LDS Guitar Hymns: Volume 1 by Dan Bunker
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Smooth Jazz Magazine February 06.Pdf
2 SmoothJazz Magazine Let the music take you . 31 28 14 F E AT U R E S 38 TRAVEL DESTINATION 14 ALEXANDER ZONJIC DETROIT the HOME of SUPERBOWL XL 28 SMOKEY ROBINSON LEGACY–Still Croonin’ 31 KEM Music For The Ages 42 38 ANITA BAKER In Depth With Anita 42 KEVIN TONEY Is Right on Time 59 18 23 52 D E PA R T M E N T S 7 JAZZ NOTES & BIRTHDAYS 12 ON STAGE LIFESYTYLE 18 - CAMERON SMITH 50 - GRAMMY PRELUDE and the nominees are... 50 23 STAR LOUNGE - STACY KEACH 27 CONCERT REVIEW - EARL KLUGH 52 RISING STAR - MIKE PHILLIPS 59 REMEMBERING... - SHIRLEY HORN 60 CD REVIEWS 62 RADIO LISTINGS 64 JAZZLE PUZZLE 65 CD RELEASES 66 CONCERT LISTINGS 70 TRAVEL PLANNER ™ Let the music take you . M A G A Z I N E VOLUME 2 ISSUE 1 January / February 2006 PUBLISHER/CEO Art Jackson RESEARCH DIRECTOR Doris Gee MARKETING DIRECTOR Mark Lawrence Burwell ART DIRECTOR Danielle Cheek COPY EDITORS Karly Pierre, Teresa Fowler CONTRIBUTING WRITERS Ahli Love PHILADELPHIA Amy Rogin LOS ANGELES Belinda Harris DETROIT Cheryl Boone VIRGINA BEACH Karly Pierre LOS ANGELES Jonathan Barrick LOS ANGELES M.L. Burwell LOS ANGELES S TAFF PH OTOG RA PH E R Ambrose CONTRIBUTING PHOTOGRAPHERS Amy Rogin, Diane Hadley, Joseph D. Williams, Mann ADVERTISING SALES David Facinelli Facinelli Media Sales 1400 E. Touhy Ave., Suite 260 Des Plaines, IL 60018 727-866-9647 Tel 727-866-9222 Fax [email protected] SmoothJazz Magazine Inc. office: 3748 Keystone Avenue, Suite #406 Los Angeles, CA 90034 tel: 310.558.4698 Fax: 952.487.4999 email: [email protected] www.smoothjazzmag.net Talk To SmoothJazz Magazine Inc. -
Led Zeppelin
For Linda, Evie, Mollie and Michael – always. Author’s Note While I have been fortunate over the years to have enjoyed the company of various ex-members and/or former employees of Led Zeppelin, it should be born in mind at all times that this is an unauthorised biography, written objectively and with no undue pressure from any outside influence to do anything other than tell the story as I honestly see it. It should also be clearly understood that the italicised ‘flashback’ passages of the text are not the actual words of Jimmy Page, Robert Plant, John Bonham, John Paul Jones and Peter Grant, nor are they actual quotes. Whilst they are all based on thorough biographical research, the facts of which can be found in the Notes & Sources section at the end of this book, the words themselves are the product of my imagination. Contents Prologue – Heaven Part One: Ascension! 1. The Dawn of Now 2. Daze of My Youth 3. Light and Shade 4. Going To California 5. High in the Sky 6. Cannons! 7. Cracking the Whip 8. A Bustle in Your Hedgerow Part Two: The Curse of King Midas 9. So Mote It Be 10. All That Glitters 11. We Are Your Overlords 12. The Golden Gods 13. The Devil in His Hole 14. Caesar’s Chariot 15. The Outhouse 16. To Be A Rock… Epilogue – Gone, Gone, Gone… Notes and Sources Index Acknowledgements Prologue Heaven It could happen anywhere but it always happened best in America. Land of milk and honey, world of infinite possibility. -
MGS Guitarist Mar/Apr
A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 MARCH/APRIL 2007 VOL. 23 NO. 2 GetGet aa Klugh!Klugh! EarlEarl KlughKlugh solosolo concertconcert Saturday March th pm LuteLute Sweet!Sweet! NigelNigel NorthNorth Saturday April st pm Also In This Issue Interview with Nigel North Local Artists concerts by Matthew Dorn and Brent Weaver Youth Guitarathon registration form and more News and Notes Minnesota Guitar Society Board of Directors Newsletter EDITOR OFFICERS: BOARD MEMBERS: Paul Hintz PRESIDENT Joe Haus Christopher Kachian Steve Kakos PRODUCTION VICE-PRESIDENT Joanne Backer Alan Norton i draw the line, inc. ARTISTIC DIRECTOR Joe Hagedorn Annett Richter David’s Print Shop TREASURER Jim Campbell Daniel Sturm Kuan Teoh Web Site Production MANAGING DIRECTOR Paul Hintz Todd Tipton Amy Lytton SECRETARY Patrick Strother Brent Weaver <http://www.mnguitar.org> Minnesota Guitar Society To reserve tickets Mission Statement for any Sundin Hall To promote the guitar, in all its stylistic and cultural diversity, through our newsletter and through our sponsorship of concert, call our public forums, concerts, and workshops. phone line at To commission new music and to aid in its promotion, publication, and recording. 612-677-1151 To serve as an educational and social link between amateur and professional guitarists and the community. and leave a To promote and help create opportunities for Minnesota guitarists message. and players of related instruments. As a member of the Minnesota Guitar Society, you receive ticket discounts on all MGS-sponsored events, a year’s subscription to the Guitarist and the opportunity to place free classifieds in each issue. -
Het Zachte Akoestische Gitaargeluid Van Earl Klugh
HET ZACHTE AKOESTISCHE GITAARGELUID VAN EARL KLUGH Heel wat mensen in jazz vinden dat smooth jazz het label jazz niet waardig is. Het zou volgens hen meer een vorm van (meestal) instrumentale jazzmuziek zijn, waarbij een leuke melodie de hoofdbrok vormt en er geen ruimte over is voor improvisatie. Artiesten in dit segment hebben daar uiteraard onder te lijden, en dat is ook het geval voor de Amerikaanse gitarist Earl Klugh. Tussen 1972 en 1979 kwam er uit jazzfusion en meer pop- en urban gerichte stijl voort. Dat was voor een groot deel te danken aan Creed Taylor’s CTI label. Grover Washington’s ‘Mr. Magic’ en Bob James’ cover van ‘Feel Like Making Love’ uit 1974 zijn twee voorbeelden van wat toen eigentijdse jazz genoemd werd. Verschillende radiostations begonnen een show met die muziek te voorzien, zoals ‘Jazz Flavors’ van Russ Davis uit Altanta. Uiteindelijk werd op Valentijnsdag in 1987 in L.A. KTWV ‘The Wave’ gelanceerd als smooth jazz radiostation. Earl Klugh had echter in 1976 zijn debuut voor Blue Note Records uitgebracht, met zijn eigen instrumentale sound. Hij gebruikte elementen uit pop, country, soul en Latin en jazz en speelde die op akoestische gitaar. Niemand die toen dacht dat Earl’s muziek later als smooth jazz, instrumentale pop, eigentijdse jazz of fusion zou omschreven worden. Earl werd geboren in Detroit op 16/9/1954. Hij studeerde piano op driejarige leeftijd en pakte al op zijn tiende de elektrische gitaar beet. Later ging hij werken in een lokale muziekwinkel en bezocht samen met zijn moeder de Baker’s Keyboard Lounge. -
The Kazaa Ruling Oz Court Forces Music Biz Into Action >P.12 the Music Upfront Labels Tighten Links with Consumer Brands >P.32
KANYE'S BUSH BASHING IGNITES HIP -HOP PASSIONS >os #BXNCTCC SCH 3-DIGIT 90', IIIIIIII111I11I1II1III111I11III1I11III I II111II #BL2408043# FPRO6 A04 B009: MONTY GR.ETIL1 3740 ELM A\.E # A TONG BEACH CA 90807 -340 SEPT FOR MORE THAN 110 YEARS 17 2005 DOUBLE WHAMMY OIL PRICES, KATRINA ADD TO INDUSTRY WOES >P.5 THE KAZAA RULING OZ COURT FORCES MUSIC BIZ INTO ACTION >P.12 THE MUSIC UPFRONT LABELS TIGHTEN LINKS WITH CONSUMER BRANDS >P.32 U NT'S 55.99US E8.99CAP 74470 6.99, CAN $8.39, UK 8.95, JAPAN Y2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com music.yahoo.com LET EHERE BE INO , 1 !r -on 11 r Over a million songs. 5 bucks a month. THIS IS HUGE. M MUSICrMUNLIMITED O N YIAHOO ! www.americanradiohistory.com SAVE THE BATE: ems Billb.aral SEPTEMBER 17, 2005 DAncE music summIT VOLUME 117, NO. 38 Union Sq.Jare Ballroom, NYC bil boardeverts.com ON THE CHARTS KOMI ALBUMS PAGE ARTIST / TITLE UPFRONT KANYE WEST / 5 News THE BILLBOARD 200 46 LATE REGISTRATION NICKEL CREEK / 15 Legal Matters TOP BLUEGRASS 56 WHV SHOULD THE HRE DIE? 16 Global YO -YO MA/THE SILK ROAD ENSEMBLE / 70P CLASSICAL '= 61 `r '" SILK ROAD JOURNEYS.: BEYOND THE HORIZON 18 The Indies TOP CLASSICAL CROSSOVER r 61 0 / 19 Retail Track BROOKS & DUNN / 20 Making The Brand TOP COUNTRY 56 HILLBILLY DELUXE GORILIAZ / 22 On The Road, Boxscore TOP ELECTRONIC F 59 DAYS DEMON 24 Touring KANYE WEST / TOP INTERNET 62 LATE REGISTRATION 25 Digital Entertainment TOP MICHAEL NUBLE / JAZZ 61 IT'S TIME 26 Q&A: Joe DiMuro HERBIE K / TOP CONTEMPORARY JAZZ 61 POSS IOILITIES COVER STORY SHAKIRA / TOP LATIN 58 FUACION ORAL VOL. -
NORFOLK WATERFRONT JAZZ FESTIVAL * Rain Or Shine the Longest Running Outdoor Jazz Festival Town Point Park, Downtown Norfolk Waterfront, Virginia
120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org For more information: Media Release Norfolk Festevents For Immediate Release Media contact: Jason Nichols June 16, 2015 P: (757) 441-2345 E: [email protected] NORFOLK WATERFRONT JAZZ FESTIVAL * Rain or Shine The Longest Running Outdoor Jazz Festival Town Point Park, Downtown Norfolk Waterfront, Virginia. NORFOLK, VA (June 16, 2015) – Hampton Roads’ longest running outdoor Jazz Festival returns for two nights along the Downtown Norfolk Waterfront, Friday, July 17 & Saturday, July 18, 2015, starting at 5:00pm. On a warm summer evening, relax to the legendary sounds of top national Smooth Jazz and R&B recording artists. Tickets are now on sale online at www.festevents.org. What: 33rd Annual Norfolk Waterfront Jazz Festival When: Friday, July 17: 5pm-11pm Saturday, July 18: 5pm-11pm Where: Town Point Park, Downtown Norfolk Waterfront, Virginia Ticket Information: • General Admission: Open Lawn seating; please bring your own chair. • Friday and Saturday - $30 each day at the gate -Children: Children 12 and younger are free • 2-day General Admission Combo Ticket $49 in advance only • Reserved Seating 2-day Combo Ticket $69 in advance only • The New Journal and Guide VIP Jazz Club: The New Journal and Guide VIP Jazz Club provides an amazing festival experience with access to an exclusive VIP Area that offers private gourmet catering and bar service at special prices. The New Journal and Guide Jazz Club VIP’s will receive complimentary non-alcoholic beverages, complimentary cocktail hour hors d' oeuvres and private restrooms. -
April 7-9, 2011
Colorado Springs April 7-9, 2011 Peabo Bryson David Sanborn Brian Culbertson Nnenna Freelon Earl Klugh www.weekendofjazz.com Contact: The BROADMOOR Allison Scott, Director of Communications [email protected] | 719.577.5718 WEEKEND OF JAZZ RETURNS TO THE BROADMOOR FOR AN EIGHTH SEASON Grammy Award-Winning Artist Earl Klugh Is Back This April! Presented by AirTran Airways. “Go. There’s Nothing Stopping You.” Sponsored by Hertz, SmoothJazz.com and FIJI Water Colorado Springs, Colo. (January 12, 2011) – What started as a group of talented friends getting together to share their passion for music has grown into a BROADMOOR tradition. GRAMMY® award-winning guitarist EARL KLUGH invites jazz and music enthusiasts to experience a unique, luxurious getaway weekend for the Eighth Annual Weekend of Jazz, April 7-9, 2011. Join 2-time GRAMMY® winning vocalist PEABO BRYSON, 6-time GRAMMY® winning saxophonist DAVID SANBORN, multi-instrumentalist BRIAN CULBERTSON, vocalist NNENNA FREELON, and Weekend of Jazz artist and producer EARL KLUGH. TWO NIGHT PACKAGE INCLUDES: •Standard Accommodations for Friday and Saturday nights •Tickets to Friday and Saturday night performances •Admission to late-night shows in the Hotel •Admission to Saturday afternoon VIP Artist Experience •40% discount on Suite upgrade •Complimentary Serenity Shower or Tub Soak with purchase of $100 in spa services •15% discount on select retail Package prices start at $199 per person/per night, based on double occupancy. Limited availability. Not applicable to groups. Rate does not include taxes, service fees or parking. *Available Exclusively for Our Three-Night Weekend Package: An additional night of entertainment on Thursday, April 7, with Nnenna Freelon. -
THINGS Das BEATLES-Fanheft Vom Beatles Museum
:THINGS das BEATLES-Fanheft vom Beatles Museum Seit Herbst 2020 gibt es jede Ausgabe zwei Mal: THINGS DEUTSCH und THINGS ENGLISH. Inhaltsangaben alles bisher erschienenen THINGS-Hefte Nachstehend die Inhalte alles bisher erschienenen THINGS-Hefte. Wenn Du noch nicht Mitglied bist, würden wir uns sehr freuen, wenn wir Dir THINGS zuschicken dürfen. Die Angaben findest Du auf der letzten Seite. Wenn Du schon Mitglied bist, könnte vielleicht das ein oder andere ältere Heft für Dich von Interesse sein. Oder Du verschenkst mal eine Ausgabe an jemanden, der THINGS noch nicht kennt. In diesem pdf-Dokument kannst Du nach bestimmten Themen suchen. Auflistung noch in Arbeit, Fehler vorbehalten. November 1977: BEATLES-Heft (Nachdruck) THINGS 1 Herausgeber: Beatles Museum, Deutschland. Heft / A5-Format / 24 Seiten / mit Schwarzweiß-Fotos / deutschsprachig. Inhalt: Titelfoto: THE BEATLES am 4. September 1962 in EMI STUDIOS. Hello (Editorial). SOMETHING NEW: BEATLES-Bootleg-Vinyl-Single THREE COOL CATS. / BEATLES-Counterfeit-Vinyl-Single KOMM, GIB MIR DEINE HAND. / BEATLES-Doppel-Vinyl-LP LOVE SONGS. / Something New. / RINGO STARR-Song Just A Dream nur auf Vinyl-Single. / BEATLES-Buchclub-Vinyl-LP LIVE AT THE STAR-CLUB. / RINGO STARR äußert sich zum Erscheinen der BEATLES-STAR-CLUB-Aufnahmen. / PAUL McCARTNEY: LP WATER WINGS lässt weiter auf sich warten (wird später als LONDON TOWN veröffentlicht). / BEATLES-Vinyl-LP-Box in Frankreich erschienen (u.a. mit Vinyl-LP THE BEATLES (WHITE ALBUM), jedoch als BACK IN THE USSR bezeichnet). / BEATLES-Bücher LOVE ME DO, A HARD DAY’S NIGHT und HELP! in England neu erschienen. / Fanclub BEATLES UNLIMITED will Magazin-Sonderausgaben veröffentlichen: THE BEATLES CHRISTMAS SPECIAL, über BEATLES-Live-Auftritte und BEATLES-Veröffentlichungen in Ost-Europa. -
Chieli Minucci's
JazzWeek with airplay data powered by jazzweek.com • Aug. 3, 2005 Volume 1, Number 36 • $7.95 In This Issue: Stem Cell Match Sought for Michael Brecker . 4 Charles Mingus Honored at San Sebastian . 5 Bassist Al McKibbon, 86, Passes . 6 Reviews and Picks . 14 Jazz Radio . 17 Smooth Jazz Radio. 22 Radio Industry Q&A: Panels. 26 News. 4 TODD BARKAN page 9 Charts: #1 Jazz Album – Clayton-Hamilton Jazz Orch. #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger MUSIC EDITOR e had hoped to roll out our newest chart in this Tad Hendrickson CONTRIBUTING EDITORS issue, a College Jazz Chart, but we’ll have to wait Keith Zimmerman Wone more week. The chart, monitored and tabu- Kent Zimmerman CONTRIBUTING WRITER/ lated by Mediaguide, will include stations not part of the PHOTOGRAPHER current jazz panel. As I mentioned last week, we’re going Tom Mallison to introduce it as a “beta” – we’ll publish a few issues to al- PHOTOGRAPHY Barry Solof low labels, stations, and promoters to have a look-see and get their ducks in a row before the final launch in con- Founding Publisher Tony Gasparre junction with the ever-approaching fall semester. ADVERTISING: Call (585) 328-3104 or email: [email protected] I’m always fascinated by the careers of people who have made a life in jazz radio, promotion, records, etc. It makes SUBSCRIPTIONS: Prices in US Dollars: Charter Rate: $199.00 per year, me wonder if those opportunities even exist when I hear JazzWeek w/ Industry Access – Charter Rate: $249.00 per year the life stories of people who’ve had those amazing ca- To subscribe using Visa/MC/Discover/ reers. -
September/October 2006
A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 SEPTEMBER / OCTOBER 2006 VOL. 22 NO. 5 SeasonSeason atat SundinSundin Begins!Begins! DavidDavid ServaServa FlamencoFlamenco mastermaster Saturday September pm LorenzoLorenzo MicheliMicheli ItalianItalian virtuosovirtuoso Saturday October pm Inside This Issue Sundin Hall concert details Local Artists Series concert with Tre Corda and Sendero Flamenco CD reviews News and Notes Minnesota Guitar Society Board of Directors BOARD MEMBERS Newsletter Alan Norton EDITOR PRESIDENT Bob Owen Paul Hintz Joe Haus Brent Weaver PRODUCTION VICE-PRESIDENT Annett Richter i draw the line, inc. Joanne Backer Kuan Teoh David’s Print Shop MANAGING DIRECTOR Steve Haskin Paul Hintz Joe Hagedorn Web Site Production SECRETARY Steve Kakos Amy Lytton Christopher Kachian Gene Swanson <http://www.mnguitar.org> TREASURER Lisa McGowan Jim Campbell Daniel Sturm Patrick Strother Minnesota Guitar Society Mission Statement To promote the guitar, in all its stylistic and cultural diversity, through our newsletter and through our sponsorship of public forums, concerts, and workshops. To commission new music and to aid in its promotion, publication, and recording. To serve as an educational and social link between amateur and professional guitarists and the community. To promote and help create opportunities for Minnesota guitarists and players of related instruments. As a member of the Minnesota Guitar Society, you receive ticket discounts on all MGS-sponsored events, a year’s subscription to the Guitarist and the opportunity to place free classifieds in each issue. To join the Minnesota Guitar Society, please fill out the information on this coupon and mail it to: Minnesota Guitar Society, P.O. -
Earl Klugh, Musiq Soulchild, Richard Elliot, Pamela Williams
120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Media Release For Immediate Release For more information: April 7, 2015 Norfolk Festevents Media contact: Ted Baroody P: (757) 441-2345 E: [email protected] Earl Klugh, Musiq Soulchild, Richard Elliot, Pamela Williams and Generation neXt featuring Nicholas Cole, Lin Rountree & Lebron Performing at the 33rd Annual Norfolk Waterfront Jazz Festival Norfolk, Virginia (April 14, 2015) - Norfolk Festevents has released the full line up of national Jazz and R&B recording artists to perform at the 33rd Annual Norfolk Waterfront Jazz Festival on Friday, July 17 and Saturday, July 18, 2015, 5pm-11pm each day at Town Point Park along the Downtown Norfolk Waterfront. Tickets on sale now at www.Festevents.org, by calling 757 441-2345 or by visiting the Festevents Box Office, 120 W. Main Street, Norfolk. FRIDAY, JULY 17, 2015 Earl Klugh 9:30 pm Richard Elliot 7:45 pm Generation neXt 5:30 pm featuring Nicholas Cole, Lin Rountree & Lebron SATURDAY, JULY 18, 2015 Musiq Soulchild 9:45 pm Pamela Williams 8:00 pm Generation neXt 6:30 pm featuring Nicholas Cole, Lin Rountree & Lebron 120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Earl Klugh, Friday, July 17, 2015 at 9:30pm Raised in the exciting cauldron of Motor City music, Earl Klugh absorbed a wide spectrum of influences from Atkins and Wes Montgomery to Sergio Mendes, Laurindo Almeida and guitar music from Brazil, Argentina and Spain. The pop tunes of Burt Bacharach and the Beatles, as well as The Funk Brothers, Motown’s legendary studio- session band, were also part of the mix, along with the lyrical jazz piano of Bill Evans. -
“Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies Dissertation Presented in Partial F
“Slightly Overlooked Professionally”: Popular Music in Postmillennial Romantic Comedies Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy By Elizabeth Kirkendoll, MM Graduate Program in Music The Ohio State University 2018 Dissertation Committee: Danielle Fosler-Lussier, Adviser Arved Ashby, Co-Adviser Sean O’Sullivan Daniel Goldmark Copyright by Elizabeth Kirkendoll 2018 Abstract In recent years film scholars has turned their attention to the cinematic conventions of romantic comedies. Tamar Jeffers McDonald, Deborah Jermyn, and Stacey Abbott have advocated for the scholarly merits of the genre; these scholars posit that through romantic comedies, we can trace developments in women’s rights and feminist critiques of hegemonic masculinity. Scholars have recently focused attention on popular music in film, as well, and argued for its inclusion in serious musical study in works such as The Sounds of Commerce: Marketing Popular Film Music (Jeff Smith, 1998), Soundtrack Available: Essays on Film and Popular Music (ed. Pamela Robertson Wojcik and Arthur Knight, 2001), and Pop Fiction: The Song in Cinema (ed. Steve Lannin and Matthew Caley, 2005), among others. Nonetheless, romantic comedies are largely missing from the discourse about popular music, possibly because of the common assumption that the genre’s conventions hold no merit as a subject for academic investigation. Based on information gathered from romantic comedy audiences this dissertation makes the case that postmillennial romantic comedies deploy popular song conventions to underscore character development, create irony, and question the validity of the happy ending. Thus, rather than conveying superficial messages of romance, songs in postmillennial romantic comedies destabilize a postfeminist ideology that asserts the achievement of gender equality.