), Nov. 1967, July 1968. [F. #12]
36
16. TLS and ALS to DS from various, 1972-1974. [F. #13]
17. Siegel, Don. Cards, ANS and TLS to John Cassavetes and Walter Matthau, 1973-1977. [F. #14]
18. Reagan, Ronald. TN to DS (photocopy). [F. #14]
19. "How I Caught the Santa Fe Chief." TLS, ALS, 1974-1976; includes contracts. [F. #15]
20. TLS to and from DS, 1966, 1969, 1975. [F. #16]
21. ALS re: Raymond Chandler's "The Simple Art of Murder," ca. 1975. [F. #17] Box 67 cont'd.
22. TLS to and from various, 1975-1977. [F. #18]
23. "The Stone Leopard." TNS, June 1976-Dec. 1977; includes contracts. [F. #19]
24. Peckinpah, Sam. TNS to DS, Dec. 1975. [F. #20]
25. Famous figure autographs. [F. #21]
a. Wayne, John "Duke." 2 TLS. b. Eastwood, Clint. 2 TLS. c. Widmark, Richard. TLS. d. Stewart, James. TLS. e. Reynolds, Burt. ALS. f. Bacall, Lauren ["Betty"]. ALS. g. Morgan, Harry. ALS. h. O'Brian, Hugh. ALS. 1. Mancini, Henry. ALS. J. Robinson, Andy. ALS. k. Matthau, Walter. ALS.
26. Siegel, Don. TLS to various actors (some listed above); includes "Siegelini" letter to Clint Eastwood; includes Eastwood's forward to DS's memoirs (TS, signed). [F. #21]
27. Haworth, Ted. ALS, 2 TNS, 1 ANS, 1981. [F. #22]
37
28. Siegel, Don. TNS to Rolling Stone magazine, in response to article "The Auteur Theory of Manslaughter" (article included), June 11, 1984. [F. #23]
Package 1
VII. Large Size Materials.
A. Manuscripts re: A SIEGEL FILM.
1. TS page proofs for A SIEGEL FILM, approx. 1000 p.
Package 2
B. Printed material.
1. Cover design drafts and material re: A SIEGEL FILM, ca. 1990.
Package 3
C. Personal memorabilia.
1. Scrapbook with newspaper and magazine clippings, 1968-1975.
2. Folder of newspaper and magazine clippings, 1968-1975.
3. Liberation, French magazine with article on world directors, 1987.
Siegel, Don 2/12/03 Preliminary Listing
Added to Box 67
I. Film. A. "The Killers." DVD rerelease (2002).
(Siegel, Don 2/12/03) Page 1 of 1