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												  Depthq HD 3D Projector 2009 Lightspeed PDF WEBAffordable HD3D3D From the originators of portable 3D projection. The New DepthQ® HD 3D Video Projector The world’s rst portable WXGA stereoscopic 3D projector. DepthQ® HD 3D projectors oer rock-solid, 120Hz stereo 3D at 1280x720 resolution. These bright, professional-level 3D projectors can easily display 10 ft (3.0m) diagonal 3D high-denition images using the latest Texas Instruments DLP® and BrilliantColor™ technologies - for stunning colors, a 2000:1 contrast ratio, and a truly unprecedented level of price-performance. Aordable – A fraction of the cost of other single- lens 3D projectors Flicker-free, 120 Hz HD 3D with DLP ® Quality – ® DepthQ HD 3D Projector depthQ.com BrilliantColor TM technology Portable – At 6.9 pounds it ts under your arm and takes less than 5 minutes to set up First in its class: Lightspeed Design presents the portable stereo 3D solution. The DepthQ® HD 3D video projector is a revolutionary lightweight single lens Versatile – Work live in 3D-enabled applications; quality projector capable of achieving frame rates of 120 Hz. When used with a control 3D lm or video game development; stereoscopic 3D image source and liquid crystal shutter glasses, DepthQ® HD bring immersive 3D games into your home 3D projectors will provide a rock-solid high-denition stereo 3D experience. Product Design, Engineering and Research The new DepthQ® HD 3D projector (patent-pending) is a product of Stereo 3D is scientically proven as the most eective way to communicate visual ideas. The Lightspeed Design Inc., co-developed new DepthQ® HD 3D projectors make stereo viewing an aordable choice for anyone working with InFocus Corporation.
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												  Screen Size SelectionScreen Size Selection One of the most important decisions in screen selection is to determine the correct size of screen based upon the dimensions of the audience area and the projection format(s) to be used. In some situations, these two questions yield the same answer; in • Ceiling Height—The bottom of the screen should be approximately others they do not and compromises must be made. Here are the key 40–48" above the floor in a room with a level floor and several rows considerations— of seats. In rooms with theatre seating or only one or two rows, • Audience Area—In determining the correct screen size in relation to such as a home theatre, the bottom of the screen should usually be the audience area, the goal is to make the screen large enough so 24–36" above the floor. Try to make sure that the lower part of the those in the rear of the audience area can read the subject matter screen will be visible from all seats. Extra drop may be required to easily, but not so large that those in the front of the audience area position the screen at a comfortable viewing level in a room with a have difficulty seeing the full width of the projected image. high ceiling. • Height—Use the following formulas for calculating screen height for • Projection Format—Once you have determined the correct size of maximum legibility. For 4:3 moving video and entertainment, screen screen for the audience area, that size may be modified height should be at least 1/6 the distance from the screen to the based upon the type(s) of projection equipment to be used.
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												  How to Wire Motorized Projection Screens Cinemasource , 18 Denbow Rd., Durham, NH 03824How To Wire Motorized Projection Screens CinemaSource , 18 Denbow Rd., Durham, NH 03824 www.cinemasource.com CinemaSource Technical Bulletins. Copyright 2002 by CinemaSource, Inc. All rights reserved. Printed in the United States of America. No part of this bulletin may be used or reproduced in any manner whatsoever without written permission, except in brief quotations embodied in critical reviews. CinemaSource is a registered federal trademark. For information contact: The CinemaSource Press, 18 Denbow Rd. Durham, NH 03824 How to Wire Motorized Projection Screens Motorized Screen Wiring • Using up/down wall switches ----------------------------------------------------- Page5 • Screen control using relays ------------------------------------------------------- Page 6 • IR wireless screen control --------------------------------------------------------- Page 8 • RF wireless screen control -------------------------------------------------------- Page 9 • Screen control via current sensing devices ----------------------------------- Page 10 • X-10 screen control ------------------------------------------------------------------ Page 12 Glossary • A collection of projection screen-related terminology ----------------------- Page 14 SCREEN MANUFACTURERS PROFILED IN THIS GUIDE: DA-LITE SCREEN, 3100 North Detroit St., Warsaw, IN 46581 800-622-3737, www.da-lite.com DRAPER, 411 S. Pearl St., Spiceland, IN 47385 800-238-7999, www.draperinc.com VUTEC Corporation, 5900 Stirling Road, Hollywood, FL 33021 800-770-4700, www.vutec.com STEWART FILMSCREEN,
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												  Exposed Neon Channel LetterChannel Letters Eye catching by standing out! A channel letter is a 3-D component in signage. Typically these are used on the store front. A “can” is made in the shape of your logo or lettering with aluminum, acrylic and internal illumination. The back side of the can is cut using the design created by our art staff and then sent to a computerized router table. This gives a precise shape for the finished “Channel”. Sides or “Returns” are then formed from aluminum strips to give the letter its depth. The returns are then fastened to the back with rivets or weld. The face for our Channel Letter is also cut utilizing our CAD/CAM router and then finished with “Trim Cap” providing a framed appearance and a mounting surface to attach to the channel. The Channel can then be lighted using Neon tubing, LED’s or Fluorescent lamps depending on the letters size, power requirements or city regulations. ________________________________________________________________ Exposed neon channel letter Another style of channel letters is made without a face or with clear faces to showcase to Neon lighting. ________________________________________________________________________ Reverse lit channel letter Yet another letter type is the Reverse Channel Letter when the face of the letter is built from aluminum or other opaque material and the lighting is exposed from the back side. This light floods the wall that the letter is mounted to. These are also called "halo effect letters". Neon 100’s of effective colors! Neon signs are made using electrified, luminous tube lights that contain neon or other gases.
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												  Display's the Thing: the Real Stakes in the Conflict Over High Resolution DisplaysDisplay's the Thing: The Real Stakes in the Conflict Over High Resolution Displays Jeffrey Hart and Michael Borrus (c) Copyright Hart and Borrus 1992 I. Display's the Thing: The Real Stakes In the Conflict Over High- Resolution Displays In Akira Kurasawa's film _Rashomon_, several witnesses to a murder tell the story of what they saw. Despite viewing the same event, the witnesses' stories are radically different, so much so that the event itself is ultimately called into question. So has it been with the debate over the next generation of high- resolution video technology. Some look and see a bigger and better television set (high-definition television or HDTV), but usually dismiss what they see as economically (though perhaps not politically) insignificant.1 Others look and see a significant component technology (high-resolution displays or HRD) beginning to pervade a wide variety of electronic systems. They recognize in displays a technological kinship to silicon chips -- an industry with potential strategic significance for commercial and military applications. But the conflict of perspectives should not, as it did in _Rashomon_, cast doubt on the event. The high-resolution display industry is a symbol of a major transformation underway in electronics: that is, the emergence of new component, machinery, and materials technologies driven by commercial, high-volume, integrated micro-systems applications and controlled increasingly by a few integrated producers located outside the United States. This paper argues that the industrial and geographic concentration of the sourcing, development, production, and integration of electronics technologies and systems in Asia portends new patterns of industrial constraint and opportunity, with significant economic and military implications.
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												  FOCUS Mini Video ProjectorQuick Start Guide AKASO FOCUS Mini Video Projector V1.3 CONTENTS English 01 - 13 Español 14 - 26 日本語 27 - 39 English PROJECTOR BUTTONS & FUNCTIONS 1 2 3 4 5 6 7 8 9 10 11 12 13 1 Focusing Wheel 8 Power Bank Mode 2 Return 9 DC 3 Forward 10 USB 4 Backward 11 HDMI 5 OK 12 Earphone 6 Projection Mode 13 Memory Card Port 7 Power Button Note: When in the EZWire/EZCast/HDMI interface, the button function is changed. Forward: Change to volume + Backward: Change to volume - 1 INFRARED REMOTE CONTROL On/Off Mute EZCast Operation No Function HDMI Operation Directions OK Menu Return Home Vol +/- Note: When using the IR remote control, you should aim at the projector rather than screen. POWER ON/OFF 1. Pull the power button to the left and hold it for about four seconds until the green indicator on the projector bottom is lit up, then the projector starts to work. 2. Turn the power button to the left again and hold it for about two seconds to shut down the projector. 3. Turn the power button to the right to lock the button, then the projector can be used as a power bank. 2 POWER BANK MODE AND CHARGING METHOD 1. When the projector is in power bank mode/ projection mode, the projector can charge other devices via USB port. 2. In order to improve charging efficiency, please charge the projector with the original power adapter in power bank mode. 3. The number of indicators represent remaining capacity of battery.
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												  Converting Fluorescent Or Neon Signs to Energy-Efficient LED IlluminationA brighter idea? Converting fluorescent or neon signs to energy-efficient LED illumination epending on the type of your interior or exterior lighted sign, it may very Dwell pay to update its illumination to energy-efficient light-emitting diodes or LED LEDs. Thousands have found the value in retrofitting, including one nationwide chain of thousands of convenience stores. But is it right for you? Here are some considerations. LED advantages over fluorescent lighting and able to withstand shock and vibration. In contrast, neon, which is encased in glass, breaks relatively easily Some estimate that illumination via light-emitting diodes during transportation and installation, and is subject to the over fluorescent bulbs can reduce sign maintenance and same hazards of wind and weather as fluorescent bulbs. energy costs by up to 80 percent. Disposal, too, may be a concern. Neon signs contain Begin by considering the expenses of repairs. As solid- mercury, which is hazardous to the environment. state devices with no moving parts, filaments or glass, LEDs are remarkably durable and maintenance-free. Not Then there’s energy use, which favors light-emitting so with fluorescent bulbs. They are significantly more diodes hands down. LEDs have a lifetime energy savings fragile than LEDs—making them prone to breakage during of up to 40 percent over neon! transportation and installation or when exposed to strong One other factor gives the nod to light-emitting diodes winds or heavy storms. over neon, and that’s cold-weather performance. LED While the cost of a replacement fluorescent light is minimal, modules stay brighter in cold weather, where neon sign the sign owner must often not only pay for a service call and brightness can drop dramatically when temperatures fall perhaps a bucket truck, but also for the environmentally safe below 35 degrees Fahrenheit, thereby negating much of disposal of the bulb, which contains toxic mercury.
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												  Lilian Tone | William Kentridge | StereoscopeLilian Tone | William Kentridge | Stereoscope William Kentridge: Stereoscope Lilian Tone The filmed drawings, or drawn films, of William Kentridge inhabit a curious state of suspension between static to time-based, from stillness to movement. These "drawings in motion" undergo constant change and constant redefinition, while the projection of their luscious charcoal surfaces somehow retains an almost tangible tactility. Smoky grounds and rough-hewn marks morph into an incessant, though not seamless, flow of free association that evokes the fleeting hypnagogic images that precede sleep. Bodies melt into landscape; a cat turns into a typewriter, into a reel-to-reel recorder, into a bomb; full becomes void with the sweep of a sleeve. The allure of Kentridge's animations lies in their unequivocal reliance on the continuing present, in the uncanny sense of artistic creation and audience reception happening at once. Kentridge's films owe their distinctive appearance to the artist's home-made animation technique, which he describes as "stone-age filmmaking." Each of his film-related drawings represents the last in a series of states produced by successive marks and erasures that, operating on the limits of discernibility, are permanently on the verge of metamorphosis. The animations are painstakingly built by photographing each transitory state, as traces accumulate on the paper surface, each final drawing a palimpsest containing the memory of a sequence. The result is a projected charcoal drawing where the line unfolds mysteriously on the screen, with a will of its own, the artist's hand unseen. In the 1950s, filmmakers Stan van der Beek and Robert Breer's time paintings sought to document the creation of paintings on camera.
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												  Plasma Display DocumentationPlasma Displays & Inert Gas Discharge Tubes (IGDT) By: William J. Boucher mailto:[email protected], http://www.mnsi.net/~boucher/index.htm Created: July 24, 1999, Revised: Aug. 23, 2000 Foreword: I learned about plasma displays many years ago when I was intensely fascinated with the genius of Nikola Tesla. My personal fascination with plasma filaments began when I saw such things in sci-fi movies. I had always assumed it was some sort of special effect, but when I saw the movie My Science Project, which featured a large portable and obviously real display, my interest peaked. I started reading about them at every opportunity but detailed theory was really hard to come by, until I found out about Nikola Tesla. He invented the inert gas discharge tube (IGDT), high voltage power supplies, electromechanical machines of every type and practically everything else that has rushed the human race into the space age in just a single century. About 10 years ago, I built my first plasma display based on what I'd learned from Tesla’s work. I used to take it to mall shows and schools and such to show it off. There was always a line-up to see it. I loved it. A couple years after that, you could buy several models in stores. The most popular being Rabbitt Industry’s Eye of the Storm, which sold first in the Consumers chain stores. Unfortunately, neither that store nor the product still exists. Radio Shack still sells a small one, but it's pretty lame compared to mine because it is quite small and relatively weak.
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												  Staging Success: Toward a New Performance Model for Live-Event ProjectionPhoto by Gabor Ekecs Staging Success: Toward a New Performance Model for Live-Event Projection PRESENTED BY IN COLLABORATION WITH As the solid-state revolution in video projection powers on, sophisticated stagers know that all laser projectors are not created equal, and they’re demanding features that deliver not just better total cost of ownership (TCO) but also better imaging, rigging, and video processing performance. INTRODUCTION The best video projectors for live-event staging combine unique light engine and image-processing advances with advanced setup, rigging, and other features that make the staging professional’s job easier and more profitable. But when choosing the right projector for staging and live-event applications, professionals need to carefully compare feature sets and performance criteria. The rental and staging professional should seek out key advanced features—features that are being implemented by the most successful professionals in the field today. This white paper examines those image-quality, motion-processing, rigging, cooling, maintenance, and TCO best practices and features that separate the leaders from the followers among the projector manufacturers serving the live-event staging community. At the Olympic Games Rio 2016 Opening Ceremony, aspects of Brazilian culture and heritage were enhanced with spectacular large- scale mapped visuals carefully programmed and projected from four directions using the PT- RZ31K SOLID SHINE Laser projector and about 110 Panasonic PT-DZ21K2 projectors. Marco Balich, Olympic Ceremonies Executive Producer remarked: “We are very pleased that Panasonic partnered with us in delivering what I consider the best projection ever in an Olympic ceremony.” Stereoscopic floor and screen projection defined the Olympic Games Rio 2016 Opening Ceremony.
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												  Flexible Linear V2Jesco Corporate Showroom | New York City, NY Reception is lit with Colorflex LCF-RGB See page 46 Steps, platform and entry seating are lit with LEDLinc Miniflex See page 36 Jesco Showroom | Las Vegas, NV Bars are lit with DL-FLEX-RGB Flexible Linear Strip using a LC-PC-200 controller with remote control See page 14 Jesco Showroom | Dallas, TX Counter is lit with DL-SQ-RGB Color Changing Square Modules See page 18 Flexible Linear Lighting JESCO LIGHTING GROUP is proud to present our second edition of LED Flexible Linear Lighting Solutions catalog, with a large offering of innovative products for indoor and outdoor applications. Each of the products in this catalog is created to meet the needs of architects, interior designers, engineers, contractors and owners. Designers will find a wide variety of product options for specific projects such as architectural, cabinetry, furnishings, exhibition display and signage installations. Applications include residential, corporate, office, retail settings, and hospitality venues such as hotels and restaurants. The LED Lighting solutions presented in this catalog have a direct effect of reducing energy and maintenance costs; lowering installation costs; reducing the need for HVAC; and eliminating harmful UV radiation and environmentally damaging mercury. Jesco LED Lighting Solutions allow designers to effectively create a beautiful look in, and around, a space – a look that visitors can remember. Creative, subtle backgrounds that keep a shopper in a store, a couple in a restaurant; exciting surroundings of lighting that help a corporation strengthen its marketing image; or a simple visual statement remembered by the passer-by.
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												  Implementation of Holographic View in Mobile Video CallsVolume 2, Issue 10, October 2012 ISSN: 2277 128X International Journal of Advanced Research in Computer Science and Software Engineering Research Paper Available online at: www.ijarcsse.com Implementation of Holographic View in Mobile Video Calls * Vignesh.M , SaravanaJothi.M, Computer science and engineering, Computer science and engineering, Anna University, Chennai. Anna University, Chennai. Abstract--- Implementation of holographic video calls in mobile devices using of hologram projectors additional to TFT displays. Here we use hologram projectors for video calls by storing video as holographic images through the method of Computer Generated Holography. Problem statement: Hologram video calls are not in usage, they are simply under research condition. Hologram makes video calls in 3D virtual display. In order to bring hologram usage in mobile phones by means of hologram projectors in the way of computer generated holography. Approach: Computer Generated Holography (CGH) is the method of digitally generating holographic interference patterns. A holographic image can be generated e.g. by digitally computing a holographic interference pattern and printing it onto a mask or film for subsequent illumination by suitable coherent light source. Alternatively, the holographic image can be brought to life by a holographic 3D display (a display which operates on the basis of interference of coherent light), bypassing the need of having to fabricate a "hardcopy" of the holographic interference pattern each time. Consequently, in recent times the term "computer generated holography" is increasingly being used to denote the whole process chain of synthetically preparing holographic light wave fronts suitable for observation. Holographic computer displays for a wide range of applications from CAD to gaming, holographic video and TV programs, automotive and communication applications (cell phone displays) and many more.