MGS Guitarist Mar/Apr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
8Th RESIDENTIAL SUMMER MUSIC ACADEMY
13th – 20th July 2013 CANDILI, EUBOEA, GREECE 8th RESIDENTIAL SUMMER MUSIC ACADEMY Applications are invited to Singers and Lute Players, to attend a week of Masterclasses, Lessons, Concerts, and related activities, with the Counter-Tenor, Michael Chance, in the historic and stunning setting of Candili, on the Island of Euboea (Εύβοια), Greece. As in the past, there will be a range of musical activity, with ample opportunity to attend classes, have private tuition, work with accompanists, perform daily, and enjoy leisure time on the famed estate. The landscape around Candili is idyllic, with natural forest, mountains, and beaches all close by. Michael Chance We are delighted to welcome our distinguished friends, Lyric Soprano Lynne Dawson, Head of the School of Vocal Studies at RNCM, Manchester, UK, Lutenist Paul Beier, with whom Michael regularly performs, and the experienced Alexander Technique teacher Fiona Tree, of the Royal Conservatorium in The Hague, Holland. There will be harpsichord and piano accompaniment available for singers in lessons and classes. The cost will be 700 Euros for the full week or 350 Euros for the final days (Thursday morning, 18th July – Saturday evening, 20th July), during which the final concert will take place. This covers Lynne Dawson accommodation, three daily meals, and all tuition. Single rooms may be possible by arrangement. The cost for non-participating partners, or friends, will be 65 Euros per day, on a room-sharing basis. You are invited to send your application, using the form at http://www.michaelchancecountertenor.co.uk/masterclasses/ Please include a short biography, and singing experience. Successful applicants will then receive more details about the content of the course, and the request to pay a registration fee of 50 Euros, by bank transfer. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
572178Bk Johnson US 17/8/10 13:15 Page 4
572178bk Johnson US 17/8/10 13:15 Page 4 Nigel North Born in London, Nigel North has been Professor of Lute at the Early Music Institute, Indiana University, Bloomington since 1999. Initially inspired into music, at the age of seven, by the early 1960s instrumental pop group The Shadows, he studied classical music through the Robert violin and guitar, eventually discovering his real path in life, the lute, when he was fifteen. Basically self taught on the lute, he has since JOHNSON 1976 developed a unique musical life which embraces activities as a teacher, accompanist, soloist, director and writer. His principal music passions apart from teaching are accompanying singers, the solo lute repertoires of Elizabethan England and late German Baroque music of Bach and Weiss. Recordings include a 4 CD box set Bach on the Lute (Linn Records) and 4 CDs of the Lute Music of John Dowland (Naxos The Prince’s 8.557586, 8.557862, 8.570449 and 8.570284). Photograph: Sophie North Almain and other Dances for Lute Nigel North, Lute 8.572178 4 572178bk Johnson US 17/8/10 13:15 Page 2 Robert Johnson (c. 1583–1633) contemporaries such as Ferrabosco, with its tightly same hall in 1611, had an antimasque which contained Lute Music woven counterpoint. Sadly Johnson left us only one. He The Fairies’ Dance and The Satyre’s Dance. The lute was most prolific in the Almain, leaving us ten version of the latter has not survived so the recorded The illustrious dedicatee of The Prince’s Almain is (also known as Lord Hunsdon) who oversaw his examples. -
About Jazz New York
July 2010 | No. 99 Your FREE Monthly Guide to the New York Jazz Scene aaj-ny.com KARL BERGER FREEdom In dIscIpLInE JAZZ NEWHOMEGROWN YORK’S ONLY GAZETTE Rufus Reid • John Butcher • NoBusiness • Event Calendar Welcome to AllAboutJazz-New York. This may sound strange after 98 issues and over eight years but you can tell from our new logo that something is different. With this issue, one shy of our Centennial, we are announcing our formal New York@Night separation from the All About Jazz.com website. From now on, we are a 4 completely independent entity (check us out online at aaj-ny.com). What does this mean for you, our valued readers? Not to worry...we will continue to bring you Interview: Rufus Reid the best that New York City has to offer its jazz fans. AllAboutJazz-New York will 6 by Ken Dryden still have its award-nominated feature coverage, slew of timely CD reviews and an Event Calendar matched by no one. And this new arrangement will allow us to Artist Feature: John Butcher expand our mission and better serve the city’s jazz community, the thing that has 7 by Stuart Broomer kept us going for so long. To that end, this month’s issue - which also can be used to fan yourself during On The Cover: Karl Berger the balmy summer days - features articles on vibraphonist/pianist/organizer Karl 9 by Martin Longley Berger (On the Cover), who curates The Stone this month and appears with Encore: Lest We Forget: various groups; ubiquitous bassist extraordinaire Rufus Reid (Interview) who leads his own trio for a weekend at The Kitano and adventurous and experimental 10 Herb Jeffries Illinois Jacquet saxophonist John Butcher (Artist Feature), appearing as part of the Whitney by Marcia Hillman by Donald Elfman Museum’s Christian Marclay: Festival as well as a couple of forays into Brooklyn. -
Fomrhi Comm 1986 C. J. Coakley DOWLAND's LUTE TUNING And
FoMRHI Comm 1986 C. J. Coakley DOWLAND’S LUTE TUNING and other ancient methods, including GERLE’S It is three years since I last wrote here, and recently further thoughts have developed. The initial interest was John Dowland’s temperament - but not for once his ‘melancholy’. This was given in terms of fret positions in his son Robert’s ‘Varietie of Lute Lessons’ of 1610 (Ref 1). The scheme has often been passed over, but without full examination and explanation. I considered a comment for the earlier Ref 2, but did not then have a neat treatment. People continue to be puzzled by the writing - recently Nigel North during his Lute Society talk in November 2010 (Ref 3), soon after recording Dowland’s complete solo lute works. At first I thought a short technical assessment of the usefulness of the tuning would be sufficient. This now forms the next three sections of this long paper, and initially it was to be combined with other work, in a brief four pages. I began to realize that a full treatment might be possible for Dowland’s fretting instructions. (Fretting or worrying is an aspect of melancholy.) During this research an equally important result has been an explanation of how Hans Gerle derived his fretting scheme, and the early significance of the method for setting up tempered tunings. A new study of the ancient uses of geometry and arithmetic has been necessary. This shows that Gerle’s scheme had remarkably ingenious theoretical features, which Dowland later modified in a rather expedient way. It has been possible to explain all the changes and their probable purpose. -
HANDPICKED July 30-August 4 • Blue Note
WWW.JAZZINSIDEMAGAZINE.COM AUGUST 2013 Interviews Andrew Cyrille David Chesky Satoko Fujii Francisco Mela Dizzy’s Club, August 19 Roy Hargrove Big Band Blue Note, August 20-25 Marcus Strickland EARL Jazz Standard, August 13-14 Comprehensive Directory of NY Club Concert KLUGH & Event Listings HANDPICKED E view Section! July 30-August 4 • Blue Note xpanded CD Re The Jazz Music Dashboard — Smart Listening Experiences www.ConcordMusicGroup.com www.Chesky.com www.WhalingCitySound.com www.SatokoFujii.com The Stone August 20-25 Like Us facebook.com/JazzInsideMedia Follow Us twitter.com/JazzInsideMag Watch Us youtube.com/JazzInsideMedia TJC14_Ad_Jazz Inside.pdf 1 4/26/13 5:31 PM 13TH ANNUAL SAILING OF THE JAZZ CRUISE WHERE EVERY PERFORMANCE IS SPECIAL Ernie Adams Tony Kadleck John Allred Tom Kennedy Shelly Berg Joe LaBarbera MUSIC DIRECTOR Christoph Luty Alonzo Bodden COMEDIAN Dennis Mackrel Randy Brecker Manhattan Transfer Ann Hampton Callaway Marcus Miller Quartet Quartet Bill Charlap Trio Bob Mintzer Clayton Brothers Lewis Nash Trio Quintet Dick Oatts C Freddy Cole Trio M Ken Peplowski Kurt Elling Quartet SHOW HOST Y Robin Eubanks Houston Person CM Quartet John Fedchock MY BIG BAND DIRECTOR John Pizzarelli CY Quartet JAN. 26-FEB. 2 David Finck Gregory Porter Quartet CMY Chuck Findley 2014 K Poncho Sanchez Bruce Forman Arturo Sandoval Nnenna Freelon Trio Gary Smulyan Wycliffe Gordon GOSPEL SHOW HOST Cedar Walton Trio Jimmy Greene Jennifer Wharton Jeff Hamilton Niki Haris Antonio Hart Tamir Hendelman Dick Hyman Tommy Igoe Sextet Sean Jones TO L L -FREE US & C ANADA FT LAUDERDALE • TURKS & CAICOS • SAN JUAN 888.852.9987 ST. -
Lute Tuning and Temperament in the Sixteenth and Seventeenth Centuries
LUTE TUNING AND TEMPERAMENT IN THE SIXTEENTH AND SEVENTEENTH CENTURIES BY ADAM WEAD Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University August, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. Nigel North, Research Director & Chair Stanley Ritchie Ayana Smith Elisabeth Wright ii Contents Acknowledgments . v Introduction . 1 1 Tuning and Temperament 5 1.1 The Greeks’ Debate . 7 1.2 Temperament . 14 1.2.1 Regular Meantone and Irregular Temperaments . 16 1.2.2 Equal Division . 19 1.2.3 Equal Temperament . 25 1.3 Describing Temperaments . 29 2 Lute Fretting Systems 32 2.1 Pythagorean Tunings for Lute . 33 2.2 Gerle’s Fretting Instructions . 37 2.3 John Dowland’s Fretting Instructions . 46 2.4 Ganassi’s Regola Rubertina .......................... 53 2.4.1 Ganassi’s Non-Pythagorean Frets . 55 2.5 Spanish Vihuela Sources . 61 iii 2.6 Sources of Equal Fretting . 67 2.7 Summary . 71 3 Modern Lute Fretting 74 3.1 The Lute in Ensembles . 76 3.2 The Theorbo . 83 3.2.1 Solutions Utilizing Re-entrant Tuning . 86 3.2.2 Tastini . 89 3.2.3 Other Solutions . 95 3.3 Meantone Fretting in Tablature Sources . 98 4 Summary of Solutions 105 4.1 Frets with Fixed Semitones . 106 4.2 Enharmonic Fretting . 110 4.3 Playing with Ensembles . 113 4.4 Conclusion . 118 A Complete Fretting Diagrams 121 B Fret Placement Guide 124 C Calculations 127 C.1 Hans Gerle . -
Guitar and Lute Music
SOLITARY REFINEMENT Music for Lute, Vihuela and Guitar Welcome to the intimate, colourful and versatile world of music for lute and guitar, instruments with an ancestry tracing back thousands of years and a fascinating repertoire reflecting the physical and social development of the instrument over the past five centuries. The music represented in the following pages traces the instrument’s journey from the refinements of the early sixteenth century to the more cutting-edge characteristics it has inspired from 20th-century composers. Collectors wishing to assemble recordings by composer will find noted representatives of successive historical periods, including the English Renaissance composer John Dowland, German baroque master Silvius Leopold Weiss, the Italian classical style of Mauro Giuliani, 19th-century Spanish greats Fernando Sor and Francisco Tárrega, plus a modern international spread of names including Joaquín Rodrigo and Leo Brouwer. There are also regional collections representative of guitar music not only from the instrument’s native Spain, but also from South American countries closely associated with the development of the instrument’s profile in the 20th century – Brazil, Argentina and Chile, for example – plus gems from Australia and Britain. Alternatively, the instrument’s range of technical and expressive capabilities can be sampled by choosing from an extensive set of solo recitals by an international roster of distinguished performers, not least in our highly successful and ever-expanding Guitar Laureate Series. Complementing the instrument’s image as a solitary instrument are recordings of ensemble works for two and three guitars, for guitar and piano, and Boccherini’s quintets for guitar and string quartet. -
VIOLINIST ANDREW MANZE and the ENGLISH CONCERT ENLIVEN EARLY MUSIC SERIES Chicago Period Violinist Andrew Manze Will Lead the English Concert on Friday, Nov
news release FOR IMMEDIATE RELEASE Contact: Cathy Sweitzer Director of Communications 773 / 834-7965 presents Tickets: 773 / 702-8068 October 3, 2005 VIOLINIST ANDREW MANZE AND THE ENGLISH CONCERT ENLIVEN EARLY MUSIC SERIES chicago Period violinist Andrew Manze will lead The English Concert on Friday, Nov. 11, 2005, as The University of Chicago Presents Early Music Series continues in Mandel Hall. The program will feature everything from a Bach Suite to Biber’sSonata Representativa, serving up the sounds of a cat, a frog, a cuckoo, a hen, a nightingale and a musketeer. the university of Manze will lead the sextet and comment from the stage in what has come to be his signature style -- equal parts scholarship and irrepressible wit. PROGRAM: “Baroque Untamed” Biber Part III Mensa Sonora Pachelbel Suite in F-sharp Minor Jenkins Pavan à 4 Castello Sonata per stromenti d’arco Purcell Fantasia à 4 Biber Two sonatas from Fidicinium sacro-profanum Biber Sonata Representativa Office of Professional Concerts 5720 S. Woodlawn Avenue J.S. Bach Suite in D Major, reconstructed from BWV1068 Chicago, Illinois 60637 773/702-8068 773/834-5888 fax [email protected] chicagopresents.uchicago.edu howard mayer brown early music series chamber music series saint paul chamber orchestra series artists-in-residence series The University of Chicago Presents 2005-2006 Season - Page 2 ABOUT ANDREW MANZE AND THE ENGLISH CONCERT Kent-born violinist Andrew Manze brings knowledge, experience and passion to his role as Director of The English Concert. While studying Classics at Cambridge, friends gave him a baroque violin to play. -
BACH Reimagines BACH Lute Works Bwv 1001, 1006A & 995 | William Carter BACH Reimagines BACH William Carter | Lute
BACH Reimagines BACH lute works bwv 1001, 1006a & 995 | William Carter BACH Reimagines BACH William Carter | lute JOHANN SEBASTIAN BACH (1685–1750) Sonata in G minor, BWV 1001 Suite in G minor, BWV 995 q Adagio ............................................ 3:43 s Prélude ........................................... 6:24 w Fuga ............................................... 5:50 d Allemande ..................................... 5:47 e Siciliana ......................................... 3:15 f Courante ........................................ 2:18 r Presto ............................................. 4:51 g Sarabande ...................................... 2:59 Gavotte I & II ................................ 4:47 Suite in E major, BWV 1006a h j Gigue ............................................. 2:56 t Prélude ........................................... 5:30 y Loure .............................................. 4:01 u Gavotte en Rondeau ...................... 3:47 i Menuett I & II ............................... 4:57 o Bourrée .......................................... 2:18 1) Gigue ............................................. 2:46 Total Running Time: 66 minutes BACH Reimagines BACH William Carter | lute Recorded at St Martin’s Church, East Woodhay, Berkshire, UK 25 – 27 August 2014 Produced and recorded by Philip Hobbs Post-production by Julia Thomas Lute After Frei by Martin Haycock (2003) Rebuilt as a Baroque ‘Swan Neck’ lute by Klaus Jacobsen (2008) Cover image Still Life with Chessboard by Lubin Baugin By permission of Bridgeman Images Design by toucari.live BACH Reimagines BACH ‘There is, of course, nothing definitive about an author’s intention. Most significant works of art can be read in various ways; that openness is, indeed, what helps make them significant.’ DAVID REYNOLDS I think it was the winter of 1988 when I had a couple of lessons on the theorbo with Paul O’Dette. I had been travelling to Manhattan about once a month to play for Pat O’Brien as I got ready to move to London to study with Nigel North. -
Lydia Tang Thesis.Pdf
THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues. -
Earl Klugh Finger Paintings Mp3, Flac, Wma
Earl Klugh Finger Paintings mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Finger Paintings Country: US Released: 1977 MP3 version RAR size: 1522 mb FLAC version RAR size: 1712 mb WMA version RAR size: 1129 mb Rating: 4.8 Votes: 271 Other Formats: RA APE WMA AAC AUD VOC AU Tracklist Hide Credits A1 Dr. Macumba 4:25 A2 Long Ago And Far Away 5:34 A3 Cabo Frio 3:30 Keep Your Eyes On The Sparrow (Baretta's Theme) A4 Arranged By [Horns] – Tom ScottVocals – Alexandra Brown*, Lisa Roberts, Stephanie 4:35 Spruill B1 Catherine 4:10 B2 Dance With Me 3:25 B3 Jolanta 3:00 Summer Song B4 4:05 Electric Bass – Francisco Centeno This Time B5 3:40 Twelve-String Guitar – Lee Ritenour Companies, etc. Made By – Festival Records Pty. Ltd. Recorded At – Kendun Recorders Mixed At – Kendun Recorders Mastered At – Kendun Recorders Recorded At – Electric Lady Studios Recorded At – Columbia 30th Street Studio Credits Acoustic Guitar – Earl Klugh Arranged By, Conductor – Dave Grusin Drums – Harvey Mason (tracks: A2, A3, B1, B5), Steve Gadd (tracks: A1, A4, B2 to B4) Electric Bass – Anthony Jackson (tracks: A1 to A3, B1, B5), Louis Johnson (tracks: A4, B2, B3) Electric Guitar – Lee Ritenour (tracks: A1 to A3, B1, B5) Electric Piano [Fender Rhodes], Synthesizer – Dave Grusin Executive-Producer – George Butler Horns – Chuck Findley, Dick Hyde, Jack Nimitz, Jerome Richardson, Lawrence Williams*, Tom Scott Mastered By – John Golden Percussion – Dave Grusin (tracks: B1, B2), Ralph MacDonald (tracks: A1, A2, B3, B5), Steve Forman (tracks: A3, A4, B4) Producer – Dave Grusin, Larry Rosen Recorded By [Strings & Horns] – Phil Schier Recorded By, Mixed By – Larry Rosen Recorded By, Mixed By [Assistant] – Michael Ebert , Michael Shulman Strings – Allan Harshman, Ann M.