LAH 350 Sicily: Myth, Reality and the Mafia Instructor: Daniela Bini Class time and place: TTH: 11:00-12:15; HRH 2.112 Office Hours: HRH 3.112C: Th 3:30-6:00 and by appointment e-mail:
[email protected]; phone: 512-471-5995 At the cross of the Mediterranean, placed at the most strategic location, Sicily has been the coveted island of Greeks, Romans, Arabs, Normans, Spaniards. These diverse civilizations contributed to the creation of a Sicilian culture that is unique in its richness and complexity. The course will briefly survey the artistic traces left by those civilizations placing them in dialogue with the present Sicilian reality they contributed to create. From the Greek temples of Agrigento and Segesta through the Byzantine mosaics of Palermo and Cefalù, the baroque Spanish churches, to the lush colors of Guttuso’s paintings, the course will try to tie together the visual images of Sicily with its literary and filmic expressions. Major historical and social phenomena such as Mafia, Italian unification, sexual mores will be discussed through the texts of Verga, Pirandello, Sciascia, Tomasi di Lampedusa, and films by Petri, Visconti, Germi, Taviani brothers, Giordana, Crialese, Amenta. TEXTS: Verga, Giovanni: selected short stories on Canvas Pirandello, Luigi: Selected short stories on Canvas (please, print them for class discussion, since laptops, iPhone, iPads should not be used in class) Tomasi di Lampedusa, Giuseppe: The Leopard Brancati, Vitaliano: Beautiful Antonio Sciascia, Leonardo. The Day of the Owl ___________ Parts of Sicily as Metaphor FILMS Amenta, Marco: The Sicilian Girl Pietro Germi: Seduced and Abandoned Traviani Brothers: Kaos Crialese, Manuele: Respiro Marco Tullio Giordana: The One Hundred Steps On Canvas: Power points of Greek temples in Agrigento, Segesta, Senilunte; of Sicilian Baroque Architecture; of paintings by Antonello da Messina and Renato Guttuso with relative texts.