ISSN- 2394-5125 VOL 7, ISSUE 14, 2020 HERO AND ROBIN HOODS: A POSTMODERN IDENTITY INTRUSION INTO CHARANDAS CHOR BY HABIB TANVIR Dr. Avishek Deb Assistant Professor Department of English, GLA University, Mathura, U.P. 281406. E-mail id:
[email protected] Received: 14 March 2020 Revised and Accepted: 8 July 2020 When a collective rebellion cannot be tuned against an oppressive apparatus, folklore has often referred to a symbolic alternative form of rebellion where a certain outlaw‘s heroism is rather celebrated by the commoners, as these vigilantes defy the corrosive administration, to help the poor. In the acts of these vigilantes, the commoners locate their brewing rebellious spirit which has been battered often by the socio-political hierarchies. Apparently such an outlaw hero can be said to be an individual who commits crimes and feeds on the riches‘ money only to provide for the poor. Commonly it is and has been mistaken as the vigilantes‘ act out of sympathy for the oppressed. However minutely studied, this process of hero-ization depicts an act of unity within the oppressed masses whenever inequity is catered to them on social, political and economic levels by the ruling apparatus. The outlaws (who are eulogised) and the common people in these circumstances are actually interdependent. The first banditry or outlawry might be committed with a sudden surge of violence, but if the felony is committed upon the rich in a region where oppression upon commoners is practised with the firmest hand, these outlaws are eulogised for having harmed the ruling class. If these outlaws choose to help the poor, rather than transforming into a common villain, they may ascend to a heroic status in the eyes of the poor.