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Charles Avison (1709-1770) – Trio Sonatas, op. 1 CD1 No. 1 in chromatic Dorian mode [8.35] No. 4 in Dorian mode [8.15] 01 Adagio - andante [2.04] 13 Largo [1.58] 02 Allegro [2.10] 14 Allegro [2.09] 03 Dolce [1.44] 15 Adagio [1.19] 04 Allegro [2.37] 16 Allegro [2.49] No. 2 in G minor [10.23] No. 5 in E minor [6.32] 05 Andante [2.43] 17 Adagio [1.35] 06 Allegro [3.59] 18 Allegro [1.37] 07 Adagio [1.12] 19 Adagio [1.08] 08 Allegro [2.29] 20 Allegro [2.12] No. 3 in G minor [6.29] No. 6 in D major [6.20] 09 Largo [1.53] 21 Andante [1.46] 10 Allegro [1.34] 22 Allegro [2.13] 11 Adagio [1.14] 23 Adagio [0.33] 12 Allegro [1.48] 24 Giga: Allegro [1.48] Members of the Avison Ensemble: Total duration (CD1) 47.21 Pavlo Beznosiuk (violin) Caroline Balding (violin) Richard Tunnicliffe (cello) Robert Howarth (chest organ) Charles Avison (1709-1770) – Keyboard Sonatas, op. 8 CD2 No. 1 in A major [8.20] No. 4 in B flat major [7.28] 01 Andante cantabile [3.36] 08 Andante [2.53] 02 Presto [4.44] 09 Presto [4.35] No. 2 in C major [9.06] No. 5 in G minor [8.10] 03 Allegro [4.37] 10 Andante [3.33] 04 Interludio andante [1.24] 11 Presto [4.37] 05 Allegro [3.05] No. 6 in G major [7.32] No. 3 in D major [8.33] 12 Aria andante – allegro 06 Marcia andante [4.07] 07 Aria allegretto [4.26] Robert Howarth (harpsichord) Total duration (CD2) 49.48 Pavlo Beznosiuk (violin) Caroline Balding (violin) Richard Tunnicliffe (cello) Pavlo Beznosiuk plays a violin from the Hill workshop, c.1760 Caroline Balding plays a violin of the Stainer school, c. -
9 September 2021
9 September 2021 12:01 AM Uuno Klami (1900-1961) Serenades joyeuses Finnish Radio Symphony Orchestra, Jussi Jalas (conductor) FIYLE 12:07 AM Johann Gottlieb Graun (c.1702-1771) Sinfonia in B flat major, GraunWV A:XII:27 Kore Orchestra, Andrea Buccarella (harpsichord) PLPR 12:17 AM Claude Debussy (1862-1918) Violin Sonata in G minor Janine Jansen (violin), David Kuijken (piano) GBBBC 12:31 AM Peter Ilyich Tchaikovsky (1840-1893) Slavonic March in B flat minor 'March Slave' BBC Philharmonic, Rumon Gamba (conductor) GBBBC 12:41 AM Maria Antonia Walpurgis (1724-1780) Sinfonia from "Talestri, Regina delle Amazzoni" - Dramma per musica Batzdorfer Hofkapelle, Tobias Schade (director) DEWDR 12:48 AM Wolfgang Amadeus Mozart (1756-1791) Sonata for piano (K.281) in B flat major Ingo Dannhorn (piano) AUABC 01:00 AM Luigi Boccherini (1743-1805) Quintet for guitar and strings in D major, G448 Zagreb Guitar Quartet, Varazdin Chamber Orchestra HRHRT 01:19 AM Carl Nielsen (1865-1931) Symphony No.3 (Op.27) "Sinfonia espansiva" Janne Berglund (soprano), Johannes Weisse (baritone), Stavanger Symphony Orchestra, Niklas Willen (conductor) NONRK 02:01 AM Claude Debussy (1862-1918) Estampes, L.100 Kira Frolu (piano) ROROR 02:14 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.10'12 'Revolutionary' Kira Frolu (piano) ROROR 02:17 AM Fryderyk Chopin (1810-1849) Etude in E major, Op.10'3 Kira Frolu (piano) ROROR 02:20 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.25'12 Kira Frolu (piano) ROROR 02:23 AM Constantin Silvestri (1913-1969) Chants nostalgiques, -
Early Music Review EDITIONS of MUSIC Here Are Thirteen Works in the Present Volume
Early Music Review EDITIONS OF MUSIC here are thirteen works in the present volume. The first two are masses by John Bedingham, while the others are anonymous mass movements (either New from Stainer & Bell T single or somehow related). Previous titles in the series have been reviewed by Clifford Bartlett, and I confess this English Thirteenth-century Polyphony is the first time I have looked at repertory from this period A Facsimile Edition by William J. Summers & Peter M. since I studied Du Fay at university! At that time I also Lefferts sang quite a lot of (slightly later) English music, so I am not Stainer & Bell, 2016. Early English Church Music, 57 completely unfamiliar with it. I was immediately struck 53pp+349 plates. by the rhythmic complexity and delighted to see that the ISMN 979 0 2202 2405 8; ISBN 978 0 85249 940 5 editions preserve the original note values and avoids bar £180 lines - one might expect this to complicate matters with ligatures and coloration to contend with, but actually it is his extraordinarily opulent volume (approx. 12 laid out in such a beautiful way that everything miraculously inches by 17 and weighing more than seven pounds makes perfect sense. Most of the pieces are in two or three T- apologies for the old school measurements!) is a parts (a fourth part – called “Tenor bassus” – is added to marvel to behold. The publisher has had to use glossy paper the Credo of Bedingham’s Mass Dueil angoisseux in only in order to give the best possible colour reproductions of one of the sources). -
New Dutch Academy the Salon a European Phenomenon 1750 – 1830
7th NDA Mini-Festival • 6 – 8 March 2009 Den Haag Artistic Director Simon Murphy new dutch academy The Salon A European Phenomenon 1750 – 1830 NDA Chamber Soloists and Special Guests Concerts, Lecture Recitals, Multidisciplinary Presentations and Workshops Music by Reichardt, Boccherini, Mozart, Paganini, Beethoven, Molino, Matiegka and Schubert The Festival The NDA festival presents some of the most exciting recent discoveries from the New Dutch Academy’s own Research Lab for the first time in public through a series of highly engaging concert performances, lecture recitals and workshops. The festival’s uniquely personal and welcoming atmosphere sees audience members and musicians join together as one in a vi- brant exploration of new musical and artistic terrain. Each year, special guests and members of the international award winning Hague Baroque Orchestra “The New Dutch Academy” (conduc- tor Simon Murphy), explore a new, groundbreaking multidisci- plinary topic. The festival is sometimes controversial and always cutting edge. Some of the exciting discoveries presented at NDA festivals have fuelled NDA CDs which have subsequently gone on to win international recording industry awards, have launched NDA projects which have redefined music history and have created groundbreaking NDA concert programmes which have turned preconceived ideas on their head. The Salon Poets’ Paradise where father and daughter composed This year’s 7th NDA festival turns its During the festival, particular atten- and performed music set to odes and attention to the phenomenon of the late tion will be paid to the musical figures ballads fresh from the pens of the pres- 18th/early 19th century European Salon, Johann Friedrich Reichardt (1752 – 1814) ent literary luminaries. -
Boston Symphony Orchestra Concert Programs, Season 12, 1892-1893
FORD'S GRAND OPERA HOUSE, BALTIMORE. BOSTON SYMPHONY ORCHESTRA. ARTHUR NIKISCH, Conductor. Twelfth Season, 1892-93. ONLY CONCERT IN BALTIMORE THIS SEASON, Monday Evening, October 31, 1892, At Eight o'clock. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C A. ELLIS, MANAGER. The Mason &. Hamlin Piano has been exhibited in three Great World's Competitive Exhibitions, and has received the HIGHEST POSSIBLE AWARD at each one, as follows : AMSTERDAM, . 1888. NEW ORLEANS, . 1888. JAMAICA, . ... 1891. Because of an improved method of construction, in- troduced in 1882 by this Company, the Mason Sc Hamlin PIANOFORTES Are more durable and stand in tune longer than any others manufactured. CAREFUL INSPECTION RESPECTFULLY INVITED. BOSTON. NEW YORK. CHICAGO. Local Representatives, OTTO SUTRO & CO., - BALTIMORE (2) Boston Fords _ i 4i// Grand Opera Symphony f| House. \Jl Of Ifc/O Li CjL Season of 1892-93. Mr. ARTHUR NIKISCH, Conductor. Monday Evening, October 31, At Eight. PROGRAMME. " Karl Goldmark ------ Overture, " Sakuntala " K. M. von Weber - Aria from " Oberon," " Ocean, thou mighty monster y Richard Wagner - Vorspiel and "Liebestod" (Prelude and " Love-death') y " from " Tristan und Isolde Franz Liszt - - - - Song with Orchestra, "Loreley" Ludwig van Beethoven - - Symphony in C minor, No. 5, Op. 67 Allegro con brio (C minor), - 2-4. Andante con moto (A-flat major), - - 3-8. | Scherzo, Allegro (C minor), - 3-4. i Trio (C major), - 3-4. Finale, Allegro (C major), - 4-4. Soloist, Miss EMMA JUCH, (3) : SHORE LINE BOSTON TA NEW YORK NEW YORK TO1 \J BOSTON Trains leave either city, week-days, except as noted DAY EXPRESS at 10.00 A.M. -
Musicweb International December 2020 NAXOS RELEASES: LATE
NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook). -
PILGRIMS of '48 One Man's Part in the Austrian Revolution of 1848 and a Family Migration to America
PILGRIMS OF '48 One Man's Part in the Austrian Revolution of 1848 and a Family Migration to America By JOSEPHINE GOLDMARK WITH A PREFACE BY JOSEF REDLICH Professor of Comparative Public Law in Harvard University New Haven • Yale University Press LONDON • HUMPHREY MlLFORD · OXFORD UNIVERSITY PRESS 1980 PUBLISHED ON THE MARY CADY TEW FUND Pilgrims of '48 ~l oseph Gold mark In the coat of the Academic Legion, 1848 COPYRIGHT 1980 BY YALE UNIVERSITY PRESS PRINTED IN THE UNITED STATES OF AMERICA All rights reserved. This book may not be re produced, in whole or in part, in any form, ex cept by written permission from the publishers. C , ~, , '\ aµ.epai o E1TtA0£1TO£ , ,I. , µ.apropec; uo'YwraTo£ PINDAR BUT THE DAYS THAT COME AFTER BEAR TRUEST WITNESS. Preface ISS GoLDMARK's book is, in my opinion, a Mvery original piece of historical writing. The first part portrays old Austria, particularly old Vienna, the leading men of the Vienna Revo lution of 1848, and the principal events of that fateful year. The author achieves this by con necting the biography of her father, one of the most prominent men of the Vienna Revolution, with a very careful description of the social, po litical, and cultural features of old Austria and the life of her people. For this purpose the au thor makes full use of the original sources of the history of the Revolution which she has studied in the libraries and archives of Vienna. More over, she combines with it very interesting source material from the letters and papers of her own father and her family. -
Karl Goldmark on Early Recordings Discography of the 78 Rpm Recordings of Goldmark’S Compositions
SZABÓ, Ferenc János (Institute for Musicology, RCH, Hungarian Academy of Sciences) 1 September, 2017 Carl Goldmark on Early Recordings. Discography of the 78 rpm recordings of Goldmark’s compositions. OTKA/NKFIH K108.306 Ferenc János Szabó Institute for Musicology (Research Centre for the Humanities, Hungarian Academy of Sciences) Karl Goldmark on Early Recordings Discography of the 78 rpm recordings of Goldmark’s compositions This discography is the first attempt to compile a systematic list of early recordings of Karl Goldmark’s compositions. Up to now, these early recordings were not in the focus of the musicological research. There are only a few Goldmark monographies1 or bibliographies2 and they do not discuss the sound recordings, except the latest one, written by Johannes Hofer, which listed many recordings and their reissues, mainly from the second half of the 20th and the first years of the 21st century.3 Even Goldmark himself did not mention the sound recordings of his works in his memoires.4 The early recordings of Goldmark’s works are mostly unknown, except some famous ones, for example the recordings from Die Königin von Saba made in Vienna after the highly successful revival directed by Gustav Mahler,5 and, of course, the recordings of Enrico Caruso which were reissued many times on LP and CD because of the popularity of the performer. The rest of the recordings are part only of the knowledge of the specialized gramophone disc collectors and opera aficionados who are interested in the recordings of opera singers of the past.6 Based on the recording dates, two waves of recording activity of Goldmark’s oeuvre can be distinguished during the first half of the twentieth century. -
Download the Festival Leaflet
Friday 10 – Sunday 12 March 2017 WELCOME The RNCM Chamber Music Festival plays a huge role in the story of the College and is one of the UK’s most substantial chamber music events. Chamber music is at the core of what we do – the RNCM has a proud tradition of chamber ensemble training and our alumni appear with high profile ensembles such as the Elias, Heath and Navarra String Quartets plus the Gould Piano Trio to name just a few. This year, we take a journey through Hungary’s rich musical heritage, exploring works from 1800 to the present day. The Festival will include the masterworks of Béla Bartók, Zoltán Kodály, Ernő Dohnányi, György Kurtág and György Ligeti, lesser known gems by Karl Goldmark, Ferenc Farkas and Sándor Veress, and composers such as Haydn, Brahms and Liszt who were all influenced by Hungarian folk music. The Festival will also examine the educational legacy of Kodály and Bartók and the Hungarian string playing tradition. Eminent musicians such as Gábor Takács-Nagy, the Keller and Talich Quartets, Kathryn Stott, Principal Horn of the London Philharmonic Orchestra John Ryan, RNCM alumni the Aurora Percussion Duo and RNCM tutors will perform alongside other renowned performers from across Europe and we will be showcasing exceptional students from the RNCM, Junior RNCM, the Royal Irish Academy of Music, St Mary’s Music School and Chetham’s School of Music. So please join us and embrace the spirit of the csárdás! Jeremy Young artistic director With the generous support of Fri 10 Mar 10am – 10.30am Forman Lecture Theatre 2pm – 4pm RNCM Concert Hall FESTIVAL INTRODUCTION SERENADES WITH JEREMY YOUNG Ferenc Farkas Serenade for wind quintet Join the Festival’s Artistic Director Sándor Veress String Quartet No 2 and Head of Chamber Music Jeremy Young, Aaron Breeze New work for saxophone as he talks about his inspiration for quartet programming this year’s Festival. -
North York Moors Chamber Music Festival
North York Moors Chamber Music Festival ‘ Along the Danube’ 12-25 August 2012 www.northyorkmoorsfestival.com Patron Sir Marcus WorSley Introduction Welcome to the fourth North York Moors Chamber Music Festival I would like to express my continuing thanks to all those who – ‘Along the Danube’. Last year’s Russian theme, concentrating are supporting this festival and it gives me great pleasure to watch on the great Russian masters, celebrated some astonishing music it thrive after all the investment, belief and tireless campaigning. particularly from the twentieth century. In Eastern Europe, which It is also growing while remaining true to its principles, something the Danube famously penetrates, we find a similar phenomenon and I feel very strongly about. choosing which music to feature was a challenging process since My aim is to keep ticket prices low so that we don’t price anyone there is so much quality. The musical output from Eastern Europe out; this is a festival for everybody regardless of background or was too monumental to ignore for a theme at some point and us position. This year, after three of keeping the prices unchanged, musicians are thrilled to be championing this exceptional repertoire we were forced to raise them marginally which we hope you especially now we have such a hungry and appreciative audience. understand. We intend to try and keep this price stable for the North YorK Moors chAMBer MUsic FestiVAL Equally, as ever, the spiritual passion contained in the music next three years. Therefore your support is paramount, however shortListeD for a royal PhiLhArMoNic societY itself resonates profoundly within the walls of our extraordinary minimal, as we can no longer necessarily rely on public funding. -
Festival Highlights
FESTIVAL HIGHLIGHTS 2: Terry Waite Photo: Gemma Levine Gemma Levine Photo: Neda Navaee Photo: 1: Harriet Harman 1 2 3 3: Lars Vogt 4 4 Mitchell Paul Marc Photo: 4: Damon Hill THE SPEED OF LIFE 5: Russell Foster 8: Viv Albertine 6: Miranda Sawyer 9: The Choir - Voices of Hope Photo: Photo: Matt Writtle 5 7: Denise Mina 6 Ollie Grove Photo: 7 8 9 Nick Rutter Photo: 10: Battany Hughes 10 Listen on BBC Radio 3 Find all the programmes at bbc.co.uk/freethinking 11: Richard Hawley 12: Emmy the Great 14: George Saunders Photo: Mike Urwin Mike Photo: 11 12 Alex Photo: Lake 13 13: Simon Armitage 14 15 15: Jim Al-Khalili 16 16: Louise Robinson Photo: Webster Photo: Paul Wolfgang Photo: Photo: Chloe Aftel WELCOME FRIDAY SATURDAY SUNDAY Welcome to BBC Radio 3’s Free Thinking 4.10pm – 6.30pm 10.15am – 11.15am 2.05pm – 3.10pm 7.45pm – 9.00pm (Saturday) 11.00am – 12.00pm (Sunday) 3.55pm – 4.55pm festival – a packed weekend of debates, NORTHERN ROCK NORTHERN ROCK NORTHERN ROCK NORTHERN ROCK SAGE TWO interviews and live music at Sage Gateshead. FOUNDATION HALL FOUNDATION HALL FOUNDATION HALL FOUNDATION HALL FASTER, FASTER, FASTER? We’re bringing together writers, artists, IN TUNE HOW SHORT IS A NEW GENERATION THINKERS 2017 THE VERB politicians, sportspeople and scientists to SHORT STORY? Can the steady tortoise still beat the rapid hare in Suzy Klein hosts live performances from pianist The New Generation Thinkers is an annual competition Ian Macmillan presents two editions of Radio 3’s today’s world? Anne McElvoy chairs a debate with grapple with ‘The Speed of Life’: how a Lars Vogt with members of Royal Northern Sinfonia, Acclaimed American short story writer George run by BBC Radio 3 and the Arts and Humanities poetry and spoken word programme. -
Early Music Performer
EARLY MUSIC PERFORMER JOURNAL OF THE NATIONAL EARLY MUSIC ASSOCIATION ISSUE 36 April 2015 I.S.S.N 1477-478X Ruth and Jeremy Burbidge THE PUBLISHERS Ruxbury Publications Scout Bottom Farm Hebden Bridge West Yorkshire HX7 5JS 2 24 EDITORIAL REVIEWS Andrew Woolley • COLIN BOOTH (HARPSICHORD), GROUNDS FOR PLEASURE: KEYBOARD MUSIC FROM SEVENTEENTH-CENTURY ENGLAND 4 Bryan White ARTICLES • ‘THAT WE WITH MERTH MOWE • RICHARD MAUNDER, THE SAVELY SYNGE’: THE FIFTEENTH- SCORING OF EARLY CLASSICAL CONCERTOS, 1750–1780 CENTURY CAROL – A MUSIC OF THE PEOPLE? Erin Helyard Louise McInnes • MICHAEL BURDEN, REGINA MINGOTTI: DIVA AND IMPRESSARIO AT 13 THE KING’S THEATRE, LONDON Peter Holman • CHARLES AVISON’S DIRGE FOR ROMEO AND JULIET Simon D. I. Fleming 30 • PUBLICATIONS LIST 19 Compiled by James Hume REPORTS • REPRESENTATIONS OF EARLY MUSIC ON STAGE AND SCREEN: A COVER: Glasgow University Library, Hunterian 83, f. BRIEF INTRODUCTION 12, showing music and text for an anonymous fifteenth-century carol, ‘Salve sancta parens’. James Cook, Alex Kolassa and Adam Whittaker Reproduced by permission. • THE THIRTEENTH ANNUAL CONFERENCE ON MUSIC IN EIGHTEENTH-CENTURY BRITAIN Mark Windisch EDITOR: Andrew Woolley EDITORIAL ASSISTANTS: James Hume and Christopher Roberts EDITORIAL BOARD: Peter Holman (Chairman), Clifford Bartlett, Clive Brown, Nancy Hadden, David Lasocki, Richard Maunder, Christopher Page, Andrew Parrott, Richard Rastall, Michael Talbot, Bryan White 1 Editorial I am currently in the final stages of preparing a large anthology of English keyboard music of the second half of the seventeenth-century. It will appear towards the end of 2015 as volume 6 in the Purcell Society’s Companion Series devoted to editions of music by Purcell’s contemporaries in England, and will contain over 120 pieces.1 This edition has been fairly long in the making for several reasons.