BENJAMIN BRITTEN WAR REQUIEM Op. 66

April 22, 2009 MusicAl Arts center

One Thousand One Hundred Twenty-Sixth Program of the 2008-09 Season ______Oratorio Chorus Philharmonic Orchestra Indiana University Children’s Choir

Benjamin Britten’s War Requiem Op. 66

“My subject is War, and the pity of War. The Poetry is pity. All a poet can do is to warn.” — Wilfred Owen

Words from the Missa pro Defunctis and the poems of Wilfred Owen

Robert Porco, Conductor Lisa Yozviak, Children’s Choir Conductor Meghan Dewald, Soprano Mark Van Arsdale, Tenor Scott Harrison Hogsed, Baritone

______Musical Arts Center Wednesday Evening April Twenty-Second Eight O’Clock music.indiana.edu I. Requiem aeternam Chorus Requiem aeternam dona eis, Domine; Lord, grant them eternal rest; et lux perpetua luceat eis. and let the perpetual light shine apon them. Children’s Choir Te decet hymnus, Deus in Sion: Thou shalt have praise in Zion, of God: et tibi reddetur votum in Jerusalem; and homage shall be paid to thee in Jerusalem; exaudi orationem meam, hear my prayer, ad te omnis caro veniet. all flesh shall come before Thee. Chorus Requiem aeternam dona eis, Domine; Lord, grant them eternal rest; et lux perpetua luceat eis. and let the perpetual light shine apon them. Tenor Solo What passing bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons No mockeries for them from prayers or bells, Nor any voice of mourning save the choirs, -- The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.

What candles may be held to speed them at all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of good-byes. The pallor of girls’ brows shall be their pall; Their flowers the tenderness of silent minds, And each slow dusk a drawing-down of blinds. Chorus Kyrie eleison Lord, have mercy apon them Christe eleison Christ, have mercy apon them Kyrie eleison Lord, have mercy apon them

II. Dies irae Chorus Dies irae, dies illa, This day, this day of wrath Solvet saeclum in favilla: Shall consume the world in ashes, Teste David cum Sibylla. As foretold by David and Sibyl.

Quantus tremor est futurus, What trembling there shall be Quando Judex est venturus, When the judge shall come Cuncta stricte discussurus! To weigh everything strictly.

Tuba mirum spargens sonum The trumpet, scattering its awful sound Per sepulchra regionum Across the graves of all lands Coget omnes ante thronum. Summons all before the throne. Mors stupebit et natura, Death and nature shall be stunned Cum resurget creatura, When mankind arises Judicanti responsura. To render account before the judge. Baritone Bugles sang, saddening the evening air; And bugles answered, sorrowful to hear.

Voices of boys were by the river-side. Sleep mothered them; and left the twilight sad. The shadow of the morrow weighed on men.

Voices of old despondency resigned, Bowed by the shadow of the morrow, slept. Soprano Liber scriptus proferetur, The written book shall be brought In quo totum continetur, In which all is contained Unde mundus judicetur. Whereby the world shall be judged. Judex ergo cum sedebit When the judge takes his seat Quidquid latet, apparebut: All that is hidden shall appear: Nil inultum remanebit. Nothing will remain unavenged. Chorus Quid sum miser tunc dicturus? What shall I, a wretch, say then? Quem patronem rogaturus, To which protector shall I appeal Cum vix justus sit securus? When even the just man is barely safe?

Soprano and Chorus Rex tremendae majestatis, King of awful majesty, Qui salvandos salvas gratis, Who freely savest those worthy of salvation, Salva me, fons pietatis. Save me, fount of pity. Tenor and Baritone Out there, we’ve walked quite friendly up to Death: Sat down and eaten with him, cool and bland,- Pardoned his spilling mess-tins in our hand. We’ve sniffed the green thick odour of his breath,- Our eyes wept, but our courage didn’t writhe. He’s spat at us with bullets and he’s coughed Shrapnel. We chorused when he sang aloft; We whistled while he shaved us with his scythe.

Oh, Death was never enemy of ours! We laughed at him, we leagued with him, old chum. No soldier’s paid to kick against his powers. We laughed, knowing that better men would come, And greater wars; when each proud fighter brags He wars on Death - for Life; not men - for flags. Chorus Recordare Jesu pie, Remember, gentle Jesus, Quod sum causa tuae viae: That I am the reason for Thy time on earth, Ne me perdas illa die. Do not cast me out on that day.

Quarens me, sedisti lassus: Seeking me, Thou didst sink down wearily, Redemisti crucem passus: Thou hast saved me by enduring the cross, Tantus labor non sit cassus: Such travail must not be in vain.

Ingemisco, tamquam reus: I groan, like the sinner that I am, Culpa rubet vultus meus: Guilt reddens my face, Supplicanti parce Deus. Oh God spare the supplicant.

Qui Mariam absolvisti, Thou, who pardoned Mary Et latronem exaudisti, And heeded the thief, Mihi quoque spem dedisti. Hast given me hope as well.

Inter oves locum praesta, Give me a place among the sheep Et ab haedis me sequestra, And separate me from the goats, Statuens in parte dextra. Let me stand at Thy right hand.

Confutatis maledictis, When the damned are cast away Flammis acribus addictis, And consigned to the searing flames, Voca me cum benedictis. Call me to be with the blessed.

Oro supplex et acclinis Bowed down in supplication I beg Thee, Cor contritum quasi cinis My heart as though ground to ashes: Gere curam mei finis. Help me in my last hour.

Baritone Be slowly lifted up, thou long black arm, Great gun towering toward Heaven, about to curse; Reach at that arrogance which needs thy harm, And beat it down before its sins grow worse; But when thy spell be cast complete and whole, May God curse thee, and cut thee from our soul!

Chorus Dies irae, dies illa, This day, this day of wrath Solvet saeclum in favilla: Shall consume the world in ashes, Teste David cum Sibylla. As foretold by David and Sibyl.

Quantus tremor est futurus, What trembling there shall be Quando Judex est venturus, When the judge shall come Cuncta stricte discussurus! To weigh everything strictly. Soprano and Chorus Lacrimosa dies illa, Oh this day full of tears Qua resurget ex favilla, When from the ashes arises Judicandus homo reus: Guilty man, to be judged: Huic ergo parce Deus. Oh Lord, have mercy upon him.

Tenor Move him into the sun - Gently its touch awoke him once, At home, whispering of fields unsown. Always it woke him, even in France, Until this morning and this snow. If anything might rouse him now The kind old sun will know.

Soprano and Chorus Lacrimosa dies illa... Oh this day full of tears...

Tenor Think how it wakes the seeds - Woke, once, the clays of a cold star. Are limbs, so dear-acheived, are sides, Full-nerved - still warm - too hard to stir? Was it for this the clay grew tall?

Soprano and Chorus ...Qua resurget ex favilla...... When from the ashes arises...

Tenor Was it for this the clay grew tall?

Soprano and Chorus ...Judicandus homo reus. ...Guilty man, to be judged.

Tenor - O what made fatuous sunbeams toil To break earth’s sleep at all?

Chorus Pie Jesu Domine, dona eis requiem. Gentle Lord Jesus, grant them rest. Amen. Amen. III. Offertorium Children’s Choir Domine Jesu Christe, Rex gloriae, Lord Jesus Christ, King of glory, libera animas omnium fidelium deliver the souls of the faithful defunctorum de poenis inferni, departed from the pains of hell, et de profundo lacu: and the bottomless pit: libera eas de ore leonis, ne absorbeat eas deliver them from the jaw of the lion, lest hell tartarus, ne cadant in obscurum. engulf them, lest they be plunged into darkness.

Chorus Sed signifer sanctus Michael But let the holy standard-bearer Michael repraesentet eas in lucem sanctam: lead them into the holy light Quam olim Abrahae promisisti, as Thou didst promise Abraham et semini ejus. and his seed.

Tenor and Baritone So Abram rose, and clave the wood, and went, And took the fire with him, and a knife. And as they sojourned both of them together, Isaac the first-born spake and said, My Father, Behold the preparations, fire and iron, But where the lamb for this burnt-offering? Then Abram bound the youth with belts and straps, And builded parapets and trenched there, And streched forth the knife to slay his son.

When lo! and angel called him out of heaven, Saying, Lay not thy hand upon the lad, Neither do anything to him. Behold, A ram, caught in a thicket by its horns; Offer the Ram of Pride instead of him. But the old man would not so, but slew his son, - And half the seed of Europe, one by one.

Children’ s Choir Hostias et preced tibi Domine Lord, in praise we offer to Thee laudis offerimus; sacrifices and prayers, do Thou receive them tu suscipe pro animabus illis, for the souls of those whom we remember quarum hodie memoriam facimus: this day: Lord, make them pass fac eas, Domine, de morte transire ad vitam. from death to life. Quam olim Abrahae promisisti As Thou didst promise Abraham en semini ejus. and his seed.

Chorus ...Quam olim Abrahae promisisti ...As Thou didst promise Abraham et semini ejus. and his seed. IV. Sanctus Soprano and Chorus Sanctus, sanctus, sanctus Holy, holy, holy Dominus Deus Saboath. Lord God of hosts. Pleni sunt ceoli et terra gloria tua, Heaven and earth are full of Thy glory. Hosanna in excelsis. Hosanna in the highest. Sanctus. Holy. Benedictus qui venit in nomine Domini. Blessed is he who cometh in the name of the Lord. Hosanna in excelsis. Hosanna in the highest. Sanctus. Holy.

Baritone After the blast of lighning from the East, The flourish of loud clouds, the Chariot Throne; After the drums of time have rolled and ceased, And by the bronze west long retreat is blown,

Shall life renew these bodies? Of a truth All death will He annul, all tears assuage? - Fill the void veins of Life again with youth, And wash, with an immortal water, Age?

When I do ask white Age he saith not so: “My head hangs weighed with snow.” And when I hearken to the Earth, she saith: “My fiery heart shrinks, aching. It is death. Mine ancient scars shalls not be glorified, Nor my titanic tears, the sea, be dried.” V. Agnus Dei Tenor One ever hangs where shelled roads part. In this war He too lost a limb, But His disciples hide apart; And now the Soldiers bear with Him.

Chorus Agnus Dei, qui tollis peccata mundi, Lamb of God, that takest away the sins of the world, dona eis requiem. grant them rest.

Tenor Near Golgatha strolls many a priest, And in their faces there is pride That they were flesh-marked by the Beast By whom the gentle Christ’s denied.

Chorus Agnus Dei, qui tollis peccata mundi, Lamb of God, that takest away the sins of the world, dona eis requiem. grant them rest.

Tenor The scribes on all the people shove and bawl allegiance to the state,

Chorus Agnus Dei, qui tollis peccata mundi... Lamb of God, that takest away the sins of the world...

Tenor But they who love the greater love Lay down their life; they do not hate.

Chorus ...Dona eis requiem. ...Grant them rest.

Tenor Dona nobis pacem. (Grant us peace.)

VI. Libera me Chorus Libera me, Domine, de morte aeterna, Deliver me, O Lord, from eternal death in die illa tremenda: in that awful day Quando coeli movendi sunt et terra: when the heavens and earth shall be shaken Dum veneris judicare saeculum per ignem. when Thou shalt come to judge the world by fire. Soprano and Chorus Tremens factus sum ego, et timeo I am seized with fear and trembling, dum discussio venerit, atque ventura ira. until the trial shall be at hand and the wrath to come. Libera me, Domine, de morte aeterna. Deliver me, O Lord, from eternal death. Quando coeli movendi sunt i terra. When the heavens and earth shall be shaken. Dies illa, dies irae, calamitatis That day, that day of wrath, of calamity et miseriae, dies magna et amara valde. and misery, a great day and exceeding bitter. Libera me, Domine. Deliver me, O Lord.

Tenor It seems that out of battle I escaped Down some profound dull tunnel, long since scooped Through granites which titanic wars had groined. Yet also there encumbered sleepers groaned, Too fast in thought or death to be bestirred. Then, as I probed them, one sprang up, and stared With piteous recognition in fixed eyes, Lifting distressful hands as if to bless.

And no guns thumped, or down the flues made moan. “Strange friend,” I said, “here is no cause to mourn.”

Baritone “None”, said the other, “save the undone years, The hopelessness. Whatever hope is yours, Was my life also; I went hunting wild After the wildest beauty in the world,

For by my glee might many men have laughed, And of my weeping something had been left, Which must die now. I mean the truth untold, The pity of war, the pity war distilled. Now men will go content with what we spoiled. Or, discontent, boil boldly, and be spilled. They will be swift with swiftness of the tigress, None will break ranks, though nations trek from progress. Miss we the march of this retreating world Into vain citadels that are not walled. Then, when much blood had clogged their chariot-wheels I would go up and wash them from sweet wells, Even from wells we sunk too deep for war, Even from the sweetest wells that ever were.

I am the enemy you killed, my friend. I knew you in this dark; for so you frowned Yesterday through me as you jabbed and killed. I parried; but my hands were loath and cold. Let us sleep now...” Children’s Choir, then Chorus, then Soprano In paridisum deducant te Angeli; Into Paradise may the Angels lead thee: in tuo adventu suscipiant te Martyres, at thy coming may the Martyrs receive thee, et perducant te in civitatem sanctam Jerusalem. and bring thee into the holy city Jerusalem.

Chorus Angelorum te suscipiat, May the Choir of Angels receive thee et cum Lazaro quondam paupere aeternam and with Lazarus, once poor, habeas requiem. may thou have eternal rest. Children’s Choir Requiem aeternam dona eis, Domine: Lord, grant them eternal rest, et lux perpetua luceat eis. and let the perpetual light shine upon them.

Chorus In paradisum deducant etc. Into Paradise, etc.

Soprano Chorus Angeloru, te suscipiat etc. May the Choir of Angels, etc.

Tenor and Baritone Let us sleep now. Chorus Requiescant in pace. Amen. Let them rest in peace. Amen.

Robert Porco became director of choruses for The Cleveland Orchestra in 1998 following, in a line of distinguished Cleveland choral leaders that has included Boris Goldovsky, Robert Shaw, Margaret Hillis, Robert Page, and Gareth Morrell. Each year, he conducts the orchestra’s annual series of Christmas concerts at Severance Hall, featuring the Chorus and Children’s Chorus. Recent seasons have also featured performances of Handel’s Messiah.

Throughout his career, Porco has been active as a conductor of opera and of choral and orchestral works. He is a regular guest conductor and the director of choruses for the Cincinnati May Festival, and has guest conducted the Cincinnati Symphony Orchestra, Indianapolis Chamber Orchestra and other orchestras in the United States and Europe. Porco has prepared choruses for such prominent conductors as Pierre Boulez, James Conlon, Andrew Davis, Christoph von Dohnányi, Raymond Leppard, James Levine, Jesús López-Cobos, Zubin Mehta, André Previn, Kurt Sanderling, Robert Shaw, Leonard Slatkin, and Franz Welser-Möst, among others.

Highlights of Porco’s Cleveland tenure in recent seasons have included preparing the Cleveland Orchestra Chorus (or members selected from it) for Severance Hall concert performances of Verdi’s Don Carlo (2003), Richard Strauss’s Elektra (2004), Verdi’s Falstaff (2006), and Richard Strauss’s Der Rosenkavalier (2007), all under the direction of Franz Welser-Möst. Porco prepared the Cleveland Orchestra Chorus for January 2007 performances of Beethoven’s Symphony No. 9, also conducted by Welser-Möst, that were recorded and released on compact disc by Deutsche Grammophon. During the 2007-08 season, he prepared choruses for performances of Grieg’s Peer Gynt, Mahler’s Symphony No. 2 (“Resurrection”), Haydn’s “Lord Nelson” Mass, Bernstein’s Chichester Psalms, Vaughan Williams’ A Sea Symphony, and Dvorák’s Rusalka. Ohio native Porco served as chairman of the Choral Department at Indiana University from 1980 to 1998 and as artistic director and conductor of the Indianapolis Symphonic Choir from 1989 to 1998. He has directed the Cincinnati May Festival Chorus since 1989.

Meghan Dewald, soprano, is a second-year Master of Music student studying with Costanza Cuccaro. She recently performed the role of Cleopatra in IU Opera Theater’s production of Giulio Cesare. Other roles include Camelia la Tejana in the world premiére of Gabriela Ortiz’s “videopera” ¡Únicamente la Verdad! at the IU Jacobs School of Music, Diana in William Bolcom’s A Wedding with IU Opera Theater, and Margarita Xirgu in the collegiate premiére of Osvaldo Golijov’s Ainadamar at the Jacobs School. Dewald’s operatic credits include the roles of Juliette in Roméo et Juliette (OperaWorks tour) and Berta in Il baribere di Siviglia with Kentucky Opera; First Lady in Die Zauberflöte and Suor Dolcina in Suor Angelica at Northwestern University. She has been the recipient of several awards, including Second Place Regional Finalist and District Winner in the Metropolitan Opera National Council Auditions, Indianapolis Matinee Musicale Competition, and Friends of Music scholarship at Indiana University. She has participated in master classes with Gianna Rolandi, David Gately and Elizabeth Upchurch. Dewald is a native of Reading, Pa. and completed her Bachelor of Music degree magna cum laude at Northwestern University.

Mark Van Arsdale, tenor, is a master’s student in voice studying with Robert Harrison. He was a National Semi-Finalist of the 2009 Metropolitan Opera National Council Auditions. He will return to the Tanglewood Music Festival in Massachusetts in the summer of 2009 as a vocal fellow, singing the role of Don Ottavio in Mozart’s Don Giovanni conducted by James Levine. As a 2008 Tanglewood Fellow, he participated in master classes with James Levine and Dawn Upshaw, covered the lead role of Jimmy in Mahagonny (Weill), performed in Sondheim’s A Little Night Music with the Boston Pops as well as Brahms’ Liebeslieder-Walzer with the Mark Morris Dance Group, and sang recitals of Rachmaninoff and Brahms. IU Opera Theater credits include Truffaldino in The Love for Three Oranges,Sam in Susannah, Donato in the collegiate première of A Wedding (Bolcom), and Herman in The Most Happy Fella.Other operatic roles include the Second Dandy in The Ballad of Baby Doe as a 2006 young artist with Central City Opera, and Ferrando in Così fan tutte at Northwestern University, where he graduated magna cum laude. Further vocal studies were held with Giovanna Canetti and Ubaldo Fabbri while living in Milan, Italy. Oratorio credits include J. S. Bach’s Magnificat and Handel’s Messiah with the Cheyenne Symphony Orchestra, the St. John Passion with the Lafayette Bach Chorale, and Handel’s Solomon and Rossini’s Stabat Mater with Northwestern University. He received the 2008 IU Performer’s Certificate for Excellence in Voice for his all-French Master’s recital and has won awards from the Orpheus Competition, Opera Birmingham, the National Society of Arts and Letters, and the Singers’ Club of Cleveland.

Most recently, baritone and Atlanta native Scott Harrison Hogsed was seen as Germont in Indiana University’s production of La traviata. He began his professional training with the San Francisco Opera Merola program, singing the title role in Don Giovanni for the Western Opera Theater National Tour and covering Guglielmo for the Merola production of Così fan tutte. While attending the Oberlin Conservatory of Music, he sang Theseus inA Midsummer Night’s Dream, Sam in Trouble in Tahiti, and Count Almaviva in Le nozze di Figaro. During his five seasons at New York City Opera as a company baritone, he was responsible for singing the roles of Dancairo and Morales in Carmen, Fritz in Die tote Stadt, Peter in Hansel and Gretel, Antonio in Il viaggio a Reims, Fiorello in Il barbiere di Siviglia, and many more. On the concert stage, Hogsed has appeared under the baton of Robert Spano with the Brooklyn Philharmonic in the title role of Sibelius’ Kullervo, Messiah soloist with Orchestra Atlanta, and the baritone solos in J. S. Bach’s Mass in B Minor and St. John Passion with the Atlanta Bach Choir and the Choral Guild of Atlanta. Hogsed received two Richard F. Gold Career Grants and two Tanglewood Voice Fellowships. He is a student of Costanza Cuccaro. Oratorio Chorus Robert Porco, Conductor

Soprano Jennifer Albert Vivian Ip Nancy Richardson Megan Beus Hannah Kennedy Valerie Saba Emily Blair Jenny Kim Ariel Seeman Meredith Bonk Rebecca Lauer Caitlin Andrews Shirley Loralee Culbert Eun-Hye Lee Emily Stokes Aarthi Devanathan Soo Bin Lee Beverly Thompson Shina Ellingson Shan-Hui Lin Stephanie Tokarz Rachel Erie Susan Malooley Audrey Tornblom Sarah Fox Elizabeth McKinney Ruth Umthun Sharon Harms Natasha Nelson Laura Waters Jennifer Harrington Shin-Yeong Noh Virginia Whealton Andrea Himsel Min-Gyung Oh Amanda Woodbury Sierra Hsieh Soohyun Oh Heather Youngquist Christine Papania

Mezzo-Soprano Lindsay Ammann Jennifer Jakob Charis Peden Monica Armstrong Eileen Jennings Emily Poulsen Laura Boone Shareese Johnson Joyce Rorabaugh Amanda Brown Amanda Kasem Gail Rosenbaum Vine’ecia Buchanan Megan Keller Lisa Runion Jennifer Carpenter Jisoo Kim Amanda Russo Abigail Carter Lindsey Kuper Alisa Sanabria Sun Min Choi Krista Laskowski Ann Sauder Laura Dallman Jessica Marcrum Abigail Shupe Stephanie Dana Alyssa Martin Julia Snowden Elizabeth Davidson Rachel Milligan Yekaterina Syrochkina Nicole DiPaolo Abigail Mitchell Bernadette Wagner Catherine Elliot Sarah Mostov Lauren Walker Laura Gibson Margaret Musick Wenjing Wang Kelly Glyptis Clara Nieman Megan Watson Asha Goings Elizabeth Ogonek Laura Zahn Carrie Hendrickson Jee Hee Oh Kendall Zini-Jones Tenor Josh Brodbeck Donald Gilbert Christopher Nelson Ryan Chase Blake Kendall Nicholas Nesbitt Chris Cheung Lawrence Chappell Kingsland Andy Ng Mason Copeland Blake Koness Chris Serena Diego Cubero John Leonard Jonathan Shields Michael Cummings Trevor Leslie Benjamin Smith Brian Darsie Andreas Lim Thomas Stoffel Nicholas Drabik Chris Ludwa Asitha Tennekoon John Gavin Duffy Christopher Lynch Jason Thomas Micah Fleming James Martinez Evan Thompson Lawrence Galera Yesong Na Anthony Webb Gregory Geehern Andrew Nason Tyler Webb Benjamin Geier Nikhil Navkal Jacob Wooden

Baritone/Bass: Eric Albrecht Benjamin Gulick Alexander Nelson Aubrey Allicock Jonathan Harvey Douglas Olson Erik Anstine Eric Hermann John Orduña Joseph Beutel Greg Hoyt Chris Renk Nicholas Brozack Adam Johnson Mitchell Rorick Ignasi Cambra Jeremy Johnson Steven Roudebush Noah Cotler Carl Kanowsky Brian Schkeeper Curtis Crafton Andrew Kroes Daniel Scofield Thomas Lee Cravens Jin Uk Lee Jacob Shrum Benjamyn Ellerin Chih Chiang Lin Jacek Skryzalin James Estes Wesley Lovell Gregory Smith Milner Fuller Jesse Malgieri Brent Stamey Cliff Gagliardo Daniel Mayo Michael Sweeney Derek Gould Eric Mowery Ryan Tibbetts Levi Graft Kevin Necciai Ryan Young Joshua Groffman Kevin Neel John Zadlo

Indiana University Children’s Choir Brent Gault, Indiana University Chilren’s Choir Director Lisa Yozviak, Conductor Sam Adamson Hannah Hanscom Hikari Nakagawa Madie Allender Julia Herrmann Allison Neal Devyn Anderson Susanna Herrmann Wesley Oliver Garrett Ankney Madison Hoff Kristin Richards Eleanor Baude-Phillips Victoria Holle Hannah Roberson Solomon Brown-Robinson Morgan Huntington Laura Schneider Joseph Burkhart Lily Jenness Abigail Self Rebekah Burkhart Ben Johnson Carrie Sharp Mirada Christ Davis Joseph Elsa Shelton Amy Cohn Denis Joseph Sarah Jo Smith Lena Cramer Keziah Lee Kathryn Tafoya Danielle Dingman Corah Lydy CeCe Underwood Haley Dobbins Zoe McAfee Lauren Ward October Drenth Carly McClelland Michelle Watson-Jones Joanna George Arielle Moir Anna Weinberg Philharmonic Orchestra Violin I Cello cont’d Trombone Alexander Martin Maxfield Wollam-Fisher Patrick Pfister Ann Fink Rebecca Bartelt Derrick Wallace Pyunghwa Choi Julia Stewart Jacob Carlisle, Bass Niccolo Muti Dongso Kim Chao Kai Lin Tuba Alexander Boissonnault Bass James Saliers Maile Tilden Danielle Meier Nathan Bartley Timothy Weddle Timpani James Choi Brian Loeb Derek Dreier Sophie Bird James Sullivan Won Hee Lee Di Wang Percussion Yordan Tenev David Scholl Nicholas Stone Amy Schlicher Michael Priester J.J. Pearse Benjamin Beggs Ross Erickson Violin II Joseph McFadden Chia-hsin Dai Dmitriy Melkumov Brian Blume Mallory Hamm Flute Shari Mason Sung-eun Kim Piano Steffen Zeichner Shailey DeVito Johann Wiese Paul Casey Geoffrey Crowley, Marie-Madeleine Orban Piccolo Harmonium Delyana Lazarova Alice Baldwin Rena Kimura Oboe Jason Chen Keith Sorrels Organ Alexander Leigh Kristen Perry William Jon Gray Sarah Drake Rachel Edwards, Colleen Wang English Horn Chamber Ensemble Azusa Chapman Rachel Patrick, Violin I Clarinet Seul Lee, Violin II Viola Cody Grabbe Olivia Chew, Viola Johannes Eva J.J. Koh Alan Ohkubo, Cello Linsey Rogers Ashley Creighton, Allison Cook, Bass Lee Anderson E-Flat/Bass Alan Tomasetti, Flute/Piccolo Sylvia Choi Jennifer Berg, Victoria Witmer Bassoon Oboe/English Horn Forrest Wu Allen Hamrick Krista Weiss, Clarinet Emily Williams Kelley Roberts Sarah Wildey, Bassoon Eunje Kim Zachary Hague, Stanley Spinola, Horn Dashiel Nesbitt Contra William Reno, Percussion Leah Kovach Emily Granger, Harp Horn Cello Everett Burns Orchestra Manager Edward Prevost Zachary Glavan Micah Fleming Susan Millar Mary Garza Alan Tomasetti, ass’t. Elizabeth Howse Robert Fant Miyoung Woo Jessica Richers Orchestra Set-Up Catherine Lukits Aaron Kibbler Di Wang Zachary Mansell Alexander Boissonnault Maya Nojiri Trumpet Danielle Meier Maxwell Frank Doug Reneau Alex Noppe Librarian William Gerlach Mariel Johnson Mark Woodring