O.C. Word...Life Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

O.C. Word...Life Mp3, Flac, Wma O.C. Word...Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Word...Life Country: US MP3 version RAR size: 1975 mb FLAC version RAR size: 1701 mb WMA version RAR size: 1409 mb Rating: 4.8 Votes: 862 Other Formats: AAC VOX APE AA FLAC MOD ADX Tracklist Hide Credits Creative Control A1 1:44 Producer – Organized Konfusion Word...Life A2 4:53 Producer – Buckwild O-zone A3 4:04 Producer – Buckwild Born 2 Live A4 4:46 Producer – Buckwild Time's Up B1 3:29 Producer – Buckwild Point O Viewz B2 4:14 Producer – Daven "Prestige" Vanderpool Constables B3 4:04 Producer – Organized Konfusion Ga Head C1 3:55 Producer – Lord Finesse No Main Topic C2 3:42 Producer – DJ Ogee Let It Slide C3 4:23 Producer – Buckwild Ma Dukes D1 3:58 Producer – Buckwild Story D2 3:03 Producer – DJ Ogee Outtro (Sabatoge) D3 2:51 Producer – Buckwild Born To Live (Remix) D4 3:45 Producer – Organized Konfusion Companies, etc. Recorded At – Battery Studios, New York Credits Artwork – MC Serch Lyrics By – Omar Credle Mastered By – Chris Gehringer Photography By – Danny Clinch Notes D.J. Special Double Vinyl Originally released in 1994. Barcode and Other Identifiers Matrix / Runout (Runout side A): WORLD LP-A Matrix / Runout (Runout side B): WORLD LP-B Matrix / Runout (Runout side C): WORLD LP-C Matrix / Runout (Runout side D): WORLD LP-D Other versions Title Category Artist Label Category Country Year (Format) Wild Pitch Records, EMI Records, E2-30928, Word...Life Serchlite Music, E2-30928, O.C. US 1994 7243-8-30928-2-6 (CD, Album) Wild Pitch 7243-8-30928-2-6 Records, EMI Records, Serchlite Music Word...Life Wild Pitch WPD-2009 O.C. WPD-2009 US 1994 (CD, Album) Records Word...Life Emi Records , E1-30928, none O.C. (LP, Album, Wild Pitch E1-30928, none US Unknown Unofficial) Records Mary Joy Word...Life Recordings, MJCD-004 O.C. MJCD-004 Japan 1996 (CD, Album) Wild Pitch Records Word...Life (2xLP, Album, Wild Pitch E2-30928 O.C. E2-30928 US Unknown RE, Unofficial, Records W/Lbl) Related Music albums to Word...Life by O.C. Organized Konfusion - The Equinox Sampler Kashi Da Handsome & Ryuhei The Man - Soundtrack To The Streets Vol. 01 Lace Da Booms - Untitled Organized Konfusion - Organized Konfusion Buckwild - Diggin' In The Crates - Rare Studio Masters: 1993-1997 Force Of Nature - The Days Of Gold Sadat X - Wild Cowboys Organized Konfusion - Who Stole My Last Piece Of Chicken? Buckwild - Still Diggin' Composition Anything But Monday - Buckwild.
Recommended publications
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
    01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C.
    [Show full text]
  • Rap in the Context of African-American Cultural Memory Levern G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
    Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites
    [Show full text]
  • The Post-Traumatic Futurities of Black Debility
    This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Koivisto, Mikko (Live!) The Post-traumatic Futurities of Black Debility Published in: DISABILITY STUDIES QUARTERLY DOI: 10.18061/dsq.v39i3.6614 Published: 30/08/2019 Document Version Publisher's PDF, also known as Version of record Please cite the original version: Koivisto, M. (2019). (Live!) The Post-traumatic Futurities of Black Debility. DISABILITY STUDIES QUARTERLY, 39(3). https://doi.org/10.18061/dsq.v39i3.6614 This material is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. Powered by TCPDF (www.tcpdf.org) (Live!) The Post-traumatic Futurities of Black Debility Mikko O. Koivisto Aalto University School of Arts, Design and Architecture Email: [email protected] Keywords: Pharoahe Monch, debilitation, racism, ableism, sanism, rap music Abstract This article investigates the possibilities of artistic and performative strategies for elucidating forms of systemic violence targeted at racialized and disabled bodies. The analysis focuses on the album PTSD: Post traumatic stress disorder by the New York rapper Pharoahe Monch, delving into the ways in which it explores the intersections of Blackness and disability. The album's lyrics range from a critique of the structural racism in contemporary American society to subjective, embodied experiences of clinical depression, anxiety, and chronic asthma—and their complex entanglement.
    [Show full text]
  • Street Art Gets Buckwild in Venice
    July 14-27, 2010 \ Volume 20 \ Issue 27 \ Always Free Film | Music | Culture Street Art Gets Buckwild in Venice ©2010 CAMPUS CIRCLE • (323) 939-8477 • 5042 WILSHIRE BLVD., #600 LOS ANGELES, CA 90036 • WWW.CAMPUSCIRCLE.COM • ONE FREE COPY PER PERSON Join CAMPUS CIRCLE www.campuscircle.com CALLING ALL INTERNS Are you looking to break into… Journalism? Photography? Advertising & Marketing? CAMPUS CIRCLE is seeking a few enthusiastic, creative journalists, photographers and aspiring sales people to join our team. Intern Perks Include: Free Movie Screenings, Free Music and an opportunity to explore L.A. like never before! Take the next step in your career: [email protected] 2 Campus Circle 7.14.10 - 7.27.10 YOUNG FRANKENSTEIN • PANTAGES • 4.870” X 5.900” CAMPUS CIRCLE • PUB DATE: 7.25.2010 Join CAMPUS CIRCLE www.campuscircle.com campus circle INSIDE campus CIRCLE July 14 - July 27, 2010 Vol. 20 Issue 27 Editor-in-Chief 8 Jessica Koslow [email protected] Managing Editor Yuri Shimoda 6 16 [email protected] 04 FILM ROSENCRANTZ AND Film Editor GUILDENSTERN ARE UNDEAD Jessica Koslow Dark comedy sinks its teeth into the [email protected] vampire genre. Cover Designer 04 FILM SCREEN SHOTS Sean Michael 06 FILM INCEPTION Editorial Interns Christopher Nolan directs Leonardo Lynda Correa, Christine Hernandez, DiCaprio in this enigmatic thriller. Arit John, Marvin Vasquez 06 FILM DVD DISH 08 FILM THE SORCERER’S APPRENTICE Contributing Writers Jay Baruchel makes magic with Christopher Agutos, Geoffrey Altrocchi, Hollywood powerhouses. Jonathan Bautts, Scott Bedno, Scott Bell, Zach Bourque, Erica Carter, Richard Castañeda, 08 FILM PROJECTIONS Joshua Chilton, Cesar Cruz, Nick Day, Natasha Desianto, Rebecca Elias, Denise Guerra, James 09 FILM MOVIE REVIEWS Famera, Mari Fong, Stephanie Forshee, A.J.
    [Show full text]
  • Nobody Has to Know
    ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction.
    [Show full text]
  • A Case Study Analysis of Poverty Coverage in Rural Appalachian
    Telling Us What We Already Know: A Case Study Analysis of Poverty Coverage in Rural Appalachian Community News Outlets A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Michel Clay Carey August 2014 © 2014 Michael Clay Carey. All Rights Reserved. This dissertation titled Telling Us What We Already Know: A Case Study Analysis of Poverty Coverage in Rural Appalachian Community News Outlets by MICHAEL CLAY CAREY has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Aimee Edmondson Associate Professor of Journalism Scott Titsworth Dean, Scripps College of Communication ii ABSTRACT CAREY, MICHAEL CLAY, Ph.D., August 2014, Mass Communication-Journalism Telling Us What We Already Know: A Case Study Analysis of Poverty Coverage in Rural Appalachian Community News Outlets Director of Dissertation: Aimee Edmondson This dissertation examines the roles local news organizations in three rural Appalachian communities play in the facilitation of discussions about local poverty. The study is grounded in Stuart Hall’s theoretical understanding of the encoding and decoding of media messages (1980), which offers insight on the way social practices influence the production and interpretation of news. Through three separate case studies using qualitative research methods (textual analysis and in-depth interviews), the study describes the dominant media frames local journalists used to describe poverty. Interviews with 11 current and former journalists describe the social and professional habits and philosophies that shape their coverage. Interviews with 40 local residents offer insight into how those messages are interpreted.
    [Show full text]
  • Big L, Put It On
    Big L, Put It On [Big L] Aiyyo, you betta flee Hobbes, or get your head flown three blocks L keep rapper's hearts pumpin like Reeboks And every year I gain clout and my name sprouts Some brothers'd still be large if the crack never came out I got the wild style, always been a foul child My guns go poom-poom, and yo' guns go pow-pow I'm known to have a hottie open, I keep the shottie smokin Front and get half the bones in your body broken And when it comes to gettin nookie I'm not a rookie I got girls that make that chick Toni Braxton look like Whoopie I run with sturdy clicks I'm never hittin dirty chicks Got thirty-five bodies, buddy don't make it thirty-six Step to this you're good as gone, word is bond I leave mics torn when I put it on [Kid Capri] So put it on Big L, put it on C'mon put it onnn, and onnn, and onnn C'mon put it on Big L, put it on C'mon put it on represent put it on, C'MON! [Big L] Nobody can take nuttin from Big L but a loss chief The last punk who fronted got a mouth full of false teeth I'm known to gas a hottie and blast the shottie Got more cash than Gotti (you don't know?) you betta ask somebody Big L is a crazy brother, and I'm a lady lover A smooth kid that'll run up in your baby mother I push a slick Benz, I'm known to hit skinz and get endz and commit sins with sick friends Cause I'm a money getter, also a honey hitter You think you nice as me? Ha ha, youse a funny nigga I flows, so one of my shoes, wouldn't be clever to miss I'm leavin competitors pissed To tell you the truth, it gets no better than this I'm catchin wreck to the break of dawn And it's on, yo it's a must that I put it on [Kid Capri] Yeah, so put it on Big L, put it on C'mon put it on, big fella put it on and on Put it on Big L, put it on represent Put it on, c'mon put it on.
    [Show full text]
  • UNOFFICIAL Hip-Hop Sticker Book FREE! I Am Only Looking for Your Email
    Download the UNOFFICIAL Hip-Hop Join the Readers Group and get the UNOFFICIAL Hip-Hop Sticker Book FREE! I am only looking for your email. You will receive emails with updates on new releases, exclusive images, original audio, and be eligible for free advance copies of se- ries books. You can opt out at any time. http://eepurl.com/cku-12 i Praise for Harris Rosen “This guy! I plead the fifth. This guy is nuts.” - Eminem “Dope questions, man. Very insightful, very thoughtful.” Guru (Gang Starr) “You like a Psychiatrist or some shit? This shit is just coming out but go ahead.” - Mary J. Blige “Definitely a real interview! Digging deep up in there, man. Not afraid to ask questions!” - K-CI Hailey (Jodeci) “The Wizard asked me for a copy of your magazine.” - Guy-Manuel de Homem-Christo (Daft Punk) “You didn’t wear your glasses and you haven’t carried your hearing aid. What else is wrong with you?” - Bushwick Bill “Peace and blessing, Brother Harris. Thank you for inspiring my words. Keep ‘yo balance.” - Erykah Badu “Can I see that pen?” - Bobby Brown “What else do you want to know? Talk to me.” - Aaliyah 2 My Archives are Deep! There are hundreds of exclusive interviews and images with dozens of books to follow. The Behind the Music Tales series has al- lowed me to share my extensive archive of exclu- sive interviews with you in much greater depth. Original Chef Raekwon Only Built For Buban Linx... die-cut promotional sticker Some of the upcoming series books are: Daft Punk: Behind the Robots The Reasonings of Buju Banton, Bounty Killer & Sizzla
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Generally speaking, the rule for hip-hop music of the 1990s was that behind every successful rap act there was a producer. Rap music was born as a "do it yourself" art in which the "message" was more important than the music. During the 1990s, interest in the lyrics declined rapidly, while interest in the soundscape that those lyrics roamed increased exponentially. The rapping itself became less clownish, less stereotyped, less macho, and much more psychological and subtle. In fact, rappers often crossed over into singing. Hip-hop music became sophisticated, and wed jazz, soul and pop. Instrumental hip-hop became a genre of its own, and one of the most experimental outside of classical music. East-Coast rap TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The most significant event of the early 1990s was probably the advent of Wu-Tang Clan (1), a loose affiliation of rappers, including Gary "Genius/GZA" Grice, Russell "Ol' Dirty Bastard" Jones, Clifford "Method Man" Smith and Dennis "Ghostface Killah" Coles, "conducted" (if the rap equivalent of a classical conductor exists) by Robert "RZA" Diggs, the musical genius behind Enter the Wu-Tang (1993), a diligent tribute to old-school rap.
    [Show full text]