Grapefruit: a Book of Instructions and Drawings (Excerpts)
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Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
THE HANDBOOK Your South Beach Success Starts Here!
THE HANDBOOK Your South Beach Success Starts Here! Instructions, food lists, recipes and exercises to lose weight and get into your best shape ever CONTENTS HOW TO USE THIS HANDBOOK You’ve already taken the biggest step: committing to losing weight and learning to live a life of strength, energy PHASE 1 and optimal health. The South Beach Diet will get you there, and this handbook will show you the way. The 14-Day Body Reboot ....................... 4 The goal of the South Beach Diet® program is to help Diet Details .................................................................6 you lose weight, build a strong and fit body, and learn to Foods to Enjoy .......................................................... 10 live a life of optimal health without hunger or deprivation. Consider this handbook your personal instruction manual. EXERCISE: It’s divided into the three phases of the South Beach Beginner Shape-Up: The Walking Workouts ......... 16 Diet® program, color-coded so it’ll be easy to locate your Walking Interval Workout I .................................... 19 current phase: Walking Interval Workout II .................................. 20 PHASE 1 PHASE 2 PHASE 3 10-Minute Stair-Climbing Interval ...........................21 What you’ll find inside: PHASE 2 • Each section provides instructions on how to eat for that specific phase so you’ll always feel confident that Steady Weight Loss ................................. 22 you’re following the program properly. Diet Details .............................................................. 24 • Phases 1 and 2 detail which foods to avoid and provide Foods to Enjoy ......................................................... 26 suggestions for healthy snacks between meals. South Beach Diet® Recipes ....................................... 31 • Phase 2 lists those foods you may add back into your diet and includes delicious recipes you can try on EXERCISE: your own that follow the healthy-eating principles Beginner Body-Weight Strength Circuit .............. -
The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei. -
Clifford the Big Red Dog Goes on Tour! MAY 2018 See Page 31 for Details
Clifford The Big Red Dog goes on tour! MAY 2018 See page 31 for details NOVA Wonders Airs 8pm Wednesdays Journey to the frontiers of science, where researchers are tackling some of the biggest questions about life and the cosmos in this six-part mini-series. See story, p. 2 MONTANAPBS PROGRAM GUIDE MontanaPBS Guide On the Cover MAY 2018 · VOL. 31 · NO. 11 COPYRIGHT © 2018 MONTANAPBS, ALL RIGHTS RESERVED MEMBERSHIP 1-866-832-0829 SHOP 1-800-406-6383 EMAIL [email protected] WEBSITE www.montanapbs.org ONLINE VIDEO PLAYER watch.montanapbs.org The Guide to MontanaPBS is printed monthly by the Bozeman Daily Chronicle for MontanaPBS and the Friends of MontanaPBS, Inc., a nonprofit corporation (501(c)3) P.O. Box 10715, Bozeman, MT 59719-0715. The publication is sent to contributors to MontanaPBS. Basic annual membership is $35. Nonprofit periodical postage paid at Bozeman, MT. PLEASE SEND CHANGE OF ADDRESS INFORMATION TO: SHUTTERSTOCK OF COURTESY MontanaPBS Membership, P.O. Box 173345, Bozeman, MT 59717 KUSM-TV Channel Guide P.O. Box 173340 · Montana State University Mont. Capitol Coverage Bozeman, MT 59717–3340 MontanaPBS World OFFICE (406) 994-3437 FAX (406) 994-6545 MontanaPBS Create E-MAIL [email protected] MontanaPBS Kids BOZEMAN STAFF MontanaPBS HD INTERIM GENERAL MANAGER Aaron Pruitt INTERIM DIRECTOR OF CONTENT/ Billings 16.1 16.2 16.3 16.4 16.5 CHIEF OPERATOR Paul Heitt-Rennie Butte/Bozeman 9.1 9.2 9.3 9.4 9.5 SENIOR DIRECTOR OF DEVELOPMENT Crystal Beaty MEMBERSHIP/EVENTS MANAGER Erika Matsuda Great Falls 21.1 21.2 21.3 21.4 21.5 DEVELOPMENT ASST. -
The Hero As Villain in Contemporary Televised Narratives
THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES Maria João Brasão Marques Dissertação de Mestrado em Línguas, Literaturas e Culturas Estudos Ingleses e Norte-Americanos Março de 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas – Estudos Ingleses e Norte-Americanos realizada sob a orientação científica da Professora Doutora Isabel Oliveira Martins. Show me a hero and I will write you a tragedy. F. Scott Fitzgerald AGRADECIMENTOS À minha orientadora, a Professora Doutora Isabel Oliveira Martins, pela confiança e pelo carinho nesta jornada e fora dela, por me fazer amar e odiar os Estados Unidos da América em igual medida (promessa feita no primeiro ano da faculdade), por me ensinar a ser cúmplice de Twain, Fitzgerald, Melville, McCarthy, Whitman, Carver, tantos outros. Agradeço principalmente a sua generosidade maior e uma paixão que contagia. Às Professoras Iolanda Ramos e Teresa Botelho, por encorajarem o meu investimento académico e por me facultarem materiais indispensáveis nesta dissertação, ao mesmo tempo que contribuíram para o meu gosto pela cultura inglesa e norte-americana. À professora Júlia Cardoso, por acreditar nesta demanda comigo e me fazer persistir até chegar a bom porto. Ao Professor João Maria Mendes, para sempre responsável pela minha paixão pelas narrativas, pelos heróis, pelo prazer de contar histórias que se mostram, pelo gosto de construir personagens que falham constantemente e que constantemente se reerguem. Aos meus pais, por me deixarem continuar a estudar. THE ONE WHO KNOCKS: THE HERO AS VILLAIN IN CONTEMPORARY TELEVISED NARRATIVES MARIA JOÃO BRASÃO MARQUES RESUMO PALAVRAS-CHAVE: herói, anti-herói, protagonista, storytelling televisivo, revolução criativa, paradigma do herói, vilão. -
Volume 63, Number 09 (September 1945) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1945 Volume 63, Number 09 (September 1945) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 63, Number 09 (September 1945)." , (1945). https://digitalcommons.gardner-webb.edu/etude/202 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Qualities . Successful Elementary Teaching Pieces Should Have / EDUCATIONAL POINTS / APPEALING TO PUPIL /MELODY /PLEASING TO These Favorite Easy Piano LISTENERS /ADHERENCE TO GRADE /ATTRACTIVELY PUBLISHED Pieces Have Such Qualities GRADE TWO—Legato and Staccato GRADE ONE—Various Keys Cat. No. Title Composer Price Price Cat. No. Title Composer 19219 Humming Birds’ Lullaby M. L. Preston .25 A descriptive little number giving an Ella Ketterer .30 opportunity for 23666 The Bobolink legato practice. Key of G. May be both played and sung. 25292 Hawaiian Nights .Daniel Rowe .25 Frank H. Grey 35 8400 The Contented Bird Very popular with young pianists. in In fancy one can hear This little piano piece is very popular. Written mostly the steel guitar and ukulele in the dreamy waltz melody, quarter and eighth notes. Key of F. -
Exhibition Outline
PRESS RELEASE Exhibition Outline For sixty years, Yoko Ono (1933-) has freely worked across fields, connecting things that are different and producing new creative circuits among people and media. Although Ono has usually been discussed in the context of post-war American art, this exhibition will place her art in the context of her native Tokyo. Through materials documenting her early pieces, artworks she created in Tokyo in the 1950s, ‘60s and ‘70s, and recent works and installations, it will reveal how Ono’s activities connect modern and contemporary; Europe, Japan, and the United States; art and music and literature; avant-garde and popular culture; and society and the individual. As a pioneer of conceptual art that took her distinctive method of the use of words and language as its nucleus, Ono at times turned people’s attention to serious issues using humor and other strategies. This exhibition will offer an excellent opportunity to look back from our perspective today at Yoko Ono’s development in a remarkably international environment in Tokyo. Exhibition Highlights ■ In the 1930s, Ono received an education in music at Jiyu Gakuen kindergarten. There, she had contact with thinking that recognized no distinction between art and life, such as in composing music on the basis of a clock’s ticking and other everyday sounds. This was many years before her contact with American music trends in the 1950s and ‘60s. The exhibition will show the experiences shaping Ono’s youthful sensibilities before she embarked on an art career, as well as artworks she undertook in her teens. -
Kids Killed in Crash FAIREST of the FAIR a Lansing Mother and Two of Learned at Press Time
.-?*, --*--•. • ' *i»* ^. ;,i-r)iUA», ^ni^'^.u *. -«:^''WvS.' iii,i'f ;i,. j. ,\ .-,-. '-. V,,'.. .^ . ,* r t : &***;.* w-. 11.3th Year, No. 26 ST. JOHNS, MICHIGAN — THURSDAY,, OCTOBER 24, 1968 2 SECTIONS — 32 PAGES' 15 Cents Mom, 2 kids killed in crash FAIREST OF THE FAIR A Lansing mother and two of learned at press time. The little her children were killed early boy who was injured, however, St. Johns. Homecoming Queen Shari Uszew- Tuesday afternoon when the car. Is named Adam, and he Is about ski presented this striking picture while reign she was driving slammed into a 3 years old. He was reported in tree on Francis Road and split "fair" condition at Clinton Me ing over homecoming festivities at the dance' In half. Another son was injured. morial Hospital. following Friday's 46-7 football victory over •* The motherwasMrsLindaKay The triple fatality raised the, I I* Alma. Shari is the daughter of Mr and Mrs Catrl, 28, of 6300 S. Washington county's traffic death toll to 27, Avenue, Lansing. The names of about >340 per cent higher than A. A. Liszewsk'i of 205 W. McConnell Street. the children had not yet been at the same time lastyear. —CCN photo by Ed'Cheeney. The Clinton County Sheriff's Department was still tryihg to locate the husband and father of CLINTON COUNTY i the victims late Tuesday after noon in an effort to determine Political glow, traffic deaths which way Mrs Cairl might have — Clinton-County News oolorphoto fay Lowell G. Binker • i been driving. Her car hit a two- Since January 1, 1968 foot-in-diameter tree of thewest "•* - side of'Francis Road, about a Perfect autumn day for a field trip apparent half-mile south of M-21. -
En Décembre 1960, Yoko Ono Loue Un Loft Au 112 Chambers Street À New York
Peintures instructions Instruction Paintings En décembre 1960, Yoko Ono loue un loft au 112 Chambers Street à New York. Le lieu est un atelier mais aussi un espace sommairement aménagé dans lequel pendant plus de six mois, avec le compositeur La Monte Young, elle présente de nombreux events d’artistes, musiciens, danseurs et compositeurs. Ces œuvres mêlent musique, art visuel et performance, et brouillent les distinctions traditionnelles. Ces « concerts » accueillent un public nombreux parmi lequel John Cage, Marcel Duchamp, Henry Flynt, Simone Forti, Peggy Guggenheim, Jasper Johns, George Maciunas, Robert Rauschenberg… Mais, c’est en été 1961 qu’elle réalise sa première exposition personnelle à l’AG Gallery de New York à l’invitation de George Maciunas, architecte, designer et co-directeur de la galerie. À cette occasion, elle y expose des œuvres connues sous le nom de « peintures instructions ». L’instruction est un texte, un poème, une indication écrite ou orale, qui existe préalablement à la peinture et qui peut emprunter diverses formes et supports : peintures, films, performances, events… Pendant l’exposition, Yoko Ono transmet verbalement ses instructions, ou elle utilise des cartes manuscrites invitant le visiteur à compléter l’œuvre, rendant le résultat imprévisible. Elle souhaite que ses instructions soient réalisées par qui le souhaite. La première de ses instructions remonte à 1953. Disparues à l’issue de l’exposition, ces « peintures instructions » ont été refaites en 2015. In December 1960, Yoko Ono rented a loft at 112 Chambers Street, New York. It was a sparsely furnished space, which she used as a studio and as a place where, during a period of over six months, she and composer La Monte Young put on a series of events involving artists, musicians, dancers and composers. -
Featuring John & Yoko's Year of Peace
IMAGINE PEACE IMAGINEyoko ono PEACE yoko ono YokoOnoCatalog.indd 1 6/28/07 2:03:37 AM Cover Image Yoko Ono Imagine Peace, 2007. Billboard installation, Dimensions variable. © Yoko Ono 2007 Courtesy of Lenono Photo Archive YokoOnoCatalog.indd 2 6/28/07 2:03:38 AM YOKO ONO IMAGINE PEACE Featuring John & Yoko’s Year of Peace Kevin Concannon, Curator of the Exhibition John Noga, Assistant Curator and Production Manager Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron 6 July – 7 September 2007 Department of Art and Art History / The University of Texas at San Antonio 26 September – 28 October 2007 Rod Bengston, Director, University Art Galleries Del Rey Loven, Director, Mary Schiller Myers School of Art James M. Lynn, Interim Dean, College of Fine and Applied Arts Published by The University of Akron, Akron, Ohio, 2007. Essays copyright the authors 2007. All artworks and photographs copyright Yoko Ono unless otherwise indicated. All photographs courtesy Lenono Photo Archive unless otherwise indicated. YokoOnoCatalog.indd 3 6/28/07 2:03:38 AM IMAGINE PEACE Kevin Concannon, Ph.D. A simple message, delivered on billboards, posters, postcards, badges, T-shirts and rubber stamps, Imagine Peace exists as a seed, activated individually and collectively in the minds and actions of those who encounter it. Like much of Yoko Ono’s artwork over the past forty years, Imagine Peace is a work that is dependent upon a collective realization on the part of YokoOnoCatalog.indd 12 6/28/07 2:03:39 AM her audience. As she declared in her 1972 single, Now Or Never, “A dream you dream alone is only a dream, but a dream we dream together is reality.” As is often the case with her work, this germinating idea is manifested in multiple variations. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Richard Kostelanetz
Other Works by Richard Kostelanetz Fifty Untitled Constructivst Fictions (1991); Constructs Five (1991); Books Authored Flipping (1991); Constructs Six (1991); Two Intervals (1991); Parallel Intervals (1991) The Theatre of Mixed Means (1968); Master Minds (1969); Visual Lan guage (1970); In the Beginning (1971); The End of Intelligent Writing (1974); I Articulations/Short Fictions (1974); Recyclings, Volume One (1974); Openings & Closings (1975); Portraits from Memory (1975); Audiotapes Constructs (1975); Numbers: Poems & Stories (1975); Modulations/ Extrapolate/Come Here (1975); Illuminations (1977); One Night Stood Experimental Prose (1976); Openings & Closings (1976); Foreshortenings (1977); Word sand (1978); ConstructsTwo (1978); “The End” Appendix/ & Other Stories (1977); Praying to the Lord (1977, 1981); Asdescent/ “The End” Essentials (1979); Twenties in the Sixties (1979); And So Forth Anacatabasis (1978); Invocations (1981); Seductions (1981); The Gos (1979); More Short Fictions (1980); Metamorphosis in the Arts (1980); pels/Die Evangelien (1982); Relationships (1983); The Eight Nights of The Old Poetries and the New (19 81); Reincarnations (1981); Autobiogra Hanukah (1983);Two German Horspiel (1983);New York City (1984); phies (1981); Arenas/Fields/Pitches/Turfs (1982); Epiphanies (1983); ASpecial Time (1985); Le Bateau Ivre/The Drunken Boat (1986); Resume American Imaginations (1983); Recyclings (1984); Autobiographicn New (1988); Onomatopoeia (1988); Carnival of the Animals (1988); Ameri York Berlin (1986); The Old Fictions