Spring 2019 Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ARSC Journal, Spring 1992 69 Sound Recording Reviews
SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr. -
9 September 2021
9 September 2021 12:01 AM Uuno Klami (1900-1961) Serenades joyeuses Finnish Radio Symphony Orchestra, Jussi Jalas (conductor) FIYLE 12:07 AM Johann Gottlieb Graun (c.1702-1771) Sinfonia in B flat major, GraunWV A:XII:27 Kore Orchestra, Andrea Buccarella (harpsichord) PLPR 12:17 AM Claude Debussy (1862-1918) Violin Sonata in G minor Janine Jansen (violin), David Kuijken (piano) GBBBC 12:31 AM Peter Ilyich Tchaikovsky (1840-1893) Slavonic March in B flat minor 'March Slave' BBC Philharmonic, Rumon Gamba (conductor) GBBBC 12:41 AM Maria Antonia Walpurgis (1724-1780) Sinfonia from "Talestri, Regina delle Amazzoni" - Dramma per musica Batzdorfer Hofkapelle, Tobias Schade (director) DEWDR 12:48 AM Wolfgang Amadeus Mozart (1756-1791) Sonata for piano (K.281) in B flat major Ingo Dannhorn (piano) AUABC 01:00 AM Luigi Boccherini (1743-1805) Quintet for guitar and strings in D major, G448 Zagreb Guitar Quartet, Varazdin Chamber Orchestra HRHRT 01:19 AM Carl Nielsen (1865-1931) Symphony No.3 (Op.27) "Sinfonia espansiva" Janne Berglund (soprano), Johannes Weisse (baritone), Stavanger Symphony Orchestra, Niklas Willen (conductor) NONRK 02:01 AM Claude Debussy (1862-1918) Estampes, L.100 Kira Frolu (piano) ROROR 02:14 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.10'12 'Revolutionary' Kira Frolu (piano) ROROR 02:17 AM Fryderyk Chopin (1810-1849) Etude in E major, Op.10'3 Kira Frolu (piano) ROROR 02:20 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.25'12 Kira Frolu (piano) ROROR 02:23 AM Constantin Silvestri (1913-1969) Chants nostalgiques, -
Boston Symphony Orchestra Concert Programs, Season 12, 1892-1893
FORD'S GRAND OPERA HOUSE, BALTIMORE. BOSTON SYMPHONY ORCHESTRA. ARTHUR NIKISCH, Conductor. Twelfth Season, 1892-93. ONLY CONCERT IN BALTIMORE THIS SEASON, Monday Evening, October 31, 1892, At Eight o'clock. With Historical and Descriptive Notes by William F. Apthorp. PUBLISHED BY C A. ELLIS, MANAGER. The Mason &. Hamlin Piano has been exhibited in three Great World's Competitive Exhibitions, and has received the HIGHEST POSSIBLE AWARD at each one, as follows : AMSTERDAM, . 1888. NEW ORLEANS, . 1888. JAMAICA, . ... 1891. Because of an improved method of construction, in- troduced in 1882 by this Company, the Mason Sc Hamlin PIANOFORTES Are more durable and stand in tune longer than any others manufactured. CAREFUL INSPECTION RESPECTFULLY INVITED. BOSTON. NEW YORK. CHICAGO. Local Representatives, OTTO SUTRO & CO., - BALTIMORE (2) Boston Fords _ i 4i// Grand Opera Symphony f| House. \Jl Of Ifc/O Li CjL Season of 1892-93. Mr. ARTHUR NIKISCH, Conductor. Monday Evening, October 31, At Eight. PROGRAMME. " Karl Goldmark ------ Overture, " Sakuntala " K. M. von Weber - Aria from " Oberon," " Ocean, thou mighty monster y Richard Wagner - Vorspiel and "Liebestod" (Prelude and " Love-death') y " from " Tristan und Isolde Franz Liszt - - - - Song with Orchestra, "Loreley" Ludwig van Beethoven - - Symphony in C minor, No. 5, Op. 67 Allegro con brio (C minor), - 2-4. Andante con moto (A-flat major), - - 3-8. | Scherzo, Allegro (C minor), - 3-4. i Trio (C major), - 3-4. Finale, Allegro (C major), - 4-4. Soloist, Miss EMMA JUCH, (3) : SHORE LINE BOSTON TA NEW YORK NEW YORK TO1 \J BOSTON Trains leave either city, week-days, except as noted DAY EXPRESS at 10.00 A.M. -
Back Cover Image
111135 rr MenuhinConcertos3 EU 10-10-2006 22:14 Pagina 1 CMYK NAXOS HistoricalNAXOS 8.111135 MOZART • PAGANINI Playing ADD NOVÁCˇ EK • CHAUSSON Time ൿ DISCPROHIBITED. THIS COMPACT ANDCOPYING OF BROADCASTING RESERVED. PUBLICPERFORMANCE, TRANSLATIONS UNAUTHORISED TEXTS AND THIS SOUND RECORDING, ARTWORK, ALL RIGHTS IN 77:27 8.111135 Yehudi Menuhin (1916-1999) & Ꭿ Not often does a recording change 2006 Naxos RightsInternational Ltd. Wolfgang Amadeus MOZART (1756-1791): the public perception of a piece of Violin Concerto No. 3 in G major, K. 216 23:53 music and its composer, but it 1 I Allegro 8:23 happened when the 18-year-old 2 II Adagio 8:21 Yehudi Menuhin set down this MENUHIN: : •PAGANINI MOZART Concertos Violin 3 III Rondo 7:09 recording of Paganini’s First Concerto in Paris in May 1934. Up Recorded in Paris, 19th December 1935 to then the work had been thought rather trivial and reduced to one Nicolò PAGANINI (1781-1840): movement. Backed by Pierre Violin Concerto No. 1 in D major 36:02 Monteux, one of the best of the conductors who collaborated with 4 I Allegro maestoso 21:31 him in the 1930s, the young violinist 5 II Adagio espressivo 5:26 turned in a highly musical 6 III Rondo: Allegro spiritoso 9:05 performance, a fine fusion of the Recorded in Paris, 18th-19th May 1934 carefree and the scholarly. Made at a time when little Mozart was played, this 1935 recording of the Otakar NOVÁCˇ EK (1866-1900): Violin Concerto No. 3 is best seen as 7 Perpetuum Mobile 2:34 a staging post along the road of Recorded in Paris, 18th May 1934 Menuhin’s gradual mastery of Mozart’s style. -
A List of Recommended Recordings (Weeks 1 Through 4)
A List of Recommended Recordings (Weeks 1 Through 4) Week One: France François-Joseph Gossec Selected Symphonies Matthias Bamert conducts the London Mozart Players, on Chandos Hector Berlioz Symphonie fantastique Michael Tilson Thomas conducts the San Francisco Symphony, on RCA Victor Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Harold in Italy Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Symphonie Funèbre et Triomphale Colin Davis conducts the London Symphony, on Philips Romeo et Juliette Carlo Maria Giulini conducts the Chicago Symphony, on DGG Camille Saint-Saëns Symphony No. 3 in C Minor, Op. 78 (Organ) Christoph Eschenbach conducts the Philadelphia Orchestra, on Ondine Edo De Waart conducts the San Francisco Symphony, on Philips César Franck Symphony in D Minor Pierre Monteux conducts the Chicago Symphony, on RCA Victor Vincent d’Indy Symphony on a French Mountain Air Charles Munch conducts the Boston Symphony, on RCA Victor Symphony No. 2, Op. 57 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Ernest Chausson Symphony in B-flat Major, Op. 20 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Olivier Messiaen Turangalîla Symphony Riccardo Chailly conducts the Concertgebouw Orchestra, on Decca Week Two: Bohemia The Symphonies of Antonin Dvořák Istvan Kertesz conducts the London Symphony Orchestra, on Decca Witold Rowicki conducts the London Symphony Orchestra, on Decca Individual Symphonies: Symphony No. 7 in D Minor Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Symphony No. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription
BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON TUESDAY EVENING SERIES ^ EIGHTIETH SEAS ON 1960-1961 - i. r"i H-; r BAYARD TUCKERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 1 5 [3] . £ iifl £S What everyone likes about Boston's Pops are known throughout the world as a yardstick for excellence . -
Beethoven, Pierre Monteux Conducting the London Symphony
Beethoven Symphony No. 7 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphony No. 7 Country: US Released: 1964 Style: Classical MP3 version RAR size: 1375 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1665 mb Rating: 4.1 Votes: 917 Other Formats: MP1 WAV DTS AU MIDI MPC TTA Tracklist Symphony No.7 In A Major, Opus 92 "Dance" A1 Poco Sostenuto A2 Allegretto B1 Presto; Presto Meno Assai; Presto B2 Allegro Con Brio Credits Composed By – Ludwig van Beethoven Conductor – Pierre Monteux Orchestra – The London Symphony Orchestra Notes No credits for liner notes etc. Barcode and Other Identifiers Matrix / Runout: PRRS3597 Matrix / Runout: PRRS3596 Other versions Category Artist Title (Format) Label Category Country Year Beethoven*, Pierre Beethoven*, Pierre Monteux Monteux Conducting RCA VICS-1061 Conducting The The London Symphony VICS-1061 Canada Unknown Victrola London Symphony Orchestra - Symphony Orchestra No. 7 (LP) Ludwig van Ludwig van Beethoven, Beethoven, Pierre Pierre Monteux, The SPA 586 Monteux, The London Symphony Decca SPA 586 Unknown London Symphony Orchestra - Symphony 7 Orchestra Op. 92 (LP) Ludwig van Beethoven, Ludwig van The London Symphony Beethoven, The Orchestra, Pierre RCA VIC 1061 London Symphony VIC 1061 UK 1963 Monteux - Beethoven Victrola Orchestra, Pierre Symphony No. 7 (LP, Monteux Mono) Pierre Monteux Pierre Monteux Conducting The London Conducting The RCA USA & VIC-1061 Symphony Orchestra - VIC-1061 1964 London Symphony Victrola Canada Beethoven Symphony Orchestra No. 7 (LP) Beethoven*, Pierre Beethoven*, Pierre Monteux Monteux Conducting RCA VICS-1061 Conducting The The London Symphony VICS-1061 Canada Unknown Victrola London Symphony Orchestra - Symphony Orchestra No. -
Boston Symphony Orchestra Concert Programs, Summer, 1975
' v I s.i ..«C> A BOSTON SYMPHONY ORCHESTRA SEMI OZAWA Music Director BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director ^&4 ki>- COLIN DAVIS f BOSTON Principal Guest Conductor /{SYMPHONY I ORCHESTRA NINETY-FOURTH SEASON 1974-1975 TANGLEWOOD 1975 THE TRUSTEES OF THE CONTENTS BOSTON SYMPHONY ORCHESTRA INC. Talcott M. Banks Mrs Harris Fahnestock The Weekend's Programs 13-28 President Harold D. Hodgkinson Philip K. Allen David O. Ives Tanglewood 7 Vice-President E. Morton Jennings Jr Sidney Stoneman Edward M. Kennedy The Boston Symphony 29 Edward G. Murray Orchestra Vice-President Albert L. Nickerson Iohn L. Thorndike John T. Noonan The Berkshire Music Center 32 Treasurer Mrs James H. Perkins Irving W. Rabb The Music Director 11 Vernon R. Alden Paul C. Reardon Allen G. Barry Mrs George Lee Sargent Map of Tanglewood 10 Mrs John M. Bradley John Hoyt Stookey Richard P. Chapman Festival Information 38 Abram T. Collier Henry A. Laughlin Nelson J. Darling Jr Palfrey Perkins Archie C. Epps hi Trustees Emeritus ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA Thomas D. Perry Jr Thomas W. Morris Executive Director Manager The program magazine of the Bos- ton Symphony Orchestra and the Gideon Toeplitz Daniel R. Gustin Sylvia Davis Boston Pops is published monthly Assistant Director Administrator of Director of Promotion by the Boston Symphony Orches- Educational Affairs tra Inc., Symphony Hall, Boston, Massachusetts 021 15. For informa- Paul Bronstein Mary H. Smith Dinah Daniels tion about advertising space and Business Manager Assistant to the Manager Assistant Director rates please call Mr Stephen Camp- of Promotion bell, 1400 Statler Office Building, Forrester C. -
PILGRIMS of '48 One Man's Part in the Austrian Revolution of 1848 and a Family Migration to America
PILGRIMS OF '48 One Man's Part in the Austrian Revolution of 1848 and a Family Migration to America By JOSEPHINE GOLDMARK WITH A PREFACE BY JOSEF REDLICH Professor of Comparative Public Law in Harvard University New Haven • Yale University Press LONDON • HUMPHREY MlLFORD · OXFORD UNIVERSITY PRESS 1980 PUBLISHED ON THE MARY CADY TEW FUND Pilgrims of '48 ~l oseph Gold mark In the coat of the Academic Legion, 1848 COPYRIGHT 1980 BY YALE UNIVERSITY PRESS PRINTED IN THE UNITED STATES OF AMERICA All rights reserved. This book may not be re produced, in whole or in part, in any form, ex cept by written permission from the publishers. C , ~, , '\ aµ.epai o E1TtA0£1TO£ , ,I. , µ.apropec; uo'YwraTo£ PINDAR BUT THE DAYS THAT COME AFTER BEAR TRUEST WITNESS. Preface ISS GoLDMARK's book is, in my opinion, a Mvery original piece of historical writing. The first part portrays old Austria, particularly old Vienna, the leading men of the Vienna Revo lution of 1848, and the principal events of that fateful year. The author achieves this by con necting the biography of her father, one of the most prominent men of the Vienna Revolution, with a very careful description of the social, po litical, and cultural features of old Austria and the life of her people. For this purpose the au thor makes full use of the original sources of the history of the Revolution which she has studied in the libraries and archives of Vienna. More over, she combines with it very interesting source material from the letters and papers of her own father and her family. -
Boston Symphony Orchestra Concert Programs, Season 71, 1951-1952, Trip
S- ,'r^^-'<^- ^GyO\. -/ -L BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON 7 k. ^9 X 'illl ""^ .^^ l^ H r vm \f SEVENTY -FIRST SEASON 1951-1952 Carnegie Hall, New York ; RCA VICTOR RECORDS BOSTON SYMPHONY ORCHESTRA Recorded under the direction of Charles Munch Beethoven ** Symphony No. 7 Beethoven *"Gratulations" Minuet Berlioz *Beatrice and Benedict Overture Brahms Symphony No. 4 Bruch Violin Concerto No. 1, in G minor Soloist, Yehudi Menuhin Haydn Symphony No. 104 ("London") Ravel La Valse Schubert Symphony No. 2 Among the recordings under the leadership of Serge Koussevitzky Bach Brandenburg Concerto No. 1, Mozart Eine kleine Nachtmusik; in F; Brandenburg Concerto No. Serenade No. 10, in B-Flat, K. 6, in B-Flat; Suite No. 1, in C; 361; Symphony No. 36, in C, K. Suite No. 4, in D 425, "Linz"; Symphony No. 39, in E-Flat, K. 543 Beethoven Symphony No. 3, in E- Flat» "Broica" ; Symphony No. 5, Prolcofleff Concerto No. 2, in G Minor, in C Minor, Op. 67; Symphony Op. 63, Heifetz, violinist; Sym- No. 9, in D Minor, "Choral" phony No. 5 ; Peter and the Wolf, Op. 67 , Eleanor Roosevelt, narrator Brahms Symphony No. 3, in F, Op. 90 Ravel Bolero; Ma M6re L'Oye Suite Haydn Symphony No. 92, in G, "Ox- ford"; Symphony No. 94, in G, Schuhert Symphony No. 8, in B Minor, "Unfinished" "Surprise" ; Toy Symphony Khatchaturian Concerto for Piano Tchaikovsky Serenade in C, Op. 48 and Orchestra, William Kapell, Symphony No. 4, in F Minor, Op. pianist 36; Symphony No. 5, in E Minor, Op. -
Boston Symphony Orchestra Concert Programs, Season 83,1963-1964, Trip
BOSTON • r . SYMPHONY ORCHESTRA FOUNDED IN 1881 BY /'I HENRY LEE HIGGINSON TUESDAY EVENING 4 ' % mm !l SERIES 5*a ?^°£D* '^<\ -#": <3< .4) \S? EIGHTY-THIRD SEASON 1963-1964 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. invite i . We respectfully* your inquiry , , .,, / Associated with CHARLES H. WATKINS CO. & /qbrioN, RUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description 542-1250 EIGHTY-THIRD SEASON, 1963-1964 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs. -
Karl Goldmark on Early Recordings Discography of the 78 Rpm Recordings of Goldmark’S Compositions
SZABÓ, Ferenc János (Institute for Musicology, RCH, Hungarian Academy of Sciences) 1 September, 2017 Carl Goldmark on Early Recordings. Discography of the 78 rpm recordings of Goldmark’s compositions. OTKA/NKFIH K108.306 Ferenc János Szabó Institute for Musicology (Research Centre for the Humanities, Hungarian Academy of Sciences) Karl Goldmark on Early Recordings Discography of the 78 rpm recordings of Goldmark’s compositions This discography is the first attempt to compile a systematic list of early recordings of Karl Goldmark’s compositions. Up to now, these early recordings were not in the focus of the musicological research. There are only a few Goldmark monographies1 or bibliographies2 and they do not discuss the sound recordings, except the latest one, written by Johannes Hofer, which listed many recordings and their reissues, mainly from the second half of the 20th and the first years of the 21st century.3 Even Goldmark himself did not mention the sound recordings of his works in his memoires.4 The early recordings of Goldmark’s works are mostly unknown, except some famous ones, for example the recordings from Die Königin von Saba made in Vienna after the highly successful revival directed by Gustav Mahler,5 and, of course, the recordings of Enrico Caruso which were reissued many times on LP and CD because of the popularity of the performer. The rest of the recordings are part only of the knowledge of the specialized gramophone disc collectors and opera aficionados who are interested in the recordings of opera singers of the past.6 Based on the recording dates, two waves of recording activity of Goldmark’s oeuvre can be distinguished during the first half of the twentieth century.