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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Decadence 1969-76 (These are excerpts from my book "A History of Rock and Dance Music") As usual, the "dark age" of the early 1970s, mainly characterized by a general re-alignment to the diktat of mainstream pop music, was breeding the symptoms of a new musical revolution. In 1971 Johnny Thunders formed the New York Dolls, a band of transvestites, and John Cale (of the Velvet Underground's fame) recorded Jonathan Richman's Modern Lovers, while Alice Cooper went on stage with his "horror shock" show. In London, Malcom McLaren opened a boutique that became a center for the non-conformist youth. The following year, 1972, was the year of David Bowie's glam-rock, but, more importantly, Tom Verlaine and Richard Hell formed the Neon Boys, while Big Star coined power-pop. Finally, unbeknownst to the masses, in august 1974 a new band debuted at the CBGB's in New York: the Ramones. The future was brewing, no matter how flat and bland the present looked. Decadence-rock 1969-75 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Rock'n'roll had always had an element of decadence, amorality and obscenity. In the 1950s it caused its collapse and quasi-extinction. -
Courtney Harding, Is Excited to Start Her Second Year As a TACT Academy Instructor
Denise S Bass, has several television credits to her name including Matlock, One Tree Hill, HBO's East Bound and Down with Danny McBride and Katy Mixon, and TNT's production of T-Bone and Weasel starring Gregory Hines, Christopher Lloyd, and Wayne Knight. Also to her credit are several film productions including The Road to Wellville with Anthony Hopkins and Matthew Broderick, Black Knight with Martin Laurence, and The 27 Club with Joe Anderson. She has been performing theatrically since 1981 working from NC to Florida and touring the Southeast with the American Family Theatre out of Philadelphia. Denise's most recent roles include Ethel in Thalian Association's production of "Barefoot in the Park" (Winner 2017 Thalian Award Best Actress in a Play), Dottie in Thalian Association's production of "Noises Off" (Nominee 2016 Thalian Award Best Supporting Actress in a Play), and Madam Thenadier in Opera House Theatre Company's production of Les Miserable. Other notable roles over the years include Sally in "Follies", Dolly Levi in "Hello, Dolly!", Molly Brown in "The Unsinkable Molly Brown", Delightful in "Dearly Departed", Diana Morales in "A Chorus Line", and Mrs. Meers in "Throughly Modern Mille”. She is a producer and featured performer with Ensemble Audio Studios and was part of the cast for the audio production of "The King's Child", which was selected in 2017 at the Hear Now Audio Festival for the Gold Circle Page. She also voiced several characters for the very popular audio book "Percy the Cat and the Big White House". She is currently writing a collection of short stories and looks forward to teaching Fundamentals of Acting for TACT. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
INTRODUCTION: BLUE NOTES TOWARD a NEW JAZZ DISCOURSE I. Authority and Authenticity in Jazz Historiography Most Books and Article
INTRODUCTION: BLUE NOTES TOWARD A NEW JAZZ DISCOURSE MARK OSTEEN, LOYOLA COLLEGE I. Authority and Authenticity in Jazz Historiography Most books and articles with "jazz" in the title are not simply about music. Instead, their authors generally use jazz music to investigate or promulgate ideas about politics or race (e.g., that jazz exemplifies democratic or American values,* or that jazz epitomizes the history of twentieth-century African Americans); to illustrate a philosophy of art (either a Modernist one or a Romantic one); or to celebrate the music as an expression of broader human traits such as conversa- tion, flexibility, and hybridity (here "improvisation" is generally the touchstone). These explorations of the broader cultural meanings of jazz constitute what is being touted as the New Jazz Studies. This proliferation of the meanings of "jazz" is not a bad thing, and in any case it is probably inevitable, for jazz has been employed as an emblem of every- thing but mere music almost since its inception. As Lawrence Levine demon- strates, in its formative years jazz—with its vitality, its sexual charge, its use of new technologies of reproduction, its sheer noisiness—was for many Americans a symbol of modernity itself (433). It was scandalous, lowdown, classless, obscene, but it was also joyous, irrepressible, and unpretentious. The music was a battlefield on which the forces seeking to preserve European high culture met the upstarts of popular culture who celebrated innovation, speed, and novelty. It 'Crouch writes: "the demands on and respect for the individual in the jazz band put democracy into aesthetic action" (161). -
La La Land Waltz
Waltz from La La Land Danced by Ryan Gosling and Emma Stone Choreographed by Mandy Moore Reconstruction and description by Richard Powers Soundtrack music available on iTunes, CDs, YouTube and elsewhere Cross-Step Waltz: Co-Waterfall Lead: Starting in inside lane, facing LOD, in waltz position, slightly offset with partner at your right side. 1) Cross R over L, toward LOD 2) Side L, LOD 3) R slights falls back, LOD ...all while rotating CW 180º, with long steps, especially count 1. Follow: Starting in outside lane, facing against LOD (backing), in offset waltz position. 1) Step back L, diagonally LOD, like rocking back. 2) Rock forward R, diagonally LOD, like rocking forward. 3) L foot slightly walks forward LOD ...all while rotating CW 180º, with shorter steps, to let your partner pass by you. 4,5,6) The Lead does exactly what the Follow did, and vice versa. La La Land Dream Fantasy Waltz Easier version Music: La La Land Soundtrack: Epilogue, at 4:33 Part 1 Bars 1, 2 Co-Waterfall rotating CW 3 Co-Waterfall not rotating, like a promenade (Follow stays in the right lane) 4 Follow's Outside Underarm Turn. The Follow steps forward R, side L, back R. Part 2: Repeat Part 1 2 Part 3 1-3 3 Co-Waterfalls, with the Follow coming into the inside lane at the end. 4 The Lead releases the Follow toward LOD and she half-turns CW to travel LOD, passing him by and taking opposite swingout hands (his R and her L). Part 4 1 In opposite swingout position the Follow crosses L over R, with weight and holds for 2 counts. -
2010 Burley Fest Results
2013 Rack-N-Roll Horse Show - August 17 Judge: Keith Ailshie, White Pine, Tn. Class Horse's Name Rider Owner Address (1) Leadline (13 entries) 1st Al-Mar Apollo Elijah Penniman Elijah Penniman Coeburn, Va. 1st Sons Little Sadie Girl Estella Beavers Estella Beavers 1st Rowdy's Little Rascal Kamden Beavers Triple J Stables Honaker, Va. 1st Johnny Cash Rhyder Sibley Triple D Stables Dungannon, Va. 1st Johnny Cash Lacey Collins Triple D Stables Dungannon, Va. 1st Talon Sykes Hope Sykes Hope Sykes Coeburn, Va. 1st Nature Boy Becca Ward Drema Musick Lebanon, Va. 1st Firecracker Kimmie Floyd Kimmie & Karesa Charles 1st Supreme Rapture Jenna Ball Kim Osborne Castlewood, Va. 1st Nico Arabella Gillenwater Arabella Gillenwater Dungannon, Va. 1st Julie Ethan Royal Kaitlin Boyd Lebanon, Va. 1st I'm All Man Easton Pruitt Chelsi Akers Honaker, Va. 1st Jasper Jackson Sykes Lebanon, Va. (2) Model Class (7 entries) 1st Cash Blaster Mary Kathryn Deaton Mary Kathryn Deaton 2nd Zippity Do Dah Josie Smith Josie Smith Fall Branch, Tn. 3rd Another Little Princess Ginger Bartlett Joyce Gilmer Nickelsville, Va. 4th Wise Man Supreme Daysie Rich Virginia Snodgrass 5th Busteds Playboy Kassandra Boyd Kassandra Boyd Lebanon, Va. (3) Country Saddle (4 entries) 1st Gold's Rowdy Moon Karen Smith Rebel Pride Farm Church Hill, Tn. 2nd Jungle Man Tracy Jessee Scott Long Castlewood, Va. 3rd Rowdy's Rebel Hope Ashley Jarnigan Ashley Jarnigan Rogersville, Tn. 4th Magic Man Bryan Fugate Bryan Fugate Rogersville, Tn. (4) Spotted Country Pleasure (7 entries) 1st Gen-N-Ice Josie Smith Josie Smith Fall Branch, Tn. 2nd Nature Boy Drema Musick Clayton Musick Lebanon, Va. -
Joan Jett & the Blackhearts
Joan Jett & the Blackhearts By Jaan Uhelszki As leader of her hard-rockin’ band, Jett has influenced countless young women to pick up guitars - and play loud. IF YOU HAD TO SIT DOWN AND IMAGINE THE IDEAL female rocker, what would she look like? Tight leather pants, lots of mascara, black (definitely not blond) hair, and she would have to play guitar like Chuck Berry’s long-lost daughter. She wouldn’t look like Madonna or Taylor Swift. Maybe she would look something like Ronnie Spector, a little formidable and dangerous, definitely - androgynous, for sure. In fact, if you close your eyes and think about it, she would be the spitting image of Joan Jett. ^ Jett has always brought danger, defiance, and fierceness to rock & roll. Along with the Blackhearts - Jamaican slang for loner - she has never been afraid to explore her own vulnerabilities or her darker sides, or to speak her mind. It wouldn’t be going too far to call Joan Jett the last American rock star, pursuing her considerable craft for the right reason: a devo tion to the true spirit of the music. She doesn’t just love rock & roll; she honors it. ^ Whether she’s performing in a blue burka for U.S. troops in Afghanistan, working for PETA, or honoring the slain Seattle singer Mia Zapata by recording a live album with Zapata’s band the Gits - and donating the proceeds to help fund the investigation of Zapata’s murder - her motivation is consistent. Over the years, she’s acted as spiritual advisor to Ian MacKaye, Paul Westerberg, and Peaches. -
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of Study Language is as one of important aspect in this life. In addition, a language is our intimate friend from the past and the future because a language is how the way a human being send a message to their partner or between humans. We can easily communicate with other people in getting the best interactions by using language. Badadu said that langugae is “Interest, opinion, intelligence, mind, spoken, speech, and babbling” (Badadu & Mahmud, 1996). There are various languages in the world that have been created by Allah, one of them is English. English is used for many purposes around the world. Especially in Indonesia there are many reasons why it is important to learn. The most common reason is because of its role as a language of international communication. It is used in various aspects, such as in transportation, commerce, banking, tourism, and education. Language is the most important thing for human being as a means of communication instrument in community, as a symbol of sound which is produced by human beings instrument of utterance. 1 2 The use of English is in accordance with the aim of creating language as stated in the Holy Qur’an in the Al-hujarat verse 13 as follows : يَا أَيُّهَا النَّا ُس إِنَّا َخلَ ْقنَا ُك ْم ِم ْن َذ َك ٍر َوأُ ْن َثى َو َج َع ْلنَا ُك ْم ُش ُعوبًا َوقَبَائِ َل لِتَ َعا َرفُوا إِ َّن أَ ْك َر َم ُك ْم ِع ْن َد ََّّللاِ أَ ْتقَا ُك ْم إِ َّن ََّّللاَ َعلِي ٌم َخبِي ٌر It can be understood from this verse that Allah creates many different human and nations with different cultures in the world.