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A New Conception
Vindicating Karma: Jazz and the Black Arts Movement
Sounding Nostalgia in Post-World War I Paris
Divercity – Global Cities As a Literary Phenomenon
Matias Corbett Garcez Gil Scott-Heron: a Black Bullet
The Phenomenological Space of Timbre Final Version
Analyzing Genre in Post-Millennial Popular Music
A Holy Curiosity: Transformative Self-Directed Learning to Breakthrough New Knowledge in the Case of Einstein
December 1941) James Francis Cooke
Defining the Role of Drumset Performance in Contemporary Music
Representations of Generationality and Genealogy in Contemporary British Asian Narratives
Journal of the Short Story in English, 63
Downbeat.Com April 2016 U.K. £3.50
Cultural Confrontation in Pynchon's Entropy and Vineland
Qualified Hope
Wallflowers: Tapestry, Painting, and the Nabis in Fin-De-Siècle France by Cindy Kang a Dissertation Submitted in Partial Fulfi
Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
"Pat Your Foot and Turn the Corner": Amiri Baraka, the Black Arts Movement, and the Poetics of a Popular Avant-Garde James E
Pyre: a Poetics of Fire and Childhood in the Art of Henry Darger
Top View
Get Listenin' Kids!': Independence As Social Practice in American Popular Music" Why Is This Research Being Done? This Is a Research Project Being Conducted by J
Porter Robinson, Virtual Self, and The
Practical Approach Ii
Jazzman Sam Rivers Helmed the New York Loft Scene and Charted a New Direction for Big Band Text Zach Callahan Photography Francis Wolff © Mosaic Images
Industrial Music for Industrial People: the History and Development of an Underground Genre Bret D
Voicing Mother Nature: Ecomusicological Perspectives on Gender and Philosophy in Japanese Shakuhachi Practice
Chicana/O Literature, Jazz Improvisation, and Contrapuntal