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Artistic Representations of the Sea and Coast: Implications for Sustainability
Landscapes: the Journal of the International Centre for Landscape and Language Volume 4 Issue 2 Sustainabilia Article 28 January 2011 Artistic Representations of the Sea and Coast: Implications For Sustainability Laura Stocker Curtin University Sustainability Policy (CUSP) Institute Deborah Kennedy Curtin University Sustainability Policy (CUSP) Institute Follow this and additional works at: https://ro.ecu.edu.au/landscapes Part of the Creative Writing Commons Recommended Citation Stocker, L., & Kennedy, D. (2011). Artistic Representations of the Sea and Coast: Implications For Sustainability. Landscapes: the Journal of the International Centre for Landscape and Language, 4(2). Retrieved from https://ro.ecu.edu.au/landscapes/vol4/iss2/28 This Article (refereed) is posted at Research Online. https://ro.ecu.edu.au/landscapes/vol4/iss2/28 Stocker and Kennedy: Artistic Representations of the Sea and Coast: Implications For S Edith Cowan University School of Communications and Arts Centre for Research in Entertainment, Arts, Technology, Education & Communications The International Centre for Landscape and Language Landscapes ISSN 1448-0778 ARTISTIC REPRESENTATIONS OF THE SEA AND COAST: IMPLICATIONS FOR SUSTAINABILITY Laura Stocker and Deborah Kennedy Curtin University Sustainability Policy (CUSP) Institute 3 Pakenham Street, Fremantle, 6160 Corresponding author: Laura Stocker email: [email protected] ABSTRACT: This article explores artistic representations of Australian seas and coasts, and the power of art to sustain seas and coasts. Research into artworks at the National Gallery of Australia was supplemented with a study of other local public and private works. A number of substantive themes emerged in viewing the paintings; the sea and coast has been represented as: sea country, sovereign territory, sublime spaces, a Romantic space of yearning, a psychological journey, a literal journey, a site of social and political comment, social places, ecological places and a site for industry. -
13. Recreational Values
13. Recreational values Department of Environment, Land, Water and Planning Part 13. Recreational values 13.1 Recreational values in the Murray-Darling Basin Plan The Basin Plan cites a number of considerations regarding recreational values of water including: Schedule 1 – Basin water resources and the context for their use • Item 26: The water resources of the Murray‑Darling Basin are used in agriculture, non‑ agricultural industry, meeting critical human water needs and normal domestic requirements, for recreational and cultural purposes, and in maintaining freshwater ecosystems. • Item 32: The resources are also used for water sports, wider recreational activities, to attract visitors to particular regions, and for visual amenity. • Item 39: An estimated 430,000 people use Basin water resources for more than 5 million recreational fishing trips a year, with a most likely direct expenditure estimate of $1.35 billion (DPI, 2011). Recreation and tourism use of Basin water resources is generally non‑consumptive, but depends on a degree of ecological health. Ramsar‑listed wetlands are significant tourist destinations. The objectives and outcomes in the Basin Plan include: • 5.02 (a) Communities with sufficient and reliable water supplies that are fit for a range of intended purposes, including domestic, recreational and cultural use Water quality management plans prepared as part of meeting the Basin Plan also require consideration of recreational values: • 9.07 The water quality objective for recreational water quality is to achieve a low risk to human health from water quality threats posed by exposure through ingestion, inhalation or contact during recreational use of Basin water resources. • 9.18 The water quality targets for water used for recreational purposes are that the values for cyanobacteria cell counts or biovolume meet the guideline values set out in Chapter 6 of the Guidelines for Managing Risks in Recreational Water. -
Socio-Economic Value of Recreational Water
WIMMERA SOUTHERN MALLEE: SOCIO-ECONOMIC VALUE OF RECREATIONAL WATER July 2017 Wimmera Southern Mallee Socio‐Economic Value of Recreational Water TABLE OF CONTENTS EXECUTIVE SUMMARY .............................................................................................. Page 3 1. INTRODUCTION ...................................................................................................... Page 6 1.1 Acknowledgements..................................................................................... Page 6 1.2 Scope ......................................................................................................... Page 6 2. WIMMERA SOUTHERN MALLEE REGION RESULTS .................................................. Page 9 2.1 Demographic and Location Characteristics of Interviewees ............................. Page 9 2.2 Economic Contribution ..................................................................................... Page 11 2.3 Health and Community Contribution ................................................................ Page 14 3. RECREATIONAL WATER FACILITIES IN BULOKE SHIRE ............................................ Page 15 3.1 Overview ..................................................................................................... Page 15 3.2 Selected Recreational Water Facilities ....................................................... Page 16 3.3 Economic Contribution ............................................................................... Page 20 4. RECREATIONAL WATER FACILITIES IN HINDMARSH -
Wimmera R W G C I
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2018 Geelong Contemporary Art Prize Saturday 9 June to Sunday 19 August 2018 Geelong Gallery Free Entry—Open Daily 10Am to 5Pm
media release Media contact: Miranda Brown | T: 03 9419 0931 | E: [email protected] 2018 Geelong contemporary art prize Saturday 9 June to Sunday 19 August 2018 Geelong Gallery Free entry—Open daily 10am to 5pm Official announcement: Friday 8 June, 6.00pm for 6.30pm The recipient of the $30,000 acquisitive 2018 Geelong Andrew Browne contemporary art prize will be announced on the evening The awakening 2017 of Friday 8 June. To reserve a media pass contact: oil on linen Miranda at [email protected] Courtesy of the artist and Tolarno Galleries, Melbourne Geelong Gallery is delighted to announce that 36 works by leading and emerging Australian artists have been shortlisted for the 2018 Geelong contemporary art prize. Showcasing the best of contemporary Australian painting practice, this $30,000 acquisitive award and biennial exhibition will feature works by Natasha Bieniek, Seth Birchall, Amber Boardman, Andrew Browne, Jon Campbell, Nancy Constandelia, Yvette Coppersmith, Ann Debono, Troy Emery, Emily Ferretti, Patrick Francis, Nyarapayi Giles, Peter Graham, Camille Hannah, Katherine Hattam, Euan Heng, Gregory Hodge, Carissa Karamarko, Madeleine Kelly, Mason Kimber, Anna Kristensen, Darren McDonald, Laith McGregor, Fiona McMonagle, Amanda Marburg, Sam Martin, Tully Moore, Jan Murray, Louise Paramor, Sally Ross, Huseyin Sami, Andrew Taylor, Kate Tucker, Sharon West, Bradd Westmoreland and Alice Wormald. Selected from over 550 entries from around the country, the 36 shortlisted works for the 2018 Geelong contemporary Fiona McMonagle art prize reveal the diversity of contemporary painting practice Princess 2017 oil on linen in Australia. This year’s exhibition will include paintings by Courtesy of the artist and Sophie Gannon Gallery, some of the nation’s most talented established and younger Melbourne generation artists working across a broad range of subjects, genres and stylistic approaches such as landscape, the built environment, portraiture, still-life, social commentary, and abstraction. -
Victoria Government Gazette by Authority of Victorian Government Printer
Victoria Government Gazette By Authority of Victorian Government Printer No. G 50 Thursday 9 December 2004 www.gazette.vic.gov.au GENERAL 3314 G 50 9 December 2004 Victoria Government Gazette TABLE OF PROVISIONS Private Advertisements Unclaimed Moneys Dissolution of Partnerships Austrim Nylex Limited 3329 Alliant Energy Finance Holdings 3316 Birdsey, Dedman Bartlett, solicitors 3321 Alliant Energy Finance 3316 McCarthy & Associates, solicitors 3321 Butchers on the Block 3316 Mitchell, McKenzie & Co., solicitors 3321 La Face Beauty Clinic 3316 Nylex (New Zealand) Limited 3322 West Heidelberg Collision Centre 3316 Nylex Limited 3323 Estates of Deceased Persons Peter Parkes Real Estate 3336 Basile & Co. Pty Ltd 3316 Richard Horseman Pty Ltd 3337 Bruce M. Cook & Associates 3317 Roccisano Real Estate 3337 De Kever Spaulding 3317 Royston Cahir & Martin 3338 Duffy & Simon 3317 White Cleland, solicitors 3338 Dwyer Mahon & Robertson 3317 Proclamations 3339 E. P. Johnson & Davies 3317 Government and Outer Budget Sector Engel & Partners Pty 3317 Agencies Notices 3341 FeatherbyÕs 3318 Orders in Council 3358 G. W. P. Aarons & Co. 3318 Acts: Garden & Green 3318 Administrative Arrangements; Harris & Chambers 3318 Constitution Act Amendment; J. R. & A. Hoban 3318 Parliamentary Committees; James Taylor & Co. 3319 Project Development and Maddocks 3319 Construction Management; Mills Oakley 3319 Road Safety; Pearce Webster & Dugdales 3319 Victorian Plantations Rennick & Gaynor 3320 Corporation T. J. Mulvany & Co. 3320 Verhoeven & Curtain 3320 White Cleland -
Friends of Australia
Friends of Australia Friends of Australia is Tourism Australia’s global ambassador network that recognises bright and influential opinion leaders who share a passion for Australia. Friends of Australia OUR GLOBAL AMBASSADOR Friends of Australia CHRIS HEMSWORTH ACTOR Based in Byron Bay, Australia Chris Hemsworth is an Chris Hemsworth was born in It was Hemsworth’s role as Thor in Los Angeles to beachside town, Byron Australian actor well known Melbourne and saw quite a bit of the Marvel Cinematic Universe which Bay, Australia, famous for its pristine for portraying comic book hero the Australian country in his youth, thrust him to worldwide prominence beaches and surf culture. moving with his family including in 2011. He has reprised the character Thor in the Marvel Cinematic brothers Liam and Luke, to the five times and starred amongst a Chris Hemsworth was appointed as Universe franchise. Northern Territory before settling top tier cast of actors which has only Tourism Australia’s global ambassador down on Phillip Island, south furthered his presence in the world of in 2015. Chris was appointed as he of Melbourne. Hollywood stars. is passionate about Australia and provides an authentic Australian voice Hemsworth followed in the footsteps Hemsworth has also appeared to help tell the country’s story globally. of other famous Aussies like Heath in a number of other Hollywood Ledger, Isla Fisher, Simon Baker and films including Snow White and the Naomi Watts by becoming a regular Huntsman (2012), Red Dawn (2012), on the soap opera Home and Away Rush (2013) In the Heart of the Sea (2004-2007), whilst also competing (2015) and Ghostbusters (2016). -
The Commercial Gallery
THE COMMERCIAL ANNA KRISTENSEN b. 1983, Sydney lives Sydney EDUCATION 2009 Master of Fine Arts (research), College of Fine Arts, University of New South Wales, Sydney Visiting student Universität der Künste, Berlin, Germany, 2007, class of Anette Haas 2005 Bachelor of Fine Arts (First Class Honours), College of Fine Arts, University of New South Wales, Sydney TEACHING 2009 - present Sessional academic staff, Art and Design, University of New South Wales Art and Design, Sydney SELECTED RESIDENCIES 2017 OMI International Arts Centre, Ghent, New York (USA) 2014 Artspace Studio Residency, Sydney (AU) 2013 Australia Council for the Arts Greene Street Studio Residency, New York (USA) Bemis Center for Contemporary Arts studio residency, Omaha (USA) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) 2011 Bundanon Trust Artist in Residence, Fern Studio, Bundanon (AU) 2009 Art Gallery of NSW Denise Hickey studio residency, Cité Internationale des Arts, Paris (FR) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) SOLO EXHIBITIONS 2016 Cover, The Commercial Gallery, Sydney 2014 Indian Chamber, Wollongong Art Gallery, Wollongong Render, Gallery 9, Sydney 2012 Paintings and Sculptures (two person exhibition with Anna John), OK Gallery, Perth 2011 Mise en Abyme, Kalimanrawlins, Melbourne Indian Chamber, Bathurst Regional Art Gallery, Bathurst Indian Chamber, Shepparton Art Museum, Shepparton Chamber, Gallery 9, Sydney 2008 Seeing Things, Master of Fine Arts exhibition, COFA space, College of Fine Arts, University of -
The Commercial
THE COMMERCIAL ANNA KRISTENSEN b. 1983, Sydney lives New York EDUCATION 2009 Master of Fine Arts (research), College of Fine Arts, University of New South Wales, Sydney 2007 Visiting student Universität der Künste, class of Anette Haas, Berlin 2005 Bachelor of Fine Arts (First Class Honours), College of Fine Arts, University of New South Wales, Sydney TEACHING 2019 - present Adjunct Professor (Painting), Department of Arts, Culture and Media, Rutgers University, Newark, New Jersey (US) 2009 - 2016 Sessional lecturer (Art and Design), UNSW Art & Design, University of New South Wales, Sydney SELECTED RESIDENCIES 2019 Vermont Studio Center Fellowship, Vermont (US) MASS MoCA, North Adams, Massachusetts (US) 2017 OMI International Arts Centre, Ghent, New York (US) 2014 Artspace Studio Residency, Sydney (AU) 2013 Australia Council for the Arts Greene Street Studio Residency, New York (US) Bemis Center for Contemporary Arts studio residency, Omaha (US) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) 2011 Bundanon Trust Artist in Residence, Fern Studio, Bundanon (AU) 2009 Art Gallery of NSW Denise Hickey studio residency, Cité Internationale des Arts, Paris (FR) Bundanon Trust Artist in Residence, Freedman Studio, Bundanon (AU) SOLO EXHIBITIONS 2020 [As yet untitled], The Commercial, Sydney [forthcoming] [As yet untitled] (two-person exhibition with Avantika Bawa), Ditch Projects, Oregon (US) [forthcoming] 2016 Cover, The Commercial, Sydney 2014 Indian Chamber, Wollongong Art Gallery, Wollongong Render, Gallery 9, Sydney 2012 -
Telephone Directory
United States Department of State Telephone Directory This customized report includes the following section(s): Organizational Directory 9/30/2021 Provided by Global Information Services, A/GIS Cover UNCLASSIFIED Organizational Directory United States Department of State 2201 C Street NW, Washington, DC 20520 Office of the Secretary (S) Operations Center (S/ES-O) Director Belinda K Jackson Farrier 7419A 202-647-2523 Secretary Deputy Director for the Watch Jeremy Beer 7419A 202-647-2522 Secretary of State of the United States Antony J 202-647-4000 Acting Deputy Director for Crisis Management and 202-647-7640 Blinken HST 7226 Strategy Jim Jay 7428 Chief of Staff Suzy George HST 7234A 202-647-4000 (24 Hour Per Day) Senior Watch Officer 7427 202-647-1512 Executive Assistant Timmy Davis HST 7226 202-647-4000 Military Representative Lt Col Hank Chilcoat 7427 202-647-6097 Deputy Chief of Staff for Policy Thomas Sullivan 202-647-4000 (24 Hours Per Day) Editor 7427 202-647-1512 HST 7226A (24 Hours Per Day) The Watch 7427 202-647-1512 Deputy Chief of Staff for Operations Jessica Wright 202-647-4000 CMS Crisis Management and Strategy 7428 202-647-7640 HST 7226 Emergency and Evacuations Planning CMS Staff 202-647-7640 Office Manager to the Secretary Debra Filipp HST 202-647-4000 7428 7226 Emergency Relocation CMS Staff 7428 202-647-7640 Office Manager to the Secretary Andrea Miller HST 202-647-4000 7226 Task Force 5 Task Force 5 7522 202-485-1888 Office Manager to the Chief of Staff Moises 202-647-4000 Task Force 6 Task Force 6 1410 202-647-4888 Benhabib HST 7234A Director of Scheduling for the Secretary of State 202-647-4000 Office of the Executive Director (S/ES-EX) Sarah McCool HST 7234 Executive Director, Deputy Executive Secretary 202-647-6167 Trip Director for the Secretary of State Evan Glover 202-647-4000 Dwayne Cline 7507 HST 7234 Deputy Executive Director Michelle Ward 7507 202-647-6167 Special Assistant to the Secretary Kate Hoops HST 202-647-4000 7226 Budget Officer Reginald J. -
Angelica Mesiti Biography
59 rue de Dunkerque 75009 Paris France +33 (0)1 45 26 92 33 [email protected] galerieallen.com ANGELICA MESITI BIOGRAPHY ANGELICA MESITI est née à Sydney, Australie en 1976 et vit et travaille actuellement à Paris et à Sydney. Elle emploie dans ses vidéos des usages cinématographiques et le langage de la performance comme moyens de réponse aux spécificités d’un endroit, ainsi qu’à l’histoire, l’environnement et les communautés qui s’y rattachent. Le travail de Mesiti a été présenté sur le plan international dans le cadre de biennales comme la 19ème biennale de Sydney, Australie (commissaire d’exposition Juliana Engberg) ; la 13ème Biennale d’Istambul, Turquie (commissaire d’exposition Fulya Erdemci) ; la 2ème Triennale d’Aichi, Japon (commissaire d’exposition Taro Igarashi) ; la 5ème Triennale d’Auckland, Nouvelle-Zélande (commissaire d’exposition Hou Hanru) ; la 11ème Biennale de Sharjah, Emirats Arabes Unis (commissaire d’exposition Yuko Hasegawa) et la 1ère Biennale de Kochin-Mizuris, Inde. Ainsi que dans des institutions telles que le Barbican Centre, London, Royaume-Uni ; Carriageworks, Sydney, Australie ; The Jewish Museum, New York, USA ; l’Institut d’Art Contemporain, Villeurbanne/ Lyon, France ; Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australie ; Australian Centre for Contemporary Art, Melbourne, Ausralie ; Museum of Contemporary Art, Sydney, Australie; Tokyo Metropolitan Museum of Photography, Japon ; Centre Pompidou, Paris, France ; Haus der Kulturen der Welt, Berlin, Allemagne ; Reina Sofia National Museum, Madrid, Espagne ; Tate Modern, London, Royaume-Uni ; Loop Gallery, Seoul , Corée du Sud et Para/Site Artspace, Hong Kong. Angelica Mesiti a également présenté des projets personnels au Musée d’Art Contemporain de Montréal, Canada ; Williams College Museum of Art Massachusetts, USA ; Lilith Performance Centre Malmo, Suède ; Walter Phillips Gallery, The Banff Centre, Canada ; Anna Schwartz Gallery, Sydney, Australie. -
Solving the Vac. Problem THIS Year, in R••Ponse to a Ing Hours
~., .........................................~ .....................................~. i NOW WE'RE 10 j • OUR "dilIereDt" masthiad thi& moatb • t doesD't Indicate oy permueat change at ~ ·• MONASH ,.tODe"'lIe; init simply"Reporter's" draws history.atteDtioD to a mile • •~ This month marks the 10th anniversary • ~ • of "Reporter's" appearance on the Monash • • scene, and the masthead is a reproduction • t REPORTER of the heading on our first (roneoed) issue • ~ of:::e~~::~de has, of course, seen j t many other changes at Monash, and we • • _ . ' look at some 0( these in a nostalgic ftash- ~ • back on pages 5-7 0( this issue. ~ t NUMBER 31 JUNE 5, 1974 ~ ~...........................................6 .....................................J The appealing pictures on this page were taken by Sun photographer John Powell dvring holiday activity sessions at Monash last month. Here NAN BOWMAN tells how a new organisation, SPAM, is . Solving the vac. problem THIS year, in r••ponse to a Ing hours. The taping 01 some ptelling need, motur. age stud~nts tectu.... and early borrowing nl&hts have improved the situation but at Monash have formed an or clellclencles remain. ganisation to cope with the prob Self betp has been our ba.slc lems of ,tudenlo with school 09' prlnclpte. Parents have participated children. In the preparation of activities and In the oetting up of venues. TIle orpnlaatlon Is called gPAM In August we hope to _d - the Student Parents' Auoelatlon, our acUriUea. Any offers of help Monash. or requests for m 0 r e lnforma· The need for child care Is often tlon should be addressed to the tho"",t Just to apply to students Secretary, SPAM.